Art Madrid'25 – ART MADRID’25: A CALL FOR ACTION

There are places where art breathes differently, where every piece finds the space to whisper into the viewer's ear. Art Madrid has become, edition after edition, a highly anticipated event for contemporary art—an encounter where innovation intertwines with human connection. In 2025, we celebrate our 20th edition, adhering to the guiding principles that have always defined Art Madrid: an approach that remains close to the public and attuned to the realities of the art world, conscious of future challenges and the positive impact of events like this, which often bring fresh air and break the insularity that tends to permeate the sector.


Milija Cpajak Thorn. Bronze sculpture. 2021.


It is often thought that the success of an art fair is measured in square meters. In truth, its true value lies in the audience's motivation to return year after year and to recommend it to others. In our case, being a "small" fair is a statement of principles. Here, there is no rush, no crowds to stifle conversation.

At Art Madrid, galleries, artists, and collectors have time to meet, to unravel the stories behind the artworks. It is a place where the intimacy of dialogue takes precedence over the grandiosity of numbers. Over these twenty years, we have seen galleries grow that began this adventure with us, sharing and shaping their journeys in the same spirit of closeness and authenticity. At the same time, each edition is enriched by the incorporation of new projects and visions that inject fresh air and broaden our artistic horizons.


Veljko Vuckovic. Suspended State. Oil on canvas. 2024.


The year 2025 brings us a selection of artists who are shaping the future of art. Guided by the thirty-four galleries participating in this edition of Art Madrid, we will discover artists whose passion for visual expression redefines the boundaries between abstraction and figuration; bold proposals that explore texture, color, and the symbolism of “other” visual narratives; and new voices and perspectives that confront the challenges of creation in a globalized world. This wealth of perspectives invites visitors to witness a constant dialogue between contemporary creation and the tensions that permeate it.

A clear example of how contemporary artists are weaving threads between the past and the present, thereby reshaping our understanding of art as a dynamic practice in continuous dialogue with history. In this context, artists challenge the conventions of visual language and invite us to rethink the meanings, textures, and symbols that saturate our perceptions.

The fair has remained true to its identity as a close, human-centered event—modest in scale but significant in impact—allowing it to offer a unique and personalized experience to everyone involved. The questions we pose are clear: How is contemporary art understood in the 21st century? How can a fair be not just a marketplace, but also a space for debate, critique, and discovery? And, above all, what does it mean to celebrate twenty years of contemporary art in a world transforming at breathtaking speed?


Iyán Castaño. Corrientes circulares. Mixed Media. 2024.


In 2025, Art Madrid emerges as a call to action: an invitation to pause and reflect on the role that art plays in our lives and society. Rather than offering a quick response to market dynamics, the fair creates a moment of reflection, a space where artworks can engage in deeper, more meaningful dialogue with the viewer. This approach is not only necessary but becomes an act of resistance against the immediacy and superficiality that often characterize the consumption of art in the digital age.

In an era where the acceleration of the market and consumer-driven trends shape the creation and exhibition of art, Art Madrid remains faithful to a model that values thoughtful reflection, personal encounters, and profound dialogue. This critique of speed is particularly relevant in a historical moment where digital platforms, algorithms, and globalization are redefining our interactions with culture.


Joana Gancho. ST. Oil on table. 2024.


In this edition, we tackle the challenge of balancing the need for relevance in a globalized market with the preservation of authenticity and creativity. In this effort, we have successfully struck a balance where the quality of the artistic offering is prioritized over the mass scale of events. This principle is essential to understanding how the fair has, over two decades, evolved into an international showcase while remaining true to its local essence and its strong connection to Madrid’s artistic community.

The inclusion of disciplines such as painting, sculpture, photography, and video art reflects the plurality of approaches that define Art Madrid. This diversity of artistic expressions offers the public a broad and multifaceted perspective on today’s contemporary art landscape, demonstrating art’s power to transform perceptions of urban spaces, integrating technology into the creative process, and reshaping the relationship between the viewer, the artwork, and the context that embraces it.

Richard García. Me peleo con las bestias de mi propia fantasía. Mixed Media. 2024.

Art Madrid returns this year, celebrating twenty years of contemporary art and reaffirming its commitment to remain an open space for galleries and artists striving to stand out in an increasingly fragmented and image-saturated world. With this in mind, we aim to ensure that the galleries' exhibitions resonate with the public, enhancing the experience by proposing new ways of engaging with contemporary art and tackling complex issues such as climate change, identity, collective memory, and global politics. In 2025, the works on display at Art Madrid will undoubtedly reflect the most pressing concerns and questions of our time.

From July 7 to 9, 2025, the Balsera Palace will host the First Course on Collecting and Contemporary Art, an intensive 15-hour program that will explore the complex and fundamental question of taste in contemporary art. Organized by the Nebrija Institute of Arts and Humanities at Nebrija University and the Avilés City Council, in collaboration with 9915 — Association of Private Collectors of Contemporary Art and the Institute of Contemporary Art, the course offers a unique opportunity for analysis and debate on the dynamics that shape aesthetic and symbolic value in today’s art scene.


First Course on Collecting and Contemporary Art. Avilés, Asturias


The notion of taste, intrinsically tied to aesthetic judgments and power relations, has played a decisive role in the historical prominence of artists and artworks. However, contemporary art—marked by its breaking of conventions, diversity of media and techniques, and critical stance toward traditional canons—raises fundamental questions about the continued relevance of this concept.

This course will explore how the decisions made by key players in the art system—institutions, private collections, galleries, curators, and artists—continually redefine a field of taste shaped by aesthetic, symbolic, cultural, social, and political logics.


"¿But does it exist, and what is the prevailing taste of our time—so seemingly confused, fragmented, indecipherable?" - Omar Calabrese, The Neo-Baroque Era.


The academic program, directed by José Luis Guijarro Alonso, Director of the Master’s in Art Market and Related Business Management at Nebrija University, and Pablo Álvarez de Toledo, Head of the Department of Arts at Nebrija University and the Nebrija Institute of Arts and Humanities, will bring together a distinguished group of national experts—including collectors, critics, curators, gallery owners, and artists—whose contributions will address key issues in shaping aesthetic, symbolic, and market value in today’s art world.


PROGRAM

MONDAY, JULY 7

9:30 AM Registration.

10:00 AM Course Opening Nebrija University Avilés City Council Presented by Rosario López Meras – President of the Association of Contemporary Art Collectors, 9915, and Adrián Piera – President of the ICA, Institute of Contemporary Art.

10:30 AM Course Presentation By José Luis Guijarro Alonso – Art Historian and Anthropologist, Researcher, and Director of the Master’s in Art Market and Related Business Management at Nebrija University.

11:00 AM Coffee Break.

11:30 AM Panel Discussion The Taste of Private Collecting as a Prelude to History. Speakers: Candela Álvarez Soldevilla – Entrepreneur and Collector; Javier Quilis – INELCOM Collection; José Miguel Vegas Valle – Collector. Moderator: Luis Feás – Critic and Curator.

1:00 PM Lunch Break.

3:30 PM Individual Lecture On Good Taste in Contemporary Art. Speaker: Marisol Salanova – Curator and Art Critic, Director of Arteinformado.

4:45 PM Panel Discussion The Influence of Galleries in Shaping Contemporary Taste. Speakers: Elba Benítez – Gallerist; Ricardo Pernas – Gallerist (Arniches 26); Aurora Vigil-Escalera – Gallerist. Moderator: Rafael Martín – Coleccion@casamer.

6:00 PM End of Day.

6:30 PM Activity and Cocktail Visit to the Exhibition Asturian Artists in the Pérez Simón Collection – Avilés.

TUESDAY, JULY 8

10:00 AM Individual Lecture Contemporary (Bad) Taste: Kitsch, Camp, and Tacky. Speaker: Julio Pérez Manzanares – Autonomous University of Madrid.

11:00 AM Coffee Break.

11:30 AM Panel Discussion Institutions and the Formation of Contemporary Taste. Speakers: Virginia López – Artist, Founder of PACA_Proyectos Artísticos Casa Antonino; Julieta de Haro – Artistic Director of CentroCentro; Carlos Urroz – Director of Institutional Relations, Museo Nacional Centro de Arte Reina Sofía. Moderator: Laura Gutiérrez – Director, School of Art of Oviedo.

1:00 PM Lunch Break.

3:30 PM Panel Discussion Beyond the Eye: The Taste for Ethical, Ecological, Social, or Political Concerns in Contemporary Art. Speakers: Semíramis González – Independent Curator; Eugenio Ampudia – Artist; Claudia Rodríguez-Ponga – Independent Curator. Moderator: Bárbara Mur Borrás – PhD in Fine Arts.

5:00 PM End of Day.

5:30 PM Activity Visit to the Studiolo Exhibition – Candela Álvarez Soldevilla Collection.

WEDNESDAY, JULY 9

9:30 AM Meeting with Asturian Artists Speakers: María Castellanos – Artist; Avelino Sala – Artist; Consuelo Vallina – Artist. Moderator: Pablo Álvarez de Toledo – Nebrija University.

11:00 AM Activity Visit to the Niemeyer Center – Avilés.

Course Closing Ceremony.





This course is designed for art professionals, collectors, researchers, and students seeking an in-depth analysis of the dynamics that shape taste and collecting practices in contemporary art. Adopting a critical and multidisciplinary perspective, it provides a unique opportunity to rigorously examine the aesthetic, symbolic, and structural factors that underpin the legitimization of contemporary art.