Liquitex, market leader in acrylic paint, will once again participate in this new edition of Art Madrid as a collaborator through a very special project: #SomosKanva. Art and solidarity come together in a broad and admirable project led by (Kanva), International aid network through artistic creation; together with Shanga India, non-profit organization for schooling children from poor families in India; and Un Plato de Comida, a non-profit organization whose purpose is to provide the necessary meals at the "María Soliña" School (India).

The three organizations, together with Liquitex and Art Madrid as collaborators, offer you the possibility of contributing to a project aiming to improve the vital needs and education of children living a poverty situation, marginality or abandonment in India. Although Liquitex has collaborated in the #Somoskanva project from the beginning, donating painting materials for (Kanva), in their visit to India, especially in actions at the Uma Sankar School "María Soliña", giving them the possibility to paint murals and organizing art workshops with children -this uplifting experience was recorded in a brief documentary. Now, Liquitex joins forces with Art Madrid in a new project in which we propose a charity challenge. If you are an artist and you want to help this immense and necessary workforce, we encourage you to support the project in the best way you can: through your art.

The first step of the challenge is selecting or creating a work for the project; in the second, (4th of February-10th of March), you would publish your work with the hashtags #Somoskanva and #Liquitex, this way sharing the project with your followers. This work of art will be a part of the following exhibition (18th of March-18th of April) presented in Art Madrid's online art gallery, the Art Madrid market, where the work will be sold (under contract with the artist). Before, a team of specialists from Art of Madrid will carry out a selection process (11-17 March) of the participating works, choosing a total fifteen works that will form the online exhibition in the Art Madrid market. All 100% of the proceeds from the sale will be given to the NGO Un Plato de comida. In addition, Liquitex will select one of these fifteen works and will reward its author with 500 euros in supplies.

Liquitex, that has been innovating in the acrylic paint industry since 1955, for instance, inventing the first water-based acrylic paint, currently offers a range of intense and vibrant acrylic paints in all formats (thick and thin bodied paint, inks, markers and sprays), acrylic medium and various accessories. In addition, their products have the particularity that they can be mixed perfectly so that the palette of any artist will not encounter any experimentation limits. Thus, Liquitex offers infinite possibilities of expression in one of the cornerstones of creation, colour, something that has undoubtedly made the brand a great reference for contemporary creators.

Artists often as committed as the creators of (Kanva): Desi Civera, Nicolás Chiaravalloti and Rodrigo Molinero, who since 2018 have been working in this social and artistic action bringing the most disadvantaged children closer to art. An aspiration that they share with the organization Un Plato de Comida, founded by Antonio Valiente in 2011 to provide the children of rural Orissa the meals they need at the Uma Sankar School "María Soliña" (Pubai, Orissa, India) a school that offers free basic education and also takes in homeless children non-profit. Likewise, the organization founded by María (Neneta) Herrero, Shanga India, which their main goal since 2004 is educating children from humble families.

National and international artists such as Carla Fuentes, Thomas Cian, Anwei and Julio Linares, have united with this cause, creating and donating works that were later presented in a charity exhibition that raised 6,000 euros, entirely allocated to these NGOs. What about you, do you want to be a part of #SomosKanva?

ART MADRID '26: 21 YEARS OF CONTEMPORARY ART

In 2026, Art Madrid will celebrate its 21st edition, further consolidating its position as a leading contemporary art fair in Spain. From 4 to 8 March, the fair will bring together thirty-five national and international galleries at the Galería de Cristal of the Palacio de Cibeles. Returning to its date during Madrid Art Week, Art Madrid reaffirms its pioneering role by expanding the fair calendar and offering an open and enriching dialogue in which diverse artistic proposals coexist.

Throughout its history, Art Madrid has established itself as a leading presence in the contemporary art scene. It is renowned for its commitment to promoting both emerging and established galleries, and for its dedication to making contemporary art accessible to a diverse range of audiences.

Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity in its offering, respecting the identity of each exhibitor and promoting a plural creative ecosystem that reflects the richness and differences of the current art scene.

Art Madrid '25. Photo by Lucas Amillano

GALLERY PROGRAM: AN ACTIVE MAP OF CONTEMPORARY CREATION

The Gallery Program is at the heart of Art Madrid’26. For this edition, thirty-five national and international galleries will participate in a space that celebrates experimentation, hybrid languages, and the latest artistic production. The selection of proposals constitutes a representative mosaic of the aesthetics, discourses, and contemporary practices that are shaping the present of art in Europe.

The Galería de Cristal of the Palacio de Cibeles will once again be transformed into a dynamic space where the exhibitions interact with each other, inviting the public to explore visual narratives that show the evolution of contemporary languages. Works that experiment with new media, formal investigations that reformulate traditional techniques, pieces that reflect on the links between technology and humanity, and poetic approaches that explore territory, identity, or memory make up a plural, stimulating journey open to multiple interpretations.

Art Madrid also continues to strive to become a platform for discovery, allowing both professionals and visitors to identify new voices and consolidate relationships with artists who are already emerging as leaders within the contemporary cultural landscape.

Art Madrid '25. Photo by Lucas Amillano

NATIONAL AND INTERNATIONAL EXHIBITORS

Thirty-five galleries are participating in this edition, twenty-seven of which are returning after finding the fair to be a favourable environment in which to strengthen connections, increase visibility and promote their artists' work on an international scene.

Twenty-six of these are Spanish galleries from various regions of the country: 3 Punts Gallery (Barcelona), Alba Cabrera Gallery (Valencia), Aurora Vigil-Escalera (Gijón), CLC ARTE (Valencia), DDR Art Gallery (Madrid), Est_ArtSpace (Madrid), g • gallery (Barcelona), Galería Arancha Osoro (Oviedo), Galería BAT alberto cornejo (Madrid), Galería Beatriz Pereira (Plasencia), Galería Carmen Terreros (Zaragoza), Galería Espiral (Noja), Galería La Mercería (Valencia), Galería Luisa Pita (Santiago de Compostela), Galería María Aguilar (Cadiz), Metro Gallery (Santiago de Compostela), Rodrigo Juarranz Gallery (Aranda de Duero), Sigüenza Gallery (Sigüenza), Gerhardt Braun Gallery (Palma de Mallorca | Madrid), Inéditad Gallery (Barcelona), Kur Art Gallery (San Sebastián), LAVIO (Murcia | Shanghai), Moret Art (A Coruña), Pigment Gallery (Barcelona), Shiras Galería (Valencia) and Uxval Gochez Gallery (Barcelona). This selection of galleries highlights the importance of the Spanish scene and its contribution to the development of the contemporary cultural ecosystem.

Art Madrid '25. Photo by Lucas Amillano

The nine international galleries participating in this edition are: Banditrazos Gallery (Seoul, South Korea), Collage Habana (Havana, Cuba), Galeria São Mamede (Lisbon, Portugal), Galerie ONE (Paris, France), KANT Gallery (Copenhagen, Denmark | Palma de Mallorca, Spain), Loo & Lou Gallery (Paris, France), Nuno Sacramento Arte Contemporânea (Ílhavo, Portugal), Trema Arte Contemporânea (Lisbon, Portugal) and Yiri Arts (Taipei, Taiwan). Their participation broadens the fair's international reach, promoting creative and conceptual exchange between diverse artistic perspectives.

In addition, eight new galleries have been added to the list of exhibitors:

Banditrazos Gallery (Seoul, South Korea), Est_ArtSpace (Madrid, Spain), g • gallery (Barcelona, Spain), Galería Beatriz Pereira (Plasencia, Spain), Galerie ONE (Paris, France), Galería Sigüenza (Sigüenza, Spain), Gerhardt Braun Gallery (Palma de Mallorca | Madrid, Spain) and KANT Gallery (Copenhagen, Denmark | Palma de Mallorca). These additions reinforce Art Madrid's commitment to continuous renewal and openness to spaces that are exploring new approaches to contemporary art.

Art Madrid '25. Photo by Lucas Amillano

PARALLEL PROGRAM: A REFLECTION ON THE ‘SPECIES’ OF SPACES

One of the great attractions of Art Madrid is its Parallel Program, which this time delves into the notions of: ‘Fragments, relationships, and imaginary distances.’ This approach turns the fair into an expanded space, where art, audience, architecture, and memory converge. Thus, the Parallel Program proposes a critical approach to the container of the event itself. Taking as a reference the reading of Species of Spaces by Georges Perec (Perec, Georges. Species of Spaces. Montesinos, 2004), it adopts a marked interest in the everyday, that which usually goes unnoticed, the infra-ordinary, giving each corner of the venue its own narrative value.

Another of the conceptual references of this edition is based on an analysis of Édouard Glissant's Poetics of Relation (Glissant, Édouard. Poetics of Relation; Prologue by Manuel Rebón. - 1st ed. - Bernal: Universidad Nacional de Quilmes, 2017.), which advocates the coexistence of differences and the importance of non-totalizing links, which are extrapolated to the art system, proposing an understanding of it as a network of exchanges and connections that respect the uniqueness of each cultural practice and actor.

‘Imaginary distances,’ understood as subjective journeys and affective cartographies traced by visitors, thus become the conceptual axis that articulates this program. This perspective transforms the Fair into an experience that goes beyond visual contemplation, turning it into a territory that can be collectively reconstructed, without losing sight of the paths travelled by the individuality of each voice.

In this edition, the Parallel Program encourages visitors to engage with the space and its projects, turning contemplation into an opportunity to question and interact with things that might otherwise go unnoticed in everyday life.

Art Madrid '25. Photo by Lucas Amillano

In the preview and during Art Week, Art Madrid'26 offers a range of experiences that allow the public to get closer to the creative process and practices of the participating artists. Among the returning initiatives are the Interview Program, Curated Walkthroughs, the third edition of Open Booth, dedicated to emerging creation, the presentation of Espacio Nebrija, a university project in collaboration with Nebrija University, alongside the fair’s established Performance Cycle.

In addition, the One Shot Collectors Program and the second edition of the Patronage Program are back. These initiatives seek to strengthen the bond between collectors, artists, and the public, promoting ethical, informed, and responsible practices in collecting and patronage.

Art Madrid '25. Photo by Lucas Amillano

Art Madrid'26 has established itself as a dynamic meeting place, where diverse experiences, discourses, and practices converge. Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity as a structuring principle, respecting the identity of each exhibitor and fostering a plural creative ecosystem. This plurality is not merely formal, but translates into a network of practices, languages, and perspectives that reflects the complexity, richness, and tensions of the contemporary art scene, consolidating the fair as a catalyst for cultural relations, an observatory of emerging trends, and an international reference point for the Spanish art scene.