Art Madrid'25 – Art Madrid: Now that the maps are changing

The contemporary art scene in Madrid, like the city itself, never stops evolving. Art Madrid, now in its twentieth edition, taking place from March 5 to 9 at the Glass Gallery of the Palacio de Cibeles, not only showcases the latest artistic trends but also invites us to question how we inhabit the world.


Miska-Mohmmed. Suburbs. 2022. Courtesy of OOA Gallery.


After a year of dedicated work organizing this new edition, we find ourselves at the peak of the process: the fair is about to begin. Having overcome the most challenging stages, we are fully aware of our mission—to be the platform that connects a vast diversity of artists with the public. We want their voices to reach you, whether through our communication efforts or your visit to the fair. This year, Art Madrid brings together nearly two hundred artists from twenty-seven countries, represented by thirty-four galleries from ten nations. From Taiwan to Mexico; from Cuba to Portugal; from Italy to Brazil; from Japan to Spain—tracing a route through the Dominican Republic, Peru, Germany, South Africa, France, the United Kingdom, Colombia, Uruguay, Venezuela, Belgium, Poland, the Congo, the Netherlands, Morocco, Argentina, Slovakia, Sudan, Austria, and Serbia. The wealth and diversity we are exposed to over these five days indicate that today's maps are shifting—or changing color, as the troubadour sings in that song. We are no longer talking only about physical borders; today's maps are fluid and transitory. They represent our identity, our memory, and our human connections.


Ruddy Taveras. The Key to the treasure. 2024. Courtesy of Galería Luisa Pita.


The artists at Art Madrid, through works ranging from painting to installation, invite us to explore this uncertainty, to question ourselves, and, above all, to discover new possibilities.

Historically, maps have been tools for understanding space and locating ourselves in the world. However, today more than ever, those maps, like the territories they represent, are open to question—they have mutated, digitized, and fragmented. And as this happens, art continues to be the medium through which, paradoxically, we can find points of reference, direction, and meaning. Art Madrid, like other major events that reflect the pulse of contemporary art, is not immune to this reconfiguration.


Khalid El Bekay. Africa. Diptych. 2024. Courtesy of Galería Espiral.


In a sector that sometimes falls into inertia, we ask ourselves how to bring together so many perspectives, styles, and discourses in the same space for five days. That question leads us to a broader reflection on the geographical and ideological boundaries we inhabit today.

The thirty-four participating galleries introduce us to a universe of creators who, though diverse in technique and approach, share a common concern: the need to reinterpret the world from new perspectives. What once seemed immutable is now in constant flux. Globalization, technology, politics, and the climate crisis have altered the maps that once guided us. But in every change, there is an opportunity—a territory for creation. And that is where art comes in: as a vehicle for imagining new cartographies.

Maps, like identities, are constructions in constant evolution. Instead of marking borders, art today invites us to erase them. With more than thirty international galleries in attendance, Art Madrid reinforces its global character and its ability to transcend geography. Here, artists do not work on pre-existing maps; they reinvent them with each creation.


Francesca Poza. Emotions. 2024. Courtesy of Galería Alba Cabrera.


The works presented at the fair are not confined to a single medium. Through painting, sculpture, installation, and new technologies, artists explore how we position ourselves in a world where traditional structures are increasingly fluid. They do not seek easy answers but pose essential questions: What does it mean to belong to a territory today? How do globalization, the climate crisis, and the digital era affect us?

Art Madrid becomes a space where creators engage with the major questions of our time—from the geopolitical to the emotional. Their works are not just meant to be contemplated; they provoke, shake, and transform.


Okuda San Miguel. Born to Be an Angel. 2023. Courtesy of 3 Punts Galería.


The borders of art, like those of maps, are no longer fixed. That is the challenge the fair presents this year: to question them, expand them, and redefine the role of art in a constantly changing world.

In this reconfiguration, Art Madrid positions itself as a space where the voices of contemporary art help us redraw the map of humanity, both in its physical and emotional dimensions. Because today, true borders are not just geographical—they are also cultural, digital, and symbolic. And being an open window to that experimental exercise that is making art, is precisely the space where those borders can be subverted and even crossed.



RAÍCES AFUERA. PERFORMANCE CYCLE X ART MADRID'25

Art Madrid celebrates twenty years of contemporary art from March 5 to 9, 2025, at the Galería de Cristal of the Palacio de Cibeles. During Art Week, it becomes an exhibition platform for national and international galleries and artists. In this edition, with the aim of providing a space for artists working in the realm of performance art, the fair presents Raíces Afuera, a performance cycle that explores notions of belonging and the need for rootedness in a contemporary world marked by fragmentation, displacement, and disconnection. Positioned within the fair as a critical and reflective space, the project challenges the individual’s relationship with their environment, community, and sense of identity.

PERFORMANCE: LAS FRONTERAS SIEMPRE TIENEN DOS LADOS. BY ELÉONORE OZANNE

March 6 | 19:00h. Galería de Cristal of the Palacio de Cibeles.


The real true tourist experience. Johanna Failer & Eléonore Ozanne. Performance Documentation.


You leave the house, and someone holds the door for you: "Oh, sorry—thank you." You’re walking down the street, and someone comes toward you: "Uh, sorry—thank you." If I’m late, if I can’t find something, if I don’t sit in my usual spot, if I ask for help, or if I don’t know what to say… "Sorry—thank you."

How many times have we said these two words? To whom? And why? Why does your mouth not sound the same as mine?


Day In, Day Out. Eléonore Ozanne. Performance Documentation.


Las fronteras siempre tienen dos lados invites us into the author's mind to discuss boundaries. Large boundaries that frighten. Tiny boundaries that are forgotten, and all those in between, with which we must negotiate, build, or tear down.

Las fronteras siempre tienen dos lados is a work that encourages reflection on the invisible borders that shape our daily lives. Through the words "sorry" and "thank you", the author sets up a dialogue about how, in our everyday interactions, we are constantly faced with limits and distances—both physical and emotional. Every time we use these words, we are acknowledging a separation, whether it’s letting someone pass or asking for help in moments of discomfort. The work highlights how these small phrases, often repeated without much thought, serve as a way to negotiate our relationships with the world and those around us.

In this context, the boundaries explored in the work are not just geographical, but also social and personal. The barriers that separate us from others may be subtle, but they significantly affect our daily lives. Through these gestures, we are constantly building, breaking down, or accepting the limits that define our relationship with others. Las fronteras siempre tienen dos lados challenges us to question how we perceive these boundaries and how words that seem simple actually reflect the complex dynamics of our existence.


The real true tourist experience. Johanna Failer y Eléonore Ozanne. Performance Documentation.


ABOUT ELÉONORE OZANNE

Eléonore Ozanne (Corbeil-Essonnes, France, 1990) is an artist and researcher working between France and Spain. She is a doctoral candidate in Fine Arts at UPV/EHU and Université de Pau et des Pays de l’Adour. Her work focuses on the relationship between the body and borders in everyday spaces. Through displacement, the multidisciplinary artist draws the concept of borders as physical limits or invisible walls that are crossed daily. She uses her body as the central axis of her work, exploring through actions, the movement through, across, or into predetermined spaces or times.

She has been awarded numerous residencies in Spain, Mexico, and Europe, including NauEstruch and CECDA in Veracruz. She has collaborated with artists such as Pilar Albarracín and is a member of the research teams Gizartea and Alter, where she actively participates in exploring ways to understand precariousness and displacement in the era of globalization. Her work has been exhibited at international festivals and venues, such as Matadero Madrid and Cidade da Cultura de Galicia. Additionally, she has published texts on art and precariousness in publishers like Dykinson and the University of the Basque Country.



With the support of