For the second time, Art Madrid presents the online sales campaign Art&Collect: your work in one click . From December 14th to January 5th, the public will have a selection of available artworks by the artists participating in the fair's next edition.

In collaboration with the galleries that make up the general program at Art Madrid'23 and through our online store, we will find more than 40 works worth between 800 and 1,800 euros (VAT included). Art&Collect is a digital initiative that aims to bring the latest contemporary art to all audiences.

The selection includes a sample of the disciplines that we will be able to enjoy in the February 2023 edition and offers us a preview of the artists who will attend the Palacio de Cristal de Cibeles with their galleries. From the revision of classical culture and the history of art in Xurxo Gómez-Chao's photographs, to the "intervened reality" created and documented by David Delgado Ruiz. Painting takes center stage as the most fashionable and present discipline in the current context: Julien Primard takes us into his dream scenes through an aesthetically contemporary filter, while Cristina Gamón floods her abstractions on methacrylate with color.

On the other hand, the work on paper delights us with the delicate and symbolist drawing of Juanjo Martínez Cánovas. The experimentation in the use of materials and techniques is evident in the creation of Francesca Poza from tarlatan or in the use of metal in the realistic buildings of Nicolás Lisardo. The representation of disciplines ends with the marble sculpture expertise of Carlos Andrade or the pop figures of Fidia Falaschetti.

The list of artists in Art&Collect Roger Sanguino (DDR Art Gallery), Costa Gorelov (Dr. Robot Gallery), Kuk Lin (Dr. Robot Gallery), Pepe Puntas (BAT Alberto Cornejo), Elvira Carrasco (Galería La Aurora), Saltâo (Galeria São Mamede), Sofía Areal (Galeria São Mamede), Julien Primard (Galerie LJ), Juanjo Marínez Cánovas (Inéditad), Nicolás Lisardo (Galería Manuel Ojeda), Marc Sparfel (MA Arte contemporáneo), Xurxo Gómez-Chao (MoretArt), Iván Prieto (MoretArt), Diego Benéitez (Rodrigo Juarranz), Jaime Sicilia (Rodrigo Juarranz), Cristina Gamón (Shiras Galería), Horacio Silva (Shiras Galería), Carlos Andrade (Trema arte contemporânea), Carlos Barão (Trema arte contemporânea), Federico Granell (Galería Metro), Stephanie de Malherbe (Uxval Gochez Gallery), Ewa Jaros (Uxval Gochez Gallery), Fidia Falaschetti (Galería Hispánica Contemporánea), KYMC (Galería Hispánica Contemporánea), Alex Pallí Vert (N2 Galería), Laura Nieto (Galería Luisa Pita), Carmen Pastrana (Galería Metro), Francesca Poza (Alba Cabrera), Marta Aguirre (BAT Alberto Cornejo), Perceval Graell (Alba Cabrera).

ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26

Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.

PERFORMANCE: TRAYECTORIA. BY AMANDA GATTI

March 6 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.

Amanda Gatti. Escaparate. 2023. DT-Espacio. Photograph by Pedro Mendes.

The proposal expands Amanda Gatti’s research initiated in La Plasti Ciudad del Cuerpo — an ongoing series of performance and installation presented since 2023 in spaces such as Fundación Antonio Pérez, Galería Nueva, CRUCE, and the Acción Spring(t)/UCM Congress — where she explores the relationship between her body and objects found in urban space. There, body and materials are articulated through a constant negotiation between functionality, weight, and support, generating temporary architectural compositions.

In Trayectoria, this research shifts toward the act of dragging: a gesture that makes visible the friction between body, objects, and space. The corridor ceases to be a neutrality to be crossed and becomes an operative intermediate zone, where form and content — veil and what is veiled, as Walter Benjamin points out — become confused. The space, saturated with objects turned into a mobile chain, clears and remakes itself with each step. Clearing, for Benjamin, is already an experience of space: each advance sustains this unfinished separation, always oriented toward a destination that may never be reached.

La Plasti Ciudad del Cuerpo #3. Amanda Gatti. Performance documentation. CRUCE 2054 exhibition, Galería CRUCE. Photograph by Pedro Mendes.

Displacement is not limited to material friction: it also becomes a symbolic inscription of that which every life trajectory drags along. The objects — remnants of past uses — function as metaphors for what remains attached to the body even when it no longer serves any function. The performance makes visible the condition of moving forward while carrying heterogeneous weights: material, affective, social. Thus, the gesture of walking linked to these objects turns the route into a writing in motion, where each step simultaneously activates a physical transit and a vital transit. Trayectoria proposes that every life is also a dragging: a continuous recomposing from what we insist on carrying with us.

The action operates objects as verbs: to push, to tense, to trip, to pull. From it emerges an operativity that involves the entire body and exceeds the visual. The image ceases to be representation and becomes gesture: a gesture that founds new spatial forms, that overflows, that produces an ephemeral mode of reappropriation of the corridor.

The trajectory thus becomes an affective map inscribed in the body, a way of merging with the environment by putting past and future, durability and wear, utility and obsolescence into friction. The action returns to public space what was taken from it, but now stripped of function: freed from meaning, freed from commodification, freed to be imagined otherwise.

ABOUT AMANDA GATTI

Amanda Gatti (1996, Porto Alegre, Brazil) is an artist and researcher whose practice unfolds across performance, video, photography, and installation. She explores the intersections of body, object, and space, investigating how we occupy — and are occupied by — the spaces around us. Drawing from experiences of displacement and the observation of domestic and urban environments, her work conceives the body as mediator and archive, transforming found objects, spatial arrangements, and everyday gestures into ephemeral architectures and relational situations.

She studied the Master’s in Scenic Practice and Visual Culture at Museo Reina Sofía/UCLM (Spain, 2023) and the Bachelor’s degree in Audiovisual Production at PUCRS (Brazil, 2018), where she received scholarships such as the Santander Universities grant. In Spain, her work has been presented in institutions and contexts such as Museo Reina Sofía, Fundación Antonio Pérez, Galería Nueva, CRUCE, and Teatro Pradillo, as well as in exhibitions and festivals in Brazil, Germany, Ireland, the United Kingdom, and the United States. She currently resides in Madrid, with secondary bases in Brazil and the United Kingdom.