Art Madrid'26 – ARTE A UN CLICK, MEDIA PARTNER OF ART MADRID'18

Arte a un Click is a magazine, a platform for contemporary art and a catalyst for culture. It is also a fantastic team of committed professionals and for Art Madrid'18 it is a luxury to collaborate with them.

Arte a un click

Its main objective, as a communication platform of contemporary art, is to bring art to the general public, but, at the same time, they offer personalized and professional services for art fairs, artists, galleries and art centers.

Arte a un click

Arte a un Click activity focuses on fairs, festivals and exhibitions, although the web offers a wide variety of content. Interviews with gallerists, emerging and consecrated artists, directors of projects, combine with exhibition reviews, agenda... Always from a professional perspective marked by the search for understanding, approach and passion for art. José Luis Calleja Isla, deputy director of the space, explains that: "we want that the contents we offer reach the public in a fresh and sincere way, because our contents are not only curated but collected with art in mind and, above all, with the creators, authentic protagonists of our space."

Attentive to fairs and festivals, centers of sponsorship, exhibition and knowledge of all the novelties in the art of the moment and aware of the need for the collector and, therefore, the sale as a plausible and desirable option, another of their business branches it is the organization of exhibition projects for those fairs, such as those developed for Jäälphoto, ArtNitCampos, Room Art Fair, MARTE, Art & Breakfast, Art Photo Bcn and Cultur3 Club.

Obra de Irene Cruz

In 2017 its services have increased and they have specialized in online content, more adapted to the audience of the digital world. "The diffusion in social networks is nowadays a great challenge, the changes are vertiginous and continuous, and we can not pretend that the creator, the gallery owner or the curator is dedicated to follow those changes. For example, before twitter was a network that generated a huge movement, now, if you do not have a target audience very, very focused on what you offer, the scope is scarce. Facebook is still the most important network, although it may seem that Instagram is now the most influential network, we must bear in mind that these are different audiences. While the first one searches more personalized content, the second is aimed primarily at the younger generations. It is therefore necessary to define very well the market niche and decide which platform works best. Everything is tremendously fast, that is why it is so important that our networks are composed by a stable and faithful public that allows us to get quality content," explains Mercedes Palaín, responsible for RRSS in Arte a un Click.

"The starting point to establish a work strategy for a specific client is the detailed study of what he wants to offer to the public, it is not the same to promote an emerging artist in networks than to support the work of a gallery that has been open for years. We need to study in detail what he has done to spread his space or his work in order to be able to offer the resources that produce the most with the least possible investment, which is what everyone is looking for, "adds Mila Abadía, director of the platform .

Among its clients, in addition to Art Madrid, stand out MARTE, International Fair of Contemporary Art of Castellón, the gallery of Santiago de Compostela OlaLAB Cultural Action and the gallery of Barcelona Art Deal Project. "Writing about spaces and fairs of such interest is always a challenge, expressing what you feel and doing it trying to get the reader to penetrate what you are perceiving is a unique experience," explains Ana Gr Yñañez, journalist in Arte a un Click.

Mujeres Mirando Mujeres

One of the main and most recent projects of Arte a un Click, for the quality and the wide recognition obtained, is "Mujeres Mirando Mujeres", which celebrates its fourth edition. This online initiative claims the preponderant role of women in the artistic field and, year after year, thanks to the commitment of its participants, it is more and more relevant in the social debate about Art and Gender.

The project was based on the individual invitation to different agents of art, but now they have opened the call and its platform of visibility to all those cultural agents who want to apply to participate and join one of its formats: PRESENTATIONS of artists made by curators, galleries, directors of art fairs, managers of cultural spaces, museologists, or theoreticians. INTERVIEWS of artists made by bloggers or specialized journalists, and INVITED PROJECTS. Initiatives managed or curated by art managers, always oriented to implement actions of a collective that supports artists. They publish the articles daily starting on March 8, International Women's Day.

In this edition they extend the project with the collective exhibition "The power of the presence" (Est_Art Space, Alcobendas, Madrid, from 16 of March to the 15 of May), with artists of the three first editions. "With the exhibition we want to highlight the fact that the empowerment of women in all areas of life goes through presence, being and doing. We seek that the artists reflect on the positioning of women in the art world and the questioning of commons themes in which the women have been relegated. We seek works that change the discourse of dominance, narratives with a liberating perspective for women in art, also artists as transforming agents of reality", explains Adriana Pazos Ottón, artist, curator and part of the Arte a un Click.

ART MADRID '26: 21 YEARS OF CONTEMPORARY ART



In 2026, Art Madrid will celebrate its 21st edition, further consolidating its position as a leading contemporary art fair in Spain. From 4 to 8 March, the fair will bring together thirty-five national and international galleries at the Galería de Cristal of the Palacio de Cibeles. Returning to its date during Madrid Art Week, Art Madrid reaffirms its pioneering role by expanding the fair calendar and offering an open and enriching dialogue in which diverse artistic proposals coexist.


Throughout its history, Art Madrid has established itself as a leading presence in the contemporary art scene. It is renowned for its commitment to promoting both emerging and established galleries, and for its dedication to making contemporary art accessible to a diverse range of audiences.

Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity in its offering, respecting the identity of each exhibitor and promoting a plural creative ecosystem that reflects the richness and differences of the current art scene.


Art Madrid '25. Photo by Lucas Amillano


GALLERY PROGRAM: AN ACTIVE MAP OF CONTEMPORARY CREATION


The Gallery Program is at the heart of Art Madrid’26. For this edition, thirty-five national and international galleries will participate in a space that celebrates experimentation, hybrid languages, and the latest artistic production. The selection of proposals constitutes a representative mosaic of the aesthetics, discourses, and contemporary practices that are shaping the present of art in Europe.

The Galería de Cristal of the Palacio de Cibeles will once again be transformed into a dynamic space where the exhibitions interact with each other, inviting the public to explore visual narratives that show the evolution of contemporary languages. Works that experiment with new media, formal investigations that reformulate traditional techniques, pieces that reflect on the links between technology and humanity, and poetic approaches that explore territory, identity, or memory make up a plural, stimulating journey open to multiple interpretations.

Art Madrid also continues to strive to become a platform for discovery, allowing both professionals and visitors to identify new voices and consolidate relationships with artists who are already emerging as leaders within the contemporary cultural landscape.


Art Madrid '25. Photo by Lucas Amillano


NATIONAL AND INTERNATIONAL EXHIBITORS

Thirty-five galleries are participating in this edition, twenty-seven of which are returning after finding the fair to be a favourable environment in which to strengthen connections, increase visibility and promote their artists' work on an international scene.

Twenty-six of these are Spanish galleries from various regions of the country: 3 Punts Gallery (Barcelona), Alba Cabrera Gallery (Valencia), Aurora Vigil-Escalera (Gijón), CLC ARTE (Valencia), DDR Art Gallery (Madrid), Est_ArtSpace (Madrid), g • gallery (Barcelona), Galería Arancha Osoro (Oviedo), Galería BAT alberto cornejo (Madrid), Galería Beatriz Pereira (Plasencia), Galería Carmen Terreros (Zaragoza), Galería Espiral (Noja), Galería La Mercería (Valencia), Galería Luisa Pita (Santiago de Compostela), Galería María Aguilar (Cadiz), Metro Gallery (Santiago de Compostela), Rodrigo Juarranz Gallery (Aranda de Duero), Sigüenza Gallery (Sigüenza), Gerhardt Braun Gallery (Palma de Mallorca | Madrid), Inéditad Gallery (Barcelona), Kur Art Gallery (San Sebastián), LAVIO (Murcia | Shanghai), Moret Art (A Coruña), Pigment Gallery (Barcelona), Shiras Galería (Valencia) and Uxval Gochez Gallery (Barcelona). This selection of galleries highlights the importance of the Spanish scene and its contribution to the development of the contemporary cultural ecosystem.


Art Madrid '25. Photo by Lucas Amillano


The nine international galleries participating in this edition are: Banditrazos Gallery (Seoul, South Korea), Collage Habana (Havana, Cuba), Galeria São Mamede (Lisbon, Portugal), Galerie ONE (Paris, France), KANT Gallery (Copenhagen, Denmark | Palma de Mallorca, Spain), Loo & Lou Gallery (Paris, France), Nuno Sacramento Arte Contemporânea (Ílhavo, Portugal), Trema Arte Contemporânea (Lisbon, Portugal) and Yiri Arts (Taipei, Taiwan). Their participation broadens the fair's international reach, promoting creative and conceptual exchange between diverse artistic perspectives.

In addition, eight new galleries have been added to the list of exhibitors:

Banditrazos Gallery (Seoul, South Korea), Est_ArtSpace (Madrid, Spain), g • gallery (Barcelona, Spain), Galería Beatriz Pereira (Plasencia, Spain), Galerie ONE (Paris, France), Galería Sigüenza (Sigüenza, Spain), Gerhardt Braun Gallery (Palma de Mallorca | Madrid, Spain) and KANT Gallery (Copenhagen, Denmark | Palma de Mallorca). These additions reinforce Art Madrid's commitment to continuous renewal and openness to spaces that are exploring new approaches to contemporary art.


Art Madrid '25. Photo by Lucas Amillano


PARALLEL PROGRAM: A REFLECTION ON THE ‘SPECIES’ OF SPACES


One of the great attractions of Art Madrid is its Parallel Program, which this time delves into the notions of: ‘Fragments, relationships, and imaginary distances.’ This approach turns the fair into an expanded space, where art, audience, architecture, and memory converge. Thus, the Parallel Program proposes a critical approach to the container of the event itself. Taking as a reference the reading of Species of Spaces by Georges Perec (Perec, Georges. Species of Spaces. Montesinos, 2004), it adopts a marked interest in the everyday, that which usually goes unnoticed, the infra-ordinary, giving each corner of the venue its own narrative value.

Another of the conceptual references of this edition is based on an analysis of Édouard Glissant's Poetics of Relation (Glissant, Édouard. Poetics of Relation; Prologue by Manuel Rebón. - 1st ed. - Bernal: Universidad Nacional de Quilmes, 2017.), which advocates the coexistence of differences and the importance of non-totalizing links, which are extrapolated to the art system, proposing an understanding of it as a network of exchanges and connections that respect the uniqueness of each cultural practice and actor.

‘Imaginary distances,’ understood as subjective journeys and affective cartographies traced by visitors, thus become the conceptual axis that articulates this program. This perspective transforms the Fair into an experience that goes beyond visual contemplation, turning it into a territory that can be collectively reconstructed, without losing sight of the paths travelled by the individuality of each voice.

In this edition, the Parallel Program encourages visitors to engage with the space and its projects, turning contemplation into an opportunity to question and interact with things that might otherwise go unnoticed in everyday life.


Art Madrid '25. Photo by Lucas Amillano


In the preview and during Art Week, Art Madrid'26 offers a range of experiences that allow the public to get closer to the creative process and practices of the participating artists. Among the returning initiatives are the Interview Program, Curated Walkthroughs, the third edition of Open Booth, dedicated to emerging creation, the presentation of Espacio Nebrija, a university project in collaboration with Nebrija University, alongside the fair’s established Performance Cycle.

In addition, the One Shot Collectors Program and the second edition of the Patronage Program are back. These initiatives seek to strengthen the bond between collectors, artists, and the public, promoting ethical, informed, and responsible practices in collecting and patronage.


Art Madrid '25. Photo by Lucas Amillano


Art Madrid'26 has established itself as a dynamic meeting place, where diverse experiences, discourses, and practices converge. Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity as a structuring principle, respecting the identity of each exhibitor and fostering a plural creative ecosystem. This plurality is not merely formal, but translates into a network of practices, languages, and perspectives that reflects the complexity, richness, and tensions of the contemporary art scene, consolidating the fair as a catalyst for cultural relations, an observatory of emerging trends, and an international reference point for the Spanish art scene.

WELCOME TO ART MADRID'26