Art Madrid'25 – ARTISTS IN THE ANTIPODES

From Taiwan to Brazil and from Ecuador to Thailand

More than 200 artists represented by 41 galleries make up the general program of this edition of Art Madrid. During the fifteen years of the fair, the international presence of both artists and galleries has increased to 40% of the total.

Artists have come from Cuba, Venezuela, the United States, South Africa, Algeria, Iran, Taiwan, Brazil, Argentina... and dozens of countries that have participated in Art Madrid over the years.

In this edition we have such a variety of artists from faraway countries that we have found the line of the antipodes among several of them.

Mu Pan, Taiwan. Represented by Galerie LJ

Mu Pan describes his work as "simply about telling stories " In his intricate battle scenes, human figures, beasts and strange mixtures of the two come together in epic life-and-death struggles. In his "origaMU" paper sculptures, colorful creatures take on a 3D form. The artist is "a creator of worlds" as he puts it. He portrays critical stories full of details taken to the extreme, entering into an art where references to literary, political and cultural stories are intermingled.

Mu Pan

Locusts, 2015

Acrílico sobre panel de madera

121 x 91cm

Mu Pan of Taiwanese origin studied Art at the School of Visual Arts in New York, where he now teaches illustration. During the past 2019 the collection SOLO welcomed part of this peculiar world in which one can get lost for hours discovering in every detail and in every corner of the painting something new.

With a critical and incisive look, but without losing his sense of humour and irony, the author captures in his paintings everything that displeases him, such as racism, violence or lies, and puts both the present time and nature in focus.

His artworks reflect the many cultural influences to which he has been exposed, from Chinese literature to superheroes, from ukiyoe to cinema and comics. To contemplate a work of Mu Pan is to soak up action, dynamism and energy through his meticulously constructed battles. His paintings have an extreme degree of detail that is reminiscent of the paintings of El Bosco, with connotations of the end of the world, hybrid characters, half man, half animal, on the verge of caricature, as well as epic scenes in which he mixes references to current events and manga culture. Mu Pan's work is a pretext to highlight everything that displeases him: violence, conflict or lies, which he captures in his paintings in the key of anger and humour. In the artist's words: "Drawing and painting are for me the most obvious ways to claim justice". Global warming, racism, classism or the trade wars between superpowers serve as inspiration for this artist who puts current events and human nature in the spotlight.

Mu Pan

Jesura The Holy Kaiju, 2019

Acrílico sobre panel de madera

92 x 243cm

Mu Pan

Tiger, 2017

Acrílico sobre panel de madera

92 x 243cm

Chen Yun, Taiwan. Yiri Arts Gallery

Chen Yu's drawings have evolved from horizontal to vertical constructions, a compositional style that grows upwards, visually exploring the dimensional and psychological impact. Behind this methodically planned composition, and as in poetry, there are clues that allude to time and reality. With scenes in fixed camera, a detailed shot on one side, the silhouette of a woman on the opposite side, an image full of symbolism... Chen acts as a guide, carrying a weak light that accompanies the viewer into the depths of memory.

Chen Sheng-Wen studied Visual Communication Design at National Yunlin University in Taiwan. He has had several solo and group exhibitions in Taiwan and Japan. He has been awarded with Taipei Free Art Fair, Huashan 1914 Taipei.

Chen Yun

Indigo. The light from the forest shine on the blue ocean, 2018

Ácrilico sobre lienzo (2 piezas)

130 x 194cm

Lai Wei-Yu, Taiwan. Yiri Arts Gallery

The artist Lai Wei-Yu takes seemingly absurd situations and explores them with childlike amazement. However, in the dark corners we can also glimpse the frustration and desolation of life. Lai Wei-Yu studied at the MFA Institute of Arts in Taiwan. His artwork has been shown in several individual and collective exhibitions and is also present in public collections such as that of the National Museum of Fine Arts in Taiwan.

Lai Wei-Yu

My Family, 2018

Acrylic and charcoal on canvas

160 x 160cm

Paul Rosero Contreras (Quito, 1982). Más arte Galería

Paul is a conceptual artist who works with scientific information, speculative realism and different fictional narratives. His work explores issues related to geopolitics, environmental problems and the relationship of humans in extreme ecosystems. Rosero received an MFA from the California Institute of Arts - CalArts and an Interdisciplinary Master's Degree in Cognitive Systems and Interactive Media from Pompeu Fabra University in Barcelona. Her work has received national and international awards and has been widely exhibited at the 57th Venice Biennale, Antarctic Pavilion, Italy, at the 5th Moscow Biennale of Young Art, at the Quai Branly Museum in Paris, France, at the Cervantes Institute in Rome, Italy, at the Museum of History in Zaragoza, Spain, the H2 Art Center in Augsburg, Germany, at the 11th Moscow Biennale of Young Art. Biennial of Cuenca, Ecuador, in Import Projects, Berlin, Germany, in the 1st Antarctic Biennial, in the 1st Southern Biennial in Argentina, in the SIGGRAPH 2017 in Los Angeles, among others. Rosero teaches and researches at the Universidad San Francisco de Quito.

Chamnan Chongpaiboon

Girl, 2019

Acrylic on canvas

120 x 100cm

Chamnan Chongpaiboon, Thailand. Soraya Cartategui

Chamnan Chongpaiboon is part of the new generation of young Thai artists. He attended the Faculty of Fine Arts in Shupanburi and obtained his Bachelor of Fine Arts with a major in Printmaking from the King Mougkut Institute of Technology in Ladkrabang.

Chamnan artworks with an innovative graphic style, under the modern bases of multimedia art and Japanese printing forms. His inspiration is closely linked to artists such as the Japanese Yayoi Kusama (1929, Matsumoto, Japan) whose work revolves around psychedelia, repetition and patterns. Her artistic production is limited due to the artist's meticulous work in making each piece. He is an artist with a great international career. Among the countries and cities where he has exhibited his pieces we find Australia, London, New York, Malaysia, Hong Kong, Jakarta, Miami, Singapore, etc.

Eduardo Marco, Porto Alegre (Brazil). Zielinsky Gallery

The artistic envoy that moves this photographer is the concern to clear up what is hidden from the common gaze; to reveal in its most literal sense what is apparently insignificant, but which the artist's gaze makes us perceive as a harmonic, igniting in us the spark of enthusiasm. In this process, Marco's honesty does not carry the heavy burden of theoretical assumptions; it is given without learned dogmas. Marco's gaze rescues the pristine beauty of the lotus lit in the mud puddle. He has participated in many projects in different parts of the world, such as China and Brazil.

Nina Franco. Rio de Janeiro (Brazil), Paulo Nunes Arte Contemporânea

The work of the visual artist Nina Franco leads us into the depths of contemporary socio-political conflicts. She has had two solo exhibitions presenting her main series: "Soul Black" in Brazil and "Let Me Scream" in Ireland, as well as several group exhibitions in Brazil, Ireland, Greece and the United Kingdom.

From July 7 to 9, 2025, the Balsera Palace will host the First Course on Collecting and Contemporary Art, an intensive 15-hour program that will explore the complex and fundamental question of taste in contemporary art. Organized by the Nebrija Institute of Arts and Humanities at Nebrija University and the Avilés City Council, in collaboration with 9915 — Association of Private Collectors of Contemporary Art and the Institute of Contemporary Art, the course offers a unique opportunity for analysis and debate on the dynamics that shape aesthetic and symbolic value in today’s art scene.


First Course on Collecting and Contemporary Art. Avilés, Asturias


The notion of taste, intrinsically tied to aesthetic judgments and power relations, has played a decisive role in the historical prominence of artists and artworks. However, contemporary art—marked by its breaking of conventions, diversity of media and techniques, and critical stance toward traditional canons—raises fundamental questions about the continued relevance of this concept.

This course will explore how the decisions made by key players in the art system—institutions, private collections, galleries, curators, and artists—continually redefine a field of taste shaped by aesthetic, symbolic, cultural, social, and political logics.


"¿But does it exist, and what is the prevailing taste of our time—so seemingly confused, fragmented, indecipherable?" - Omar Calabrese, The Neo-Baroque Era.


The academic program, directed by José Luis Guijarro Alonso, Director of the Master’s in Art Market and Related Business Management at Nebrija University, and Pablo Álvarez de Toledo, Head of the Department of Arts at Nebrija University and the Nebrija Institute of Arts and Humanities, will bring together a distinguished group of national experts—including collectors, critics, curators, gallery owners, and artists—whose contributions will address key issues in shaping aesthetic, symbolic, and market value in today’s art world.


PROGRAM

MONDAY, JULY 7

9:30 AM Registration.

10:00 AM Course Opening Nebrija University Avilés City Council Presented by Rosario López Meras – President of the Association of Contemporary Art Collectors, 9915, and Adrián Piera – President of the ICA, Institute of Contemporary Art.

10:30 AM Course Presentation By José Luis Guijarro Alonso – Art Historian and Anthropologist, Researcher, and Director of the Master’s in Art Market and Related Business Management at Nebrija University.

11:00 AM Coffee Break.

11:30 AM Panel Discussion The Taste of Private Collecting as a Prelude to History. Speakers: Candela Álvarez Soldevilla – Entrepreneur and Collector; Javier Quilis – INELCOM Collection; José Miguel Vegas Valle – Collector. Moderator: Luis Feás – Critic and Curator.

1:00 PM Lunch Break.

3:30 PM Individual Lecture On Good Taste in Contemporary Art. Speaker: Marisol Salanova – Curator and Art Critic, Director of Arteinformado.

4:45 PM Panel Discussion The Influence of Galleries in Shaping Contemporary Taste. Speakers: Elba Benítez – Gallerist; Ricardo Pernas – Gallerist (Arniches 26); Aurora Vigil-Escalera – Gallerist. Moderator: Rafael Martín – Coleccion@casamer.

6:00 PM End of Day.

6:30 PM Activity and Cocktail Visit to the Exhibition Asturian Artists in the Pérez Simón Collection – Avilés.

TUESDAY, JULY 8

10:00 AM Individual Lecture Contemporary (Bad) Taste: Kitsch, Camp, and Tacky. Speaker: Julio Pérez Manzanares – Autonomous University of Madrid.

11:00 AM Coffee Break.

11:30 AM Panel Discussion Institutions and the Formation of Contemporary Taste. Speakers: Virginia López – Artist, Founder of PACA_Proyectos Artísticos Casa Antonino; Julieta de Haro – Artistic Director of CentroCentro; Carlos Urroz – Director of Institutional Relations, Museo Nacional Centro de Arte Reina Sofía. Moderator: Laura Gutiérrez – Director, School of Art of Oviedo.

1:00 PM Lunch Break.

3:30 PM Panel Discussion Beyond the Eye: The Taste for Ethical, Ecological, Social, or Political Concerns in Contemporary Art. Speakers: Semíramis González – Independent Curator; Eugenio Ampudia – Artist; Claudia Rodríguez-Ponga – Independent Curator. Moderator: Bárbara Mur Borrás – PhD in Fine Arts.

5:00 PM End of Day.

5:30 PM Activity Visit to the Studiolo Exhibition – Candela Álvarez Soldevilla Collection.

WEDNESDAY, JULY 9

9:30 AM Meeting with Asturian Artists Speakers: María Castellanos – Artist; Avelino Sala – Artist; Consuelo Vallina – Artist. Moderator: Pablo Álvarez de Toledo – Nebrija University.

11:00 AM Activity Visit to the Niemeyer Center – Avilés.

Course Closing Ceremony.





This course is designed for art professionals, collectors, researchers, and students seeking an in-depth analysis of the dynamics that shape taste and collecting practices in contemporary art. Adopting a critical and multidisciplinary perspective, it provides a unique opportunity to rigorously examine the aesthetic, symbolic, and structural factors that underpin the legitimization of contemporary art.