Art Madrid'23 – AVANT-GARDE PROTOTYPES

Katarzyna Kobro. Kompozycja przestrzenna (4) [Spatial composition (4)], 1929. Oil and metal 40 x 64 x 40 cm. Muzeum Sztuki, Lódz.

 

 

Wladyslaw Strzeminski (Minsk, November 21, 1893-Lódz, December 28, 1952) was a renowned Polish avant-garde artist. Towards the decade of the 1920s he built his particular theory of "unism" which was of great help to musician and composer Zygmunt Krauze. He also stands out as co-creator of the avant-garde art collection of "Lord" collected by the "a.r" collective. After the war he dedicated himself to teaching, teaching plastic arts and design.

 

 

Photo of Wladyslaw Strzeminski and Katarzyna Kobro

 

 

Katarzyna Kobro (January 26, 1898 in Moscow - February 21, 1951 in Lódz) The other half of this duo was a Polish sculptress of Latvian, Russian and German origin. Her great strength was to embrace constructivism, leaving aside such currents as individualism, subjectivism or expressionism. Its most marked objective was always the construction of the abstract work cemented on the pillars of experimentation and analysis. Her sculpture conceptualizes the infinite space, taking as reference the origin of the system by coordinates.

 

 

Work of Wladyslaw Strzeminski

 


At the beginning of the twentieth century, both married and created the perfect symbiosis to materialize their concept of art in those circumstances. A revolution was being woven and they wanted to be part of it. With this exhibition, his curator, Jaroslaw Suchan, director of the Muzeum Sztuki w ?odzi and in collaboration with the Polish Institute of Culture of Madrid want to make known the work of these two lovers of neoplasticism, the Bauhaus and constructivism, movement of which they are Considers precursors in Poland.

 

 

Wladyslaw Strzeminski, Neoplastic Room, Muzeum Sztuki in Lódz, Poland, 1946 #lodz

 

 

Radicalization and transgression are his personal trademarks and for this reason, with the "Avant-garde Prototypes" the Reina Sofía Art Center Museum together with the Muzeum Sztuki w Lodzi and Museum have hosted this great exhibition that can be enjoyed until September 18, 2017 in The Sabatini Building.

 

 

 

In the year 2020 in the heart of Barcelona a wandering gallery was born, the same one that in February 2021 would debut at Art Madrid with an exhibition proposal focused on contemporary portraits; with this subject matter it would manage to create a powerful dialogue between artwork and audience and make the seal Inéditad remain in the history of the event that contained it.

Jean Carlos Puerto. Protección. Oil and copper leaf on wood. 60 x 48. 2021. Image courtesy of the gallery.

Since that first time and until today, the wandering gallery has managed to build projects on otherness, has repositioned in the spotlight the discourses on the LGTBIQ+ collective, has consolidated a group of artists who share its principles of resilience and empathy and the best thing is that it continues to bet from the professionalism and commitment to give voice to the difference.

Claudio Petit-Laurent.. El Joven de la Perla. Oil on wood. 30 x 30 cm. 2023. Image courtesy of the gallery.

Inéditad Gallery, thanks to its founder Luis López, its collaborators and the infinite possibilities manifested in the works of the artists it represents, is a gallery that has demonstrated its capacity and courage to stimulate the sensibility of the public through art and seduce a generation that moves between the glass window and the analogical story. Inéditad is a nomadic gallery that has gathered around it a community of artists and has moved the context with exhibition projects that think about LGTBIQ+ art without prejudices.

Pepa Salas Vilar. Las marcas del arcoiris. Oil on canvas. 40 x 50 cm. 2022. Image courtesy of the gallery.

Pride and Prejudice was inaugurated. An exhibition that brings together the works of sixteen artists: Abel Carrillo, Alex Domènech, Carlos Enfedaque, Silvia Flechoso, Jamalajama, Daniel Jaén, Claudio Petit-Laurent, Jean Carlos Puerto, Fernando Romero, Pablo Rodríguez, Pepa Salas Vilar, Jack Smith, Pablo Sola, Bran Sólo, Elia Tomás and Utürüo. Painting, illustration, photography and digital art are the manifestations that bring into dialogue around fifty neatly threaded pieces, in a discursive line that discusses such a latent phenomenon as discrimination. To achieve this, the artists invited to the exhibition question themselves whether: Does discrimination exist within the LGTBIQ+ collective?

Pride and Prejudice Official Poster. Image courtesy of the gallery.

With approaches on and from the body, the proposal invites to celebrate diversity, proposes to question and self-question the prejudices and attitudes of society against the collective. Pride and Prejudice is a space for dialogue about the constructs imposed on us by society. It is also an oasis in which to deconstruct with tolerance and respect the subjectivities that sometimes prevent us from approaching the production of the participating artists, simply because "the beautiful" does not fit in an androgynous body. The subjugation of stereotypes are pressed with determination to find the beauty of diversity in other palpable facets of reality.

Pablo Sola. All men are dogs. Photography. 2014. Image courtesy of the gallery.

Throughout these three years Inéditad has stimulated the vindictive projection towards bad practices, has questioned estates around the LGTBIQ+ body and the most admirable thing, is that these capacities have resurfaced around the dialogue and the visual narrative of the stories that are told from the visual: Artworks that are people, art that is, per se, humanity. Overcome impositions and accept what is different in order to continue fighting against homophobia, biphobia, lesbophobia or transphobia and defend the equal rights that all the acronyms of the collective deserve in our community.

That's Pride and Prejudice: One creature, the happiest in the world. And maybe other projects and other people have said it - or felt it - before, but none so fairly.

Silvia Flechoso. Hola, soy maricón. Oil on canvas. 73 x 54 cm. 2023. Image courtesy of the gallery.

From June 8th until June 22nd you can visit Pride and Prejudice. Carrer de Palau núm. 4. Canal Gallery space. Barcelona.