Art Madrid'26 – BAT Alberto Cornejo Gallery in Art Madrid\'15

Vista de Madrid. Leticia Felgueroso.

 

The gallery Bat Alberto Cornejo is a space of more than 25 years of professional experience in Contemporary Art sector. With a clear bet for the quality of works and the selection of artists, this gallery counts on a magnific space in which all disciplines pieces are hosted, from sculpture to photography, drawing, painting and print art. Bat is specially focused on the national and international promotion, edition and exhibition of contemporary artists, and with this aim it has attended numerous art fairs in and out of our frontiers, like ARCO, Art'Basel, Art Chicago, Estampa, Saga, Arte Lisboa, Arte Santander and Art Madrid.

 
 

House XVI. Rubén Martín de Lucas.

 

In the gallerism profession, Bat has always shown a special sense to seeking for new creators, with emergent artists with a promising trajectory. In this searching process it is essential to enter into a nearness relationship with the artists and their work, as the own Alberto explains: "Heart is moved first, you have literally to fall in love with the works of an artist. With years passing, the gallerist develops a special instinct that gives us clues. Without doubt, it is necessary to combine heart with intellect and bet always for the work executed with sensibility, intelligence, quality and plastic rigour”.

 
 

House XVII. Rubén Martín de Lucas.

 

Bat's proposal for Art Madrid'15 comes full of established classics and new discoveries: Carmen Pastrana, Pepe Puntas, Gustavo Díaz Sosa, Pablo Lambertos, Leticia Felgueroso, Carlos Alberts, Rubén Martín de Lucas, Diego Canogar, José Ramón Lozano and Xurxo Gómez-Chao.

 

The work of Rubén Martín de Lucas must be stood out. The professional trajectory of this artists from Madrid has suffered a surprising change when after having started his engineering studies he decided to quit everything so he could completely dedicate to art. This creative immersion, started in 2002, led him to become a prolific artist ant to combine his individual production with the active collaboration in artists collectives. Among them, we must highlight Boa Mistura, creators group characterized by their performances in urban media and their studied and sensationalist plays of perspectives, of big dimensions and spectacular visual impact.¨Ruben brings to Art Madrid a series of oneiric landscapes pieces, with a clear real referent, but burdened of an colourist weight that provides them a surrealistic and important value.

 
 

De la serie Burócratas y Padrinos. Gustavo Díaz Sosa.

 

Another young artist is Gustavo Díaz Sosa, born in Sagua la Grande, Cuba. He started a career as teacher in the own National Academy of Fine Arts “San Alejandro”, where he had studied, before he decided to project his professional career in Spain. He arrives to our country in 2004 after having being awarded with the Arteleku scholarship for an artistic stay in San Sebastián, and four years later he decided to settle in the capital. The work of this creator has the characteristic of being at mid-way between the sketch and a finished piece. The lightness of his lines passes on quickness and freshness, and it achieves to transmit the inner sensation of the creative process, like if the author had been interrupted in this exact moment. Among the subjects chosen for his creations, Gustavo does not avoid his critical will of social surroundings in which he lives and, in many times, the matters make reference to the main issues of mankind and its relationship with power and money.

 

 

 

Contemporary art has ceased to be an exclusive territory reserved for elites and has become an increasingly democratic and accessible space. In the context of fairs such as Art Madrid, which in 2026 brings together more than 200 artists from five continents, a new generation of collectors is emerging—one that challenges the traditional codes of the art market. But how do you make the leap from admirer to collector? What do you need to know before acquiring your first artwork?

The image of the art collector has historically been associated with great fortunes, multimillion-euro auctions, and inaccessible masterpieces. However, this perception is changing radically. Today’s contemporary art market offers a wide range of proposals that suit virtually any budget, from works by emerging artists to limited editions by established creators. .



At Art Madrid, for example, galleries presenting young talents coexist with those representing artists with consolidated careers. This diversity allows first-time buyers to find meaningful works without needing unlimited capital. What matters is not how much you invest, but why you do it, and how that piece resonates with your life, your space, and your concerns.

Experience in the art world shows that a collection is not defined by the monetary value of the works it contains, but by the coherence and strength of the narrative they build together. Understanding this frees emerging collectors from the pressure to succeed according to investment logic and encourages them to rely on their own aesthetic judgment and the emotional connection they establish with the works.



HOW TO START A COLLECTION

Define Your Orientation: Passion vs. Investment

Before acquiring your first work, it is essential to ask yourself what you are looking for in collecting. There are two main approaches which, although they can coexist, lead down different paths:

Collecting driven by passion is guided by emotional connection, aesthetic pleasure, and the desire to live surrounded by works that speak to you. This approach is more intuitive and personal and, paradoxically, often proves to be more successful economically in the long term because it is rooted in genuine conviction.

Collecting as an investment requires more technical knowledge of the market, monitoring trends, understanding artists’ and galleries’ trajectories, and having a strategic vision. Although art has proven to be an interesting alternative investment—especially in times of economic uncertainty—it requires patience and a tolerance for risk.

Most successful collectors combine both dimensions: they buy what moves them, while also developing a critical eye to identify works with potential for appreciation. The key is not to be driven solely by market opportunism, because art that does not move you is unlikely to hold your interest when trends change.



EDUCATE YOURSELF BEFORE BUYING

Knowledge is your best tool. Before acquiring works, take time to:

Visit exhibitions regularly. Not only in commercial galleries, but also in museums, independent spaces, and art centers. This will help you develop your own aesthetic criteria and understand which proposals truly resonate with you.

Research artists. Read about their careers, influences, and creative processes. In the digital age, most artists are present on social media, where they share daily work, sketches, and reflections. This transparency makes it easier to connect more deeply with their practice.

Understand the market. Observe prices in different galleries, learn what factors influence valuation (artist’s career, technique, dimensions, limited edition versus unique piece), and become familiar with how galleries and fairs operate.

Talk to gallerists. Gallerists are essential allies. Their job is not only to sell, but to educate, connect, and build long-term relationships. A good gallerist will guide you toward works that match your interests and accompany you in the development of your collection.



EVALUATING A WORK: BEYOND “I LIKE IT”

When a work captures your attention, it is important to go beyond the initial emotional impression and ask yourself some key questions:

Coherence in the Artist’s Trajectory

Is this work part of a sustained line of research, or is it an isolated experiment? Artists with coherent proposals over time tend to have greater projection. Look for a logical evolution in their work, participation in relevant exhibitions, awards or grants, and representation by established galleries.

This does not mean you should reject the work of very young or highly experimental artists. On the contrary, some of the greatest successes in collecting come from early support of emerging talents. However, such a bet should be based on informed intuition, not mere novelty.

Technical and Conceptual Quality

Contemporary art has greatly expanded the boundaries of what we consider “technique,” incorporating everything from installation to digital art. Nevertheless, each discipline has its own standards of excellence. A painting should demonstrate mastery of color, composition, and material; a sculpture, an understanding of space and materials; a photograph, control of light and framing; a conceptual work, rigor in the development of the idea.

Beyond technique, ask yourself: What is this work saying? Does it offer an original perspective on something that interests me? Is there conceptual depth, or is it purely decorative? There are no absolute right answers, but asking these questions will help you make more conscious decisions.

Suitability for the Space

A practical but fundamental consideration: where will this work live? Art needs room to breathe, appropriate light, and a context that enhances it. A monumental work can feel overwhelming in a small apartment, while an intimate piece may get lost in a large space. Many galleries offer virtual visualization services or even temporary loans so you can experience the work in your space before committing.



Practical Aspects of Collecting

When you acquire a work, you should receive:

Certificate of authenticity: A document signed by the artist or gallery that certifies the authorship of the piece, its dimensions, technique, year of creation, and, in the case of editions, its number within the edition.

Invoice: Legally required and essential for proving ownership and purchase value, particularly relevant for insurance and potential resale.

Conservation information: Each technique and material requires specific care. Ask how the work should be preserved (light, humidity, temperature conditions) and whether it needs periodic maintenance.

Insurance and Protection: Even if your collection is just beginning, it is advisable to take out specific insurance for artworks. Most home insurance policies do not adequately cover this type of asset. There are specialized policies that protect against theft, accidental damage, fire, and other risks, with reasonable premiums for modest collections.

In addition to insurance, consider basic conservation measures: avoid hanging works in areas with excessive humidity, direct sunlight, or sudden temperature changes. For works on paper (photographs, prints, drawings), framing with UV-protective glass and acid-free matting is essential.



Legal and Tax Advice

In Spain, artworks have a specific tax treatment. The applicable VAT rate is 21%, although there are exemptions in certain cases. If your collection grows and you eventually decide to sell pieces, you will need to consider the tax implications of capital gains. For larger collections, it can be useful to consult advisors specialized in artistic heritage, who can guide you on tax benefits (donations to museums, long-term loans), inheritance planning, and asset protection structures.



Building Relationships Within the Art Ecosystem

Collecting is not a solitary activity, but a deeply social one. Some tips for integrating into the community:

Attend openings and events. Exhibition openings are opportunities to meet artists, other collectors, critics, and curators. Don’t be afraid to ask questions or express genuine interest.

Join collectors’ associations. Many cities have organized groups that arrange studio visits, talks with experts, and trips to international fairs. These spaces facilitate learning and networking.

Be loyal to your galleries. If a gallery has advised you well and you feel comfortable with its program, maintain the relationship long-term. Gallerists tend to reserve the best pieces or opportunities for their regular collectors.



Value Beyond Price

Finally, it is important to remember that the true value of collecting goes beyond economics. Living with art transforms everyday spaces into places of reflection and beauty. A work on your wall is a daily reminder of an emotion, an idea, a vision of the world that once moved you enough to want to live with it.

Collecting is also a way of actively participating in the cultural ecosystem. When you buy the work of an emerging artist, you help them continue creating. When you support an independent gallery, you help sustain spaces of experimentation. When you lend your works for an exhibition or eventually donate them to a public institution, you contribute to the collective heritage



At fairs like Art Madrid, where proposals from different generations, geographies, and artistic languages coexist, you have the opportunity to explore, compare, and discover. There is no rush. Collecting is a long-term journey in which each acquisition is a chapter in a personal story you are building. The key is to begin with curiosity, humility, and the certainty that art, more than a luxury, is a necessity that profoundly enriches life.