Catawiki is a curated online platform that makes buying & selling of special, hard to find objects extremely easy & reliable. The renowned art buying and selling platform Catawiki establishes itself as one of the official sponsors of Art Madrid in its 17th edition, also being part of the Art Week in Madrid.

Founded in 2008 with the mission to make special objects more accessible, Catawiki currently offers more than 600 auctions every week, in multiple categories such as collectibles, art, design, jewellery, watches, classic cars, among others.

Catawiki welcomes more than 650,000 visits from art, design and antiques enthusiasts every week. This international audience looks forward to discovering rare interior design pieces, paintings by their favourite artists or new original work by the artists and designers who sell directly with Catawiki.

Buyers | Offering inspiration in art, antiques and design

Catawiki fuels the passion of art, antiques and design lovers around the world, and it is the place to be for people who want to showcase special objects that reflect their personality in their homes. Over 90 experts select 20,000 items per week, ensuring that there are plenty of high-quality items for users to bid on. Catawiki’s experts combine years of experience with huge amounts of historical data on selling prices in a range of categories.

Ranging from contemporary art to vintage furniture, every week Catawiki offers the most coveted pieces. Whether they are interested in an antique Chinese vase, an impressionist artwork or an Eames chair, buyers with Catawiki can rest assured that every object on the platform is truly special.

Sellers | Helping the art world move online

Galleries and artists are increasingly choosing Catawiki as a platform to help transition their business online and reach new audiences. The weekly Direct from the artist auction empowers artists to submit their own work for expert review and it is becoming one of Catawiki’s most popular auctions. Respected artists such as Karl Lagasse, Kev Munday and FAKE have all appeared in the Catawiki auctions.

Reliability is of paramount importance at Catawiki, and the priority is to create a platform that is a safe place for buyers and sellers alike. The Catawiki payment system ensures secure and swift transactions. Payments from buyers are stored in a secure account and will only be released to the seller after the buyer has received their purchase.

Over 90 experts, recruited from the most prestigious art institutions in the world, select more than 20,000 objects in auction every week.

Whether they are interested in an antique Chinese vase, an impressionist artwork, iconic pop art, or an Eames chair, buyers with Catawiki can rest assured that every object on the platform is truly special. Interesting objects up for auction on Catawiki included: artwork by Andy Warhol, Banksy, Picasso, Monet and Man Ray, as well as design furniture by Eames or Sottsass.

More information about our sponsor Catawiki

ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. PERFORMANCE CYCLE X ART MADRID'26

Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.

PERFORMANCE: ALTA FACTURA. BY COLECTIVO LA BURRA NEGRA

March 4 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.

"Discipline for Power.” Performance by La Burra Negra for Displacement of the Congress of Deputies by Roger Bernat. 2025.

Alta Factura subverts the conventional structure of the fashion runway to foreground the often-invisible processes that underpin artistic production. Through a series of conceptual textile works, the performance draws attention to the discipline of craft and the artist’s vulnerability, ultimately revealing those seams typically consigned to the margins, behind the scenes.

Colectivo La Burra Negra.

ABOUT EL COLECTIVO LA BURRA NEGRA

La Burra Negra is a nomadic performance art collective based in Málaga, founded in 2024 following its first residency in Totalán. The group is self-managed by Ascensión Soto Fernández, Gabriela Feldman de la Rocha, Sasha Camila Falcke, Sara Gema Domínguez Castillo, Sofía Barco Sánchez, and Regina Lagos González—six artists from diverse backgrounds and trajectories who met at the Hospital de Artistas at La Juan Gallery.

The collective brings together practitioners working across jewelry, painting, the performing arts, music, dance, cultural mediation, and arts management. Its activities include an annual residency in Totalán, the production of performative works, cultural mediation initiatives, and site-responsive interventions.

Since its inception, the collective has participated in the Periscopio series at La Térmica; presented A granel at the MVA in Málaga; carried out a number of actions in Totalán—the most recent during its second annual residency—and contributed its own proposals to the performance Displacement of the Congress of Deputies by Roger Bernat in Madrid.

At the core of La Burra Negra lies a commitment to collective creation and the exchange of knowledge. United in their effort to experiment with and disseminate performance art, the group explores the invisible dimensions of artistic labor—its temporalities, efforts, and relational dynamics, which so often remain unseen—as a form of critical affirmation.

Their practice emerges from dialogue and shared reflection, in the pursuit of decentralized spaces where art can be experienced and its processes made visible. Each residency and each action becomes an attempt to inhabit creation collectively, challenging conditions of precarity while fostering networks of care and collaboration that sustain both their own practice and that of those around them.