Art Madrid'26 – CENSORSHIP IN THE 21ST CENTURY

Balthus, “Thérèse Dreaming”, 1938. ©Photo by Oliver Berg/dpa picture alliance archive/Alamy.

 

 

 

The Metropolitan Museum of New York has recently faced the harsh decision of whether or not yield to social pressure to dismiss from the exhibition a painting by Balthus considered "sexually suggestive". The work is "Thérèse Dreaming", concluded in 1938, which portrays a young girl at her 12 or 13 years in a position that for the critical eyes of the New Yorker Mia Merrill was totally inappropriate. This led to an online campaign that gathered more than 8,600 signatures requesting its withdrawal when the same work had previously been exposed in Museum Ludwig in Cologne without any setback.

 

 

 

Bia Leita, "Travesti da lambada e deusa das águas", 2013.

 

 

 

Another recent case occurred this summer at the Cultural Center of Santander in Porto Alegre, Brazil. The exhibition entitled "Queermuseu" gathered more than 230 works by 85 Brazilian artists around a project that explored the artistic communication and representation of homosexuality and non-orthodox sexuality. The controversy sprang up a few days after the inauguration, and the social pressure by a group of ultra-right-wing demonstrators and evangelists led the Santander Foundation to close the show. The case was then brought before the authorities who, after carefully examining all the works, came to the unanimous conclusion that none of them had traces of paedophilia.

 

 

 

Detail of “Reclining Nude” by Modigliani in Bloomberg TV and The Financial Times.

 

 

 

In November 2015, the work "Reclining Nude" by Amadeo Modigliani was auctioned at Christie's New York, at that time the second most expensive artwork in the world. Chinese collector Liu Yiqian bought the painting for 170.4 million dollars. The curious thing about this situation is that some media applied to the spread of the news a flagrant censorship that concealed or blurred the most sensual parts of the painting, perhaps to flaunt a decorum and restraint adapted to the general feeling of its subscribers.

 

 

 

Dread Scott Tyler, “What is the Proper Way to Display the US Flag?”, 1989.

 

 

 

Without forgetting the case of the Russian singers Pussy Riot who recorded their hit against Putin in the Cathedral of Christ the Savior of Moscow, and ended up in jail, or the decision of the MACBA to cancel the exhibition "The Beast and the Sovereign" in which one of the central pieces was the proposal of the Austrian artist Ines Doujak, in which a King Juan Carlos was sodomised; the censorship of political overtones underlies some of this cases. Another example is the installation of artist Dread Scott Tyler on what is the proper way to display the American flag. In the work, a US flag lying on the floor was placed in such a way that in order to read a protocol manual one had to step on it. This led to the arrest of several visitors for outrage and the artist himself for violating the law of protection of the flag of 1989.

 


ART MADRID’ 26: 21 YEARS OF CONTEMPORARY ART


Discover all the information about the artists and galleries participating in the 21st edition of Art Madrid. The catalog features a curated selection of the works presented in this edition, along with the most relevant details of the event, making it an essential tool for engaging with the fair’s key figures and exploring the defining elements of today’s art scene.


In 2026, Art Madrid celebrates its 21st edition, further establishing itself as a leading event within Spain’s cultural sector. From March 4 to 8, the Galería de Cristal of the Palacio de Cibeles will once again become a meeting point for galleries, collectors, artists, and contemporary art enthusiasts.


Over the past twenty-one years, the fair has evolved into a dynamic and ever-expanding platform, fostering diversity in artistic languages, techniques, and discourses. In this edition, the Galleries Program brings together around 35 exhibitors from more than seven countries, offering a representative overview of the most recent developments in contemporary creation.


The Art Madrid ’26 catalog serves as a key publication for discovering the work of this edition’s galleries and artists —marked by experimentation and a plurality of perspectives— while also documenting the conceptual axes that shape the fair. As part of the Parallel Program, INHABITING THE EPHEMERAL: A Reflection on the “Species” of Spaces proposes a reflection on space, relationships, and shared experience, expanding the understanding of the fair beyond its commercial dimension and highlighting its cultural and experiential significance.


In addition, the catalog presents the initiatives that complete the program, such as the Open Booth dedicated to emerging creation, the Nebrija Space in collaboration with Nebrija University, the Performance Series “Open Infinite. What the Body Remembers,” the One Shot Collectors Program, and the Patronage Program, reaffirming the fair’s commitment to supporting, mediating, and accompanying contemporary art at every stage.

We invite you to discover more about Art Madrid ’26 through the catalog of its 21st edition — a publication that, beyond serving as documentary memory, becomes a cartography of the present artistic moment and an open door to new ways of inhabiting contemporary art.