Art Madrid'25 – Las Reglas del Juego new exhibition of Chema Madoz

Photographer Chema Madoz presents in "Las Reglas del Juego", a compilation of his images created between 2008 and 2014. The exhibition will be in the madrilian space Alcalá 31 until August.

 
 
It is a visual poet who writes poetry with objects, lines, volumes and shadows, objects in black and white that make us more questions than gives answers. Chema Madoz, National Photography Prize in 2000, is one of our most personal, unique and recognizable photographers, and he has displayed his collection of mental constructions and poetic visions in Sala Alcalá 31 of Madrid under the title "Las Reglas del Juego", a name that includes their art works between 2008 and 2014.
 
Indeed, the game that offers us Madoz with 124 images, is a game without more rules than elegance, mastery of photo language and a sharp and precise idea, with the naturalness and sense of humor that characterizes the photographer's work.
 
 
Stopped clocks, caged clouds, hands with spinning words, tributes to Magritte,... all his black and white photograph on baryta paper, is exposed almost complete for the first time and it speaks of a more mature Madoz, without losing their conceptual references but expanding his personal research on the language of objects and including things like animals, texts or even drawing as tool and trigger for new ideas.
The exhibition Chema Madoz 2008-2014 Las Reglas del Juego, is presented on the occasion of granting to the artist the Photographic Cultural Prize of the Community of Madrid 2012. This exhibition is part of the Official Selection of the International Festival of Photography and Visual Arts, PHotoEspaña 2015. In parallel, and to bring the work of Chema Madoz to everyone, the workshop visits "Poets in black and white " aimed at families with children between 6 and 12 years and Saturday in June and July.

Chema Madoz (Madrid, 1958), is one of the most important photographers of our country and enjoys international renown. Proof of this is his recent appearance at the Rencontres d'Arles (France) festival. In 1983 he held his first solo exhibition at the Royal Photographic Society of Madrid and since 1990 develops his poetic objects, that will be a constant theme in his photography to the present. He has received numerous awards, the Culture Prize of the Community of Madrid, mode of Photography (2012), the National Photography Award (2000) and the PHotoEspaña Prize (1998), among others. Large institutions as the National Centre de Arte Reina Sofia Museum and the Pompidou Centre have devoted solo exhibitions and his work is in major public and private collections of contemporary art and the Telefonica Foundation, the Andalusian Centre of Photography, the Juan March Foundation , the IVAM, the Ministry of Culture, the Fine Arts Museum of Houston and the National Museum itself Centro de Arte Reina Sofia.

 

 

At the most recent edition of Art Madrid, artist Luis Olaso (Bilbao, 1986), represented by Kur Art Gallery (San Sebastián), received the Residency Prize of the Art Madrid Patronage Program. This award, the result of a collaboration between Art Madrid, DOM Art Residence, and the Italian association ExtrArtis, enabled him to undertake an artistic residency in Sorrento (Italy) in August 2025.

Through initiatives like this, the fair reaffirms its support for contemporary creation—a commitment aimed at increasing artists’ visibility and strengthening art collecting through concrete actions such as acquisition prizes, recognition of emerging talents, and international residencies.


Artists in Residence. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


The DOM & ExtrArtis 2025 Residency Program took place in Sorrento from August 1 to 31, 2025. The artists lived together at Relais La Rupe, a 16th-century villa surrounded by cliffs and centuries-old gardens, which became an ideal setting for experimentation and exchange.

In this edition, residents worked around the theme “Reimagining Genius Loci”, an invitation to reflect on how the movement of people and traditions transforms the “spirit of place.” During the residency, DOM organized two public group exhibitions: the first to present the artists’ previous work, and the second to showcase the projects developed in Sorrento.


Work by Luis Olaso. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


Luis Olaso’s work moves between expressionist figuration and abstraction, always employing a pictorial language charged with strength and emotion. Initially self-taught, he later graduated in Fine Arts and has developed a solid international career, with exhibitions at venues including JD Malat (London) and Makasiini Contemporary (Turku, Finland), and participation in fairs such as Untitled Miami, Estampa, and Art Madrid itself.

His work is part of prestigious collections, including the Tokyo Contemporary Art Foundation, Fundación SIMCO, and the Provincial Council of Bizkaia, and has been recognized in competitions such as the Reina Sofía Prize for Painting and Sculpture and the Ibercaja Young Painting Prize.

In Sorrento, Olaso found a unique context to expand his pictorial research, engaging in dialogue with the Mediterranean landscape and the region’s historical heritage. The residency provided him with time, resources, and a framework for exchange with other international artists, fostering the production of new works that were later presented in the group exhibitions organized by DOM.


Luis Olaso working on his project. DOM & ExtrArtis. Image courtesy of DOM.

Luis Olaso’s experience at DOM Art Residence concluded with a public showcase of the works produced, reinforcing his presence on the international circuit and consolidating his position as one of the most prominent Basque artists on the contemporary scene.


Through initiatives such as this, Art Madrid demonstrates its active role as a platform for direct support of contemporary creation, creating opportunities for research, production, and intercultural dialogue that extend beyond the fair itself and accompany artists in their professional development.