Art Madrid'26 – Cultural Madrid in the World Pride 2017

 

 

First Pride in Madrid. 1978.

 

 

Multidisciplinary exhibitions, concerts, lectures, performances and workshops will fill galleries, streets and cultural institutions like CentroCentro, Matadero Madrid, Medialab-Prado or Conde Duque. These activities have the intention of showing the relevance of LGTBIQ claims, though which these collectives have tried and keep trying to be visible.

 

 

 

Pride March in 2011

 

 

CentroCentro Cibeles will participate with several exhibitions, among them: `Subversive. 40 years of activism in Spain´ (until October 1), that documents with more than 300 works the evolution of LGTB struggles in support of equally and sexual diversity. Matadero Madrid hosts the 30th of June and within other activities the event ´Night policies´, a group of concerts, sound and visual interventions and performances around sexual dissents related to the night. Medialab-Prado, apart from having hosted workshops like ´Queer geographies´ and ´Queerzine´, will show in its screen audiovisual pieces focused on proposals from several projects. Conde Duque presents, among other activities, `AIDS Anarchive´, a task of analysing and collecting audiovisual information about this topic that has been produced in Chile and Spain. It provides a new and more affective perspective than the one that defines AIDS as an epidemic disease in a globalized world.

 
 
 

Bronzino. San Sebastián around 1533.

 


Besides the activities above, Prado and Thyssen museums participate with two itineraries: `The Other’s Gaze. Spaces of difference´ and `Inclusive love´ respectively. The first one, encourages a reflection on the historical reality of same-sex relationships and non-normative sexual identities. The second one, offers a thematic route along themes, iconography and figures relating to LGTB culture in art.

 

 

 

`Los amores oscuros´. Spanish Theatre.

 


In parallel to these events and among many others, Madrid cultural offering includes concerts, theatre plays or film festivals in several headquarters (Casa América, Spanish Theatre, Filmoteca, etc.). They all also refer to these activisms, whose first marches were born in Spain 40 years ago.

 

 


ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: OSCURECER UN PAPEL. BY ROCÍO VALDIVIESO

March 5 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


Nocturnality. Installation. Rocío Valdivieso..


Oscurecer un papel forms part of a series of actions in which the artist engages in reading through repetition, memorization, and a measured degree of improvisation. Within this framework, a non-linear mode of reading emerges from a written text that is transformed when spoken aloud, assuming a different form in the act of articulation. The texts stem from an ongoing investigation into materiality, space, the relationships between body and matter, writing, the sculptural, and a sustained interest in the exploration of voice and orality.

The material from which Oscurecer un papel is constructed consists of a collection of purchase receipts the artist has been accumulating over time. The printed text they contain, together with the action of bringing them into proximity with a heat source—thereby activating the thermal paper on which they are produced—generates meanings that revolve around the notions of consumption and wear.


Rocío Valdivieso. Latent Aura. Performance documentation.


ABOUT ROCÍO VALDIVIESO

Rocío Valdivieso is an artist, researcher, and cultural manager. She is currently a PhD candidate in Fine Arts at the Complutense University of Madrid. She holds an MA in Research in Artistic Practices from the University of Castilla–La Mancha (UCLM) and a BA in Fine Arts from the National University of Tucumán, Argentina. She was a Fundación Carolina fellow from 2022 to 2023. She currently co-directs Errática. Laboratory of Processes and Critique in Madrid, alongside Romina Casile.

She was part of the PEEPA 2023 Program at the Centro de Residencias Artísticas, Matadero Madrid. She completed the 2021/22 Artists Program at Universidad Torcuato Di Tella, Buenos Aires, and in 2020 participated in the Intensive Curatorial Program of Proyecto PAC at Galería Gachi Prieto, Buenos Aires. She received the Visual Arts Promotion Award at the 4th Visual Arts Week of the Ente Cultural de Tucumán. She was awarded an AUGM scholarship for an exchange residency at UNESP, São Paulo, Brazil. She also participated in the International Residency Program La Ira de Dios and in the Acéfala Galería Residency for Argentine artists.