Art Madrid'25 – DANIEL CANOGAR: FROM TAMPA TO ALCALÁ 31

Daniel Canogar, “Sikka Ingentium” (detail), 2017.

 

 

 

Since very early, Daniel felt interested in the world of the image to explore the possibilities that the use of the projections could have in the contemporary plastic proposals. In this path, he has managed to stand out as one of the Spanish artists of greater international projection in our days. Some of his most outstanding works have passed through the Council of Europe, in Strasbourg, or Times Square.

 

 

 

Daniel Canogar, “Sikka Ingentium”, 2017.

 

 

 

Halfway between Madrid and New York, Daniel counts today on a real work team. The magnitude of his pieces and the complexity of his installations had make time ago a qualitative leap that demanded a larger dedication of resources. In addition, new technologies need to be permanently updated.

 

 

 

Daniel Canogar, “Storming Times Square”, 2014.

 

 

 

The exhibition organised in Alcalá 31 includes a representative sample of his latest works, presided over by the central piece "Sikka Ingentium". This work is composed of thousands of DVDs brought from all over the world, personally collected by Daniel in his travels. This factor adds a critical component to the sculpture: a reflection on the obsolescence of technological formats, which extends worldwide. At the same time, it represents the passing of time. They are like fragments of memory materialised in these circular plastic elements that now unfold in this monumental work. A representation of human fragility expressed through the technological evolution itself.

 

 

 

Daniel Canogar, “Tendril”, 2017.

 

 

 

Daniel's ideas go beyond creating a simple flat and static proposal. His latest work for the Tampa airport in Florida is an algorithm that adapts and modifies to project the illusion of a living and flourishing vegetation, inspired by the flora of the region. A challenge both artistic and technological that was just launched last October.

 

At the most recent edition of Art Madrid, artist Luis Olaso (Bilbao, 1986), represented by Kur Art Gallery (San Sebastián), received the Residency Prize of the Art Madrid Patronage Program. This award, the result of a collaboration between Art Madrid, DOM Art Residence, and the Italian association ExtrArtis, enabled him to undertake an artistic residency in Sorrento (Italy) in August 2025.

Through initiatives like this, the fair reaffirms its support for contemporary creation—a commitment aimed at increasing artists’ visibility and strengthening art collecting through concrete actions such as acquisition prizes, recognition of emerging talents, and international residencies.


Artists in Residence. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


The DOM & ExtrArtis 2025 Residency Program took place in Sorrento from August 1 to 31, 2025. The artists lived together at Relais La Rupe, a 16th-century villa surrounded by cliffs and centuries-old gardens, which became an ideal setting for experimentation and exchange.

In this edition, residents worked around the theme “Reimagining Genius Loci”, an invitation to reflect on how the movement of people and traditions transforms the “spirit of place.” During the residency, DOM organized two public group exhibitions: the first to present the artists’ previous work, and the second to showcase the projects developed in Sorrento.


Work by Luis Olaso. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


Luis Olaso’s work moves between expressionist figuration and abstraction, always employing a pictorial language charged with strength and emotion. Initially self-taught, he later graduated in Fine Arts and has developed a solid international career, with exhibitions at venues including JD Malat (London) and Makasiini Contemporary (Turku, Finland), and participation in fairs such as Untitled Miami, Estampa, and Art Madrid itself.

His work is part of prestigious collections, including the Tokyo Contemporary Art Foundation, Fundación SIMCO, and the Provincial Council of Bizkaia, and has been recognized in competitions such as the Reina Sofía Prize for Painting and Sculpture and the Ibercaja Young Painting Prize.

In Sorrento, Olaso found a unique context to expand his pictorial research, engaging in dialogue with the Mediterranean landscape and the region’s historical heritage. The residency provided him with time, resources, and a framework for exchange with other international artists, fostering the production of new works that were later presented in the group exhibitions organized by DOM.


Luis Olaso working on his project. DOM & ExtrArtis. Image courtesy of DOM.

Luis Olaso’s experience at DOM Art Residence concluded with a public showcase of the works produced, reinforcing his presence on the international circuit and consolidating his position as one of the most prominent Basque artists on the contemporary scene.


Through initiatives such as this, Art Madrid demonstrates its active role as a platform for direct support of contemporary creation, creating opportunities for research, production, and intercultural dialogue that extend beyond the fair itself and accompany artists in their professional development.