Art Madrid'26 – EVA LOOTZ, AN EXHIBITION IN MAGIC LANDS

Eva Lootz at the CGAC contemplating one of her works next to Román Rodríguez (making a photo with her mobile) - PHOTO: Xunta

 

 

Eva Lootz (Vienna, 1940) is an Austrian plastic artist residing in Spain since 1967. Her main concern is the relationship between matter and language from different points of view. The beginnings of his career were defined by the use of ephemeral materials such as sheets of cotton or earth and their work with liquids binders such as wax or synthetic glue. With this it goes back to the origins of the devaluation of the matter with respect to the idea. This issue is extrapolated in parallel with the degradation of women in many cultures.

 

 

Photo of the exhibition

 

 

Raw materials and their organic use explain the process of extraction and treatment of minerals, also cultural behavior and the footprint in the landscape and language. One of its virtues is to detect little visible traces. In 1994 he received the National Plastic Arts Prize in Spain, taking that date of reference his work evolved towards the incorporation of sound in some of his installations. Also the making of videos brings you closer to the audiovisual world.

 

One of his highlights is the importance of drawing and the weight of this in his work along with the notebooks. One of the first fields that he experienced at the pictorial level was the color field, also known as color fields. Later he took another path more focused on art povera, minimal and land art.

 

 

Photo of the exhibition

 

 

The exhibition that is presented at the Galician Center for Contemporary Art is not summarized as an anthology because it would be a titanic task to cover all the work of this artist who is still active. But what does your Commissioner Alicia Murria does is select a part, dating from the 70s to the present and show a small common denominator of his entire career. These selected objects show how it suppresses color and seeks a more spiritual character by distorting the conception of object that we have established.

 

 

Eva Lootz, Xunta de Galicia

 

 

The leap into three-dimensionality is produced organically and naturally, as all of Lootz's work, the key component is to stimulate the senses. The architecture and the facilities frame all this artistic idea that tries to transmit us. His knowledge of the ancient cultures and the relationship with the elements make the language of this exhibition articulate in a light and pleasant way. The geographical point chosen gives us the opportunity to see this artist in a magical land, as is Galicia.

 

 

 


ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: OSCURECER UN PAPEL. BY ROCÍO VALDIVIESO

March 5 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


Nocturnality. Installation. Rocío Valdivieso..


Oscurecer un papel forms part of a series of actions in which the artist engages in reading through repetition, memorization, and a measured degree of improvisation. Within this framework, a non-linear mode of reading emerges from a written text that is transformed when spoken aloud, assuming a different form in the act of articulation. The texts stem from an ongoing investigation into materiality, space, the relationships between body and matter, writing, the sculptural, and a sustained interest in the exploration of voice and orality.

The material from which Oscurecer un papel is constructed consists of a collection of purchase receipts the artist has been accumulating over time. The printed text they contain, together with the action of bringing them into proximity with a heat source—thereby activating the thermal paper on which they are produced—generates meanings that revolve around the notions of consumption and wear.


Rocío Valdivieso. Latent Aura. Performance documentation.


ABOUT ROCÍO VALDIVIESO

Rocío Valdivieso is an artist, researcher, and cultural manager. She is currently a PhD candidate in Fine Arts at the Complutense University of Madrid. She holds an MA in Research in Artistic Practices from the University of Castilla–La Mancha (UCLM) and a BA in Fine Arts from the National University of Tucumán, Argentina. She was a Fundación Carolina fellow from 2022 to 2023. She currently co-directs Errática. Laboratory of Processes and Critique in Madrid, alongside Romina Casile.

She was part of the PEEPA 2023 Program at the Centro de Residencias Artísticas, Matadero Madrid. She completed the 2021/22 Artists Program at Universidad Torcuato Di Tella, Buenos Aires, and in 2020 participated in the Intensive Curatorial Program of Proyecto PAC at Galería Gachi Prieto, Buenos Aires. She received the Visual Arts Promotion Award at the 4th Visual Arts Week of the Ente Cultural de Tucumán. She was awarded an AUGM scholarship for an exchange residency at UNESP, São Paulo, Brazil. She also participated in the International Residency Program La Ira de Dios and in the Acéfala Galería Residency for Argentine artists.