Art Madrid'26 – Exhibition Arissa Fundación Telefónica in Madrid

With his work forgotten for decades, Antoni Arissa regains its rightful position in the Parnassus of the photography stars of our country. The one in Fundación Telefónica is the first anthology of the author and will be open until September 14.

With two important curators such as Valentin Vallhonrat and Rafael Levenfeld, "Arissa, shadow and photographer 1922-1936" shows over 160 images in black and white sorted into three stylistic groups: pictorialism (1922-1928); evolution towards modern visual solutions (1930) and the New Vision, from 1930 to 1936, when Arissa is already champion of avant-garde photography. 

In its first stage, which he alternates with working in the family printing, Antoni Arissa (Sant Andreu 1900 - Barcelona 1980) portrays rural scenes, rustic iconography, scenography as a romantic fictions and traditional values.

Nearly the 30´s he took the path of the New Vision, the style adopted throughout Europe by graphic designers, typographers and printers that defend a more modern photography, without fictions or symbolisms and characterized by polished composition, shape and lines and the elegance of the Central Europe photography.

Arissa approaches himself to conceptual photography and begins to take objects and streets, pieces of life that become full significance under photographer's lens.

After the Civil War, the vast majority of platforms that broadcast modernity disappeared and with them much of the work of Arissa and other artists of the time. It was not until the early 90s that the exhibition “Postage vanguards in Spain” regained some of his work, and his figure emerged again from the shadows. Today, Arissa is a symbol of modernity and a reference for publishers, designers and photographers.

 

 


ART MADRID’ 26: 21 YEARS OF CONTEMPORARY ART


Discover all the information about the artists and galleries participating in the 21st edition of Art Madrid. The catalog features a curated selection of the works presented in this edition, along with the most relevant details of the event, making it an essential tool for engaging with the fair’s key figures and exploring the defining elements of today’s art scene.


In 2026, Art Madrid celebrates its 21st edition, further establishing itself as a leading event within Spain’s cultural sector. From March 4 to 8, the Galería de Cristal of the Palacio de Cibeles will once again become a meeting point for galleries, collectors, artists, and contemporary art enthusiasts.


Over the past twenty-one years, the fair has evolved into a dynamic and ever-expanding platform, fostering diversity in artistic languages, techniques, and discourses. In this edition, the Galleries Program brings together around 35 exhibitors from more than seven countries, offering a representative overview of the most recent developments in contemporary creation.


The Art Madrid ’26 catalog serves as a key publication for discovering the work of this edition’s galleries and artists —marked by experimentation and a plurality of perspectives— while also documenting the conceptual axes that shape the fair. As part of the Parallel Program, INHABITING THE EPHEMERAL: A Reflection on the “Species” of Spaces proposes a reflection on space, relationships, and shared experience, expanding the understanding of the fair beyond its commercial dimension and highlighting its cultural and experiential significance.


In addition, the catalog presents the initiatives that complete the program, such as the Open Booth dedicated to emerging creation, the Nebrija Space in collaboration with Nebrija University, the Performance Series “Open Infinite. What the Body Remembers,” the One Shot Collectors Program, and the Patronage Program, reaffirming the fair’s commitment to supporting, mediating, and accompanying contemporary art at every stage.

We invite you to discover more about Art Madrid ’26 through the catalog of its 21st edition — a publication that, beyond serving as documentary memory, becomes a cartography of the present artistic moment and an open door to new ways of inhabiting contemporary art.