Art Madrid'26 – FOR YOU, INSTAGRAMMER

After the first days of celebration of the fourteenth edition of Art Madrid, we have been able to immerse ourselves in social media, especially in Instagram, to know which works are the most photographed. In this article, we show you the pieces that you can not miss when you come to visit Art Madrid'19.

José Ramón Lozano

Sin Título (VI), 2019

Acrylic on canvas

170 x 190cm

Undoubtedly, one of the most appealing works to visitors is that of the young José Ramón Lozano (BAT Gallery Alberto Cornejo). His very close-up female portraits are, looking directly at the viewer, equally seducing and intriguing him. A painter specialized in portraiture, Lozano affirms that through this genre "he can transmit more of his work to the spectators". His work is a perfect manifesto of the new possibilities that even today can characterize such a traditional discipline and genre, as well as being a clear example of the unlimited power of young creation. Likewise, in the same stand, are the works of the Slovak photographer Mária Švarbová and those of Lantomo, a great Italian artist passionate about Chinese culture, these are also featured on social media.

François Bel

Ringringring, 2018

Acrylic glass

40 x 14cm

Rafael Barrios

Tumble, 2018

Lacquered steel

57 x 45cm

Peter Anton

Raspberry-Lemon Ice Bar, 2017

Mixed technique

56 x 23cm

Naturally, the sculptures of François Bel (Galerie Barrou Planquart), known as "Big Bangs" are one of the most shared images on Instagram. This artist, interested in new realism, street art and pop culture, makes impressive encapsulations in synthetic glass of a decisive moment, but at the same time reflects some of the great icons of the contemporary world: the concern of time passage, self-centeredness or materialism. He shares the critical vision of the state of things with another of the most prominent artists on social media: Layziehound Coka (ODA Gallery), a South African artist who works from a very gestural figuration and who will be accompanying us throughout the celebration of Art Madrid.

Gerard Mas

Guardian, 2018

Madera de teka quemada y vidrio

103 x 27cm

Many attendees have photographed the works of the Galería Hispánica stand (Madrid-Mexico City), where you can find pieces by American, Italian and Spanish authors, such as Rafael Barrios, Peter Antono, Paul Rousso or Mr. Brainwash (Thierry Guetta). The same is happening at the 3 punts gallery stand, where the works by Samuel Salcedo, Gerard Mas, Alejandro Monge or Kiko Miyares stand out, this last one also being present in the space of the Gallery Arancha Osoro. The works by Collage Habana artists, Andy Llanes Bultó, Ernesto Rancaño, Roldán Lauzán Eiras y Daniel R. Collazo, have been photographed and shared on social media.

Carlo Borer

Cluster, 2011

Steel

45 x 65cm

Oliver Czarnetta

Spektrum, 2018

Resin

41 x 17cm

In the stand of Schmalfuss the works by Carlo Borer also stand out, abstract sculptures made of steel in which the spectators find an interesting game of reflections; likewise sculptures by Oliver Czarnetta, mysterious faces isolated with secrets inside. In the Robert Drees space, the most portrayed are the pieces in rubber by the South Korean Sun Rae Kim and paintings by the Spanish Pepa Salas. Also, within the proposal of the Bea Villamarín Gallery are works by Carlos Tárdez, Patricia Escutia and Mònica Subidé, whom we also find in the Yiri Arts gallery. We also highlight the works by Isabel Alonso Vega (Fucking Art Gallery), made from smoke and methacrylate, pieces that speak to viewers of "the intangible, of what is present but can hardly be seen, it is almost impossible to touch and much less to catch".

Alejandra Atarés

Jardin con fondo rosa, 2018

Oil and acrylic on linen

150 x 150cm

Manuela Eichner

Bruja, 2018

Collage on wood

60 x 45cm

The One Project space, the program curated by Nerea Ubieto, is having great success on social media. Pieces by Nuria Mora (Gallery About Art), Virginia Rivas (DDR Art Gallery), Manuela Eichner (RV Culture and Art) or those by Alejandra Atarés (Víctor) Lope) are the most shared images by instagrammers. Finally, we are happy to see that Rubén Martín de Lucas's audio-visual installation that welcomes the audience at the entrance is one of the works that is being recorded and photographed the most. We hope that this small guide will help everyone who wants to keep and share what they have seen in Art Madrid'19!

 

ART MADRID '26: 21 YEARS OF CONTEMPORARY ART



In 2026, Art Madrid will celebrate its 21st edition, further consolidating its position as a leading contemporary art fair in Spain. From 4 to 8 March, the fair will bring together thirty-five national and international galleries at the Galería de Cristal of the Palacio de Cibeles. Returning to its date during Madrid Art Week, Art Madrid reaffirms its pioneering role by expanding the fair calendar and offering an open and enriching dialogue in which diverse artistic proposals coexist.


Throughout its history, Art Madrid has established itself as a leading presence in the contemporary art scene. It is renowned for its commitment to promoting both emerging and established galleries, and for its dedication to making contemporary art accessible to a diverse range of audiences.

Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity in its offering, respecting the identity of each exhibitor and promoting a plural creative ecosystem that reflects the richness and differences of the current art scene.


Art Madrid '25. Photo by Lucas Amillano


GALLERY PROGRAM: AN ACTIVE MAP OF CONTEMPORARY CREATION


The Gallery Program is at the heart of Art Madrid’26. For this edition, thirty-five national and international galleries will participate in a space that celebrates experimentation, hybrid languages, and the latest artistic production. The selection of proposals constitutes a representative mosaic of the aesthetics, discourses, and contemporary practices that are shaping the present of art in Europe.

The Galería de Cristal of the Palacio de Cibeles will once again be transformed into a dynamic space where the exhibitions interact with each other, inviting the public to explore visual narratives that show the evolution of contemporary languages. Works that experiment with new media, formal investigations that reformulate traditional techniques, pieces that reflect on the links between technology and humanity, and poetic approaches that explore territory, identity, or memory make up a plural, stimulating journey open to multiple interpretations.

Art Madrid also continues to strive to become a platform for discovery, allowing both professionals and visitors to identify new voices and consolidate relationships with artists who are already emerging as leaders within the contemporary cultural landscape.


Art Madrid '25. Photo by Lucas Amillano


NATIONAL AND INTERNATIONAL EXHIBITORS

Thirty-five galleries are participating in this edition, twenty-seven of which are returning after finding the fair to be a favourable environment in which to strengthen connections, increase visibility and promote their artists' work on an international scene.

Twenty-six of these are Spanish galleries from various regions of the country: 3 Punts Gallery (Barcelona), Alba Cabrera Gallery (Valencia), Aurora Vigil-Escalera (Gijón), CLC ARTE (Valencia), DDR Art Gallery (Madrid), Est_ArtSpace (Madrid), g • gallery (Barcelona), Galería Arancha Osoro (Oviedo), Galería BAT alberto cornejo (Madrid), Galería Beatriz Pereira (Plasencia), Galería Carmen Terreros (Zaragoza), Galería Espiral (Noja), Galería La Mercería (Valencia), Galería Luisa Pita (Santiago de Compostela), Galería María Aguilar (Cadiz), Metro Gallery (Santiago de Compostela), Rodrigo Juarranz Gallery (Aranda de Duero), Sigüenza Gallery (Sigüenza), Gerhardt Braun Gallery (Palma de Mallorca | Madrid), Inéditad Gallery (Barcelona), Kur Art Gallery (San Sebastián), LAVIO (Murcia | Shanghai), Moret Art (A Coruña), Pigment Gallery (Barcelona), Shiras Galería (Valencia) and Uxval Gochez Gallery (Barcelona). This selection of galleries highlights the importance of the Spanish scene and its contribution to the development of the contemporary cultural ecosystem.


Art Madrid '25. Photo by Lucas Amillano


The nine international galleries participating in this edition are: Banditrazos Gallery (Seoul, South Korea), Collage Habana (Havana, Cuba), Galeria São Mamede (Lisbon, Portugal), Galerie ONE (Paris, France), KANT Gallery (Copenhagen, Denmark | Palma de Mallorca, Spain), Loo & Lou Gallery (Paris, France), Nuno Sacramento Arte Contemporânea (Ílhavo, Portugal), Trema Arte Contemporânea (Lisbon, Portugal) and Yiri Arts (Taipei, Taiwan). Their participation broadens the fair's international reach, promoting creative and conceptual exchange between diverse artistic perspectives.

In addition, eight new galleries have been added to the list of exhibitors:

Banditrazos Gallery (Seoul, South Korea), Est_ArtSpace (Madrid, Spain), g • gallery (Barcelona, Spain), Galería Beatriz Pereira (Plasencia, Spain), Galerie ONE (Paris, France), Galería Sigüenza (Sigüenza, Spain), Gerhardt Braun Gallery (Palma de Mallorca | Madrid, Spain) and KANT Gallery (Copenhagen, Denmark | Palma de Mallorca). These additions reinforce Art Madrid's commitment to continuous renewal and openness to spaces that are exploring new approaches to contemporary art.


Art Madrid '25. Photo by Lucas Amillano


PARALLEL PROGRAM: A REFLECTION ON THE ‘SPECIES’ OF SPACES


One of the great attractions of Art Madrid is its Parallel Program, which this time delves into the notions of: ‘Fragments, relationships, and imaginary distances.’ This approach turns the fair into an expanded space, where art, audience, architecture, and memory converge. Thus, the Parallel Program proposes a critical approach to the container of the event itself. Taking as a reference the reading of Species of Spaces by Georges Perec (Perec, Georges. Species of Spaces. Montesinos, 2004), it adopts a marked interest in the everyday, that which usually goes unnoticed, the infra-ordinary, giving each corner of the venue its own narrative value.

Another of the conceptual references of this edition is based on an analysis of Édouard Glissant's Poetics of Relation (Glissant, Édouard. Poetics of Relation; Prologue by Manuel Rebón. - 1st ed. - Bernal: Universidad Nacional de Quilmes, 2017.), which advocates the coexistence of differences and the importance of non-totalizing links, which are extrapolated to the art system, proposing an understanding of it as a network of exchanges and connections that respect the uniqueness of each cultural practice and actor.

‘Imaginary distances,’ understood as subjective journeys and affective cartographies traced by visitors, thus become the conceptual axis that articulates this program. This perspective transforms the Fair into an experience that goes beyond visual contemplation, turning it into a territory that can be collectively reconstructed, without losing sight of the paths travelled by the individuality of each voice.

In this edition, the Parallel Program encourages visitors to engage with the space and its projects, turning contemplation into an opportunity to question and interact with things that might otherwise go unnoticed in everyday life.


Art Madrid '25. Photo by Lucas Amillano


In the preview and during Art Week, Art Madrid'26 offers a range of experiences that allow the public to get closer to the creative process and practices of the participating artists. Among the returning initiatives are the Interview Program, Curated Walkthroughs, the third edition of Open Booth, dedicated to emerging creation, the presentation of Espacio Nebrija, a university project in collaboration with Nebrija University, alongside the fair’s established Performance Cycle.

In addition, the One Shot Collectors Program and the second edition of the Patronage Program are back. These initiatives seek to strengthen the bond between collectors, artists, and the public, promoting ethical, informed, and responsible practices in collecting and patronage.


Art Madrid '25. Photo by Lucas Amillano


Art Madrid'26 has established itself as a dynamic meeting place, where diverse experiences, discourses, and practices converge. Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity as a structuring principle, respecting the identity of each exhibitor and fostering a plural creative ecosystem. This plurality is not merely formal, but translates into a network of practices, languages, and perspectives that reflects the complexity, richness, and tensions of the contemporary art scene, consolidating the fair as a catalyst for cultural relations, an observatory of emerging trends, and an international reference point for the Spanish art scene.

WELCOME TO ART MADRID'26