Art Madrid'26 – FROM GEOMETRY TO THE CONCEPT

Kreisler, Schmalfuss, Sâo Mamede, Shiras and Kur Art Galleries

 

Since the beginning of the last century, especially after the important Russian Constructivism movement and the mythical Bauhaus School, there have been many creators who have continued working on geometric patterns either by their infinite combinations and artistic, although sometimes purely aesthetic, social or conceptual potential. In this new edition of Art Madrid you can enjoy a very particular scene of the most modern geometric abstract art.

Carmen Otero, "Reconstrucción 7", cedar wood and polychrome, 2018. Galería Kreisler.

In this sense, the works of five artists stand out within the selection presented by the Kreisler Gallery (Madrid). The work of Ramón Urbán is marked by a pure and resounding formal synthesis, essentiality always impregnated by a strong emotional character that pieces like “Sigo en la sombra lleno de luz” (2018) shows, presented in an accurate dialogue with the sculptures of the series "Reconstructión" (2018) by Carmen Otero. Sculpted in some of the most beautiful woods, they are works in which the designs of the Bauhaus School resonate -now more than ever in consonance with Alma Siedhoff-Buscher's famous designs- here embodied in modular portraits that the artist composes and decomposes delicately.

Juan Gerstl, "La alcachofa", aluminium with direct UV printing, 2018. Galería Kreisler.

Very different are the formal investigations of Miki (Guillermo Gutiérrez), oriented towards the dominance of the spatial properties of the void: his monochromatic bronzes are rhythmic, whimsical and present twisting forms. Also geometrical and apparently volumetric are the works of Juan Gerstl, while the paintings by Gerard Fernández Rico capture fluid evoking. Kreisler also includes in its proposal personal works, very characterized by a narrative component, of two artists: on the one hand, the daily dreamed stories of Liliana Golubinsky, and on the other, the more colourful and amusing, made by the versatile Sawe.

Willi Siber, "Wall object", lacquered multiple pieces, 2016. Galería Schmalfuss.

More geometric creations are presented with Schmalfuss (Berlin), a gallery that presents some of the celebrated “objects” and more recent works by Willi Siber, always lacquered and bright. Equally radiant are the steel sculptures by Carlo Borer, with rounded, sensual, even sometimes voluptuous shapes, in which the spectator will be able to find his distorted reflection, similar to those presented by Jörg Bach, works composed from energy centres to which their volumetric termination always return.

Thomas Röthel, "Drehung", steel, 2015. Galería Schmalfuss.

A very different way of working industrial materials is that of sculptor Thomas Röthel, more interested in the rectilinear profiles, most of the times interrupted by distorted and curved elements that question the rational logic. In addition, in the Schmalfuss space you can see the expressionist paintings of the painter Cristina Canale; and the latest sculptures by Oliver Czarnetta, mysterious stories encapsulated in resin in which he reflects once more on the passing of time and our ways of perception.

Georg Scheele

Rose, 2018

Marble

153 x 70cm

Susana Chasse

No Land. No Thing #04, 2018

Acrylic and graphite on MDF

140 x 140cm

The São Mamede Gallery (Lisbon / Oporto) arrives at Art Madrid with a wide abstract and geometric languages proposal. Some of these are sculptures in marble by Georg Scheele and Matthias Contzen, minimalist abstractions of nature by Scheele and more organic and meticulous works by Contzen. Thousands of either steel rods or piano strings make up the structural pieces of David Moreno that, although volumetric as the artist himself affirms, are pieces made “in the purpose of drawing sculptures”. The pictorial commitment of the Portuguese gallery is also led by abstraction: recent works such as Susana Chasse or Rui Tavares, centered in the line, the layout and the possibilities of a small color palette, together with the paintings of Gil Maia, where the palette is extended and the textures become leading roles. São Mamede Gallery proposal is closed with two more symbolic and very different authors: the gestural González Bravo and the more dreamlike Ana Maria.

Nanda Botella, "Grietas, franjas y color", mix media, 2018. Shiras Galería.

Shiras Galería (Valencia) also offers quite a broad exhibit that consists of the works of six artists from Valencia. In its space, you will see the iron pieces of one of the pioneers of the so-called New Spanish Sculpture, Miquel Navarro. An artist undoubtedly connected with the creators of the Avant-garde. Through their work, we can delve into their personal and distinctive vertical geometrical precision. The latest works by Nanda Botella are also determined by vertical compositions; while the expressive brushstroke of Juan Olivares appears to disrupt all this order. The pictorial gesture, the brushing or scraping, passionate “emotional traces” dominate his colourful paintings, more recently also decomposed and framed in methacrylate.

Juan Olivares, "Sin Título", vinyl paint on heavyweight paper, 2018. Shiras Galería.

The diverse proposal of Shiras is completed with three very different painters. On the one hand, the essentiality of the round shapes, dominated by flat colours, which continue to distinguish the oils made by the great painter Rosa Torres.On the other hand, we have the oil paintings of José Saborit, landscapes of essential horizons where the painter demonstrates his excellent ability to capture atmospheres. And finally, the gallery presents Horacio Silva’s paintings on sheet metal, a symbolic approach in which the author highlights the sensitive qualities of this cold material.

Íñigo Arregi, "Sin Título", weathering steel, 2018. Kur Art Gallery.

Perhaps the most absolute geometric proposal is that of Kur Art Gallery (Guipúzcoa), featuring only local artists, great followers of the unique Basque creation of the twentieth century. We will see the volumetric collages, works in weathering steel, of Íñigo Arregi, canvases in which he continues to investigate the ways in which geometric forms are interconnected and interwoven. Likewise, the zinc pieces of Iñaki Olazaba are presented, absolute in their presence as in their contours; also part of the sculptural work of the landscape painter Aitor Etxeberría. Kur closes its exhibit for Art Madrid with two painters: J. Ramón Elorza, of which they present some of the more expressive works, featuring floating geometric objects; and Bingen de Pedro, who will surprise us again with his architectural trompe l'oeil. As the artist explained, when working on several canvases at the same time, contaminations arise between them, revealing relationships born from the way in which he orders and places the canvases, a random method that provides the final paintings with an impressive volume.

In short, an extensive group of artists that work from geometry and that we can enjoy in this unique occasion in the new Art Madrid edition.

 


ART MADRID’ 26: 21 YEARS OF CONTEMPORARY ART


Discover all the information about the artists and galleries participating in the 21st edition of Art Madrid. The catalog features a curated selection of the works presented in this edition, along with the most relevant details of the event, making it an essential tool for engaging with the fair’s key figures and exploring the defining elements of today’s art scene.


In 2026, Art Madrid celebrates its 21st edition, further establishing itself as a leading event within Spain’s cultural sector. From March 4 to 8, the Galería de Cristal of the Palacio de Cibeles will once again become a meeting point for galleries, collectors, artists, and contemporary art enthusiasts.


Over the past twenty-one years, the fair has evolved into a dynamic and ever-expanding platform, fostering diversity in artistic languages, techniques, and discourses. In this edition, the Galleries Program brings together around 35 exhibitors from more than seven countries, offering a representative overview of the most recent developments in contemporary creation.


The Art Madrid ’26 catalog serves as a key publication for discovering the work of this edition’s galleries and artists —marked by experimentation and a plurality of perspectives— while also documenting the conceptual axes that shape the fair. As part of the Parallel Program, INHABITING THE EPHEMERAL: A Reflection on the “Species” of Spaces proposes a reflection on space, relationships, and shared experience, expanding the understanding of the fair beyond its commercial dimension and highlighting its cultural and experiential significance.


In addition, the catalog presents the initiatives that complete the program, such as the Open Booth dedicated to emerging creation, the Nebrija Space in collaboration with Nebrija University, the Performance Series “Open Infinite. What the Body Remembers,” the One Shot Collectors Program, and the Patronage Program, reaffirming the fair’s commitment to supporting, mediating, and accompanying contemporary art at every stage.

We invite you to discover more about Art Madrid ’26 through the catalog of its 21st edition — a publication that, beyond serving as documentary memory, becomes a cartography of the present artistic moment and an open door to new ways of inhabiting contemporary art.