Art Madrid'26 – GUSTAV METZGER \"ACT OR PERISH\"

Gustav Metzger. The Southbank Demonstration, London 1961 (1961). Foto: © Getty Images

 

 

Gustav Metzger (Nürnberg 1926), an artist and political activist, grew up surrounded by Nazi propaganda. His Judeo-Christian origins forced him to emigrate to England along with one of his brothers, the rest of his family did not suffer the same fate. This experience has always accompanied the works of Gustav. With a bitter and nostalgic flavor, the artist has always supported the extreme left by leading initiatives on the recovery of historical memory. For him protest art is a way of denouncing other aspects such as the extinction of species or the cultural diversity in which we find ourselves. The basis of his work is based on social foundations and change. On numerous occasions they have defined him as a visionary or even an advance for his time.

 

View of the exhibition

 

In this retrospective presented at MUSAC (Museum of contemporary art of León), the curator in charge of Dobrila Denegri and Pontus Kyander shows an aerial view on the trajectory of one of the best artists of the S.XX. The exhibition has works from 1940 to the present. Of course the most recurrent themes are the environmental and political commitment with artistic connotations. The ability to reflect his own convictions in works of art characterizes him. The exhibition is composed of a large number of documentary material extracted much of his personal archive.

 

 

View of the exhibition

 

 

It is the first time that a sample in Spain of this caliber on Gustav Metzger is realized, it narrates what have been his more marked transitions. He began doing painting and sculpture, from there he derived to destructive art and creative self. "Acting or perishing" refers to the political activism he defends against capitalism and the communicative state of art that has accompanied him throughout his career. Completing these documents, are exposed a series of historical photographs and large format facilities that made since the 90s.

 

Gustav Metzger. Liquid Crystal Environment

 

 

Gustav reflects in his work his ability to analyze the society of the moment and translate it into his works. He has always advocated radical movements. Inspired by these demonstrations, which suffered their greatest apogee after the Second World War, Futurism and Dadaism were great sources from which to absorb their knowledge. It was also present in the first visualization of the fluxus movement which contributed to forge that eclectic and futuristic personality. A must on any agenda if you are going to visit Leon.

 

 

 


ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: OSCURECER UN PAPEL. BY ROCÍO VALDIVIESO

March 5 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


Nocturnality. Installation. Rocío Valdivieso..


Oscurecer un papel forms part of a series of actions in which the artist engages in reading through repetition, memorization, and a measured degree of improvisation. Within this framework, a non-linear mode of reading emerges from a written text that is transformed when spoken aloud, assuming a different form in the act of articulation. The texts stem from an ongoing investigation into materiality, space, the relationships between body and matter, writing, the sculptural, and a sustained interest in the exploration of voice and orality.

The material from which Oscurecer un papel is constructed consists of a collection of purchase receipts the artist has been accumulating over time. The printed text they contain, together with the action of bringing them into proximity with a heat source—thereby activating the thermal paper on which they are produced—generates meanings that revolve around the notions of consumption and wear.


Rocío Valdivieso. Latent Aura. Performance documentation.


ABOUT ROCÍO VALDIVIESO

Rocío Valdivieso is an artist, researcher, and cultural manager. She is currently a PhD candidate in Fine Arts at the Complutense University of Madrid. She holds an MA in Research in Artistic Practices from the University of Castilla–La Mancha (UCLM) and a BA in Fine Arts from the National University of Tucumán, Argentina. She was a Fundación Carolina fellow from 2022 to 2023. She currently co-directs Errática. Laboratory of Processes and Critique in Madrid, alongside Romina Casile.

She was part of the PEEPA 2023 Program at the Centro de Residencias Artísticas, Matadero Madrid. She completed the 2021/22 Artists Program at Universidad Torcuato Di Tella, Buenos Aires, and in 2020 participated in the Intensive Curatorial Program of Proyecto PAC at Galería Gachi Prieto, Buenos Aires. She received the Visual Arts Promotion Award at the 4th Visual Arts Week of the Ente Cultural de Tucumán. She was awarded an AUGM scholarship for an exchange residency at UNESP, São Paulo, Brazil. She also participated in the International Residency Program La Ira de Dios and in the Acéfala Galería Residency for Argentine artists.