Art Madrid'23 – GUSTAV METZGER \"ACT OR PERISH\"

Gustav Metzger. The Southbank Demonstration, London 1961 (1961). Foto: © Getty Images

 

 

Gustav Metzger (Nürnberg 1926), an artist and political activist, grew up surrounded by Nazi propaganda. His Judeo-Christian origins forced him to emigrate to England along with one of his brothers, the rest of his family did not suffer the same fate. This experience has always accompanied the works of Gustav. With a bitter and nostalgic flavor, the artist has always supported the extreme left by leading initiatives on the recovery of historical memory. For him protest art is a way of denouncing other aspects such as the extinction of species or the cultural diversity in which we find ourselves. The basis of his work is based on social foundations and change. On numerous occasions they have defined him as a visionary or even an advance for his time.

 

View of the exhibition

 

In this retrospective presented at MUSAC (Museum of contemporary art of León), the curator in charge of Dobrila Denegri and Pontus Kyander shows an aerial view on the trajectory of one of the best artists of the S.XX. The exhibition has works from 1940 to the present. Of course the most recurrent themes are the environmental and political commitment with artistic connotations. The ability to reflect his own convictions in works of art characterizes him. The exhibition is composed of a large number of documentary material extracted much of his personal archive.

 

 

View of the exhibition

 

 

It is the first time that a sample in Spain of this caliber on Gustav Metzger is realized, it narrates what have been his more marked transitions. He began doing painting and sculpture, from there he derived to destructive art and creative self. "Acting or perishing" refers to the political activism he defends against capitalism and the communicative state of art that has accompanied him throughout his career. Completing these documents, are exposed a series of historical photographs and large format facilities that made since the 90s.

 

Gustav Metzger. Liquid Crystal Environment

 

 

Gustav reflects in his work his ability to analyze the society of the moment and translate it into his works. He has always advocated radical movements. Inspired by these demonstrations, which suffered their greatest apogee after the Second World War, Futurism and Dadaism were great sources from which to absorb their knowledge. It was also present in the first visualization of the fluxus movement which contributed to forge that eclectic and futuristic personality. A must on any agenda if you are going to visit Leon.

 

 

 

In the year 2020 in the heart of Barcelona a wandering gallery was born, the same one that in February 2021 would debut at Art Madrid with an exhibition proposal focused on contemporary portraits; with this subject matter it would manage to create a powerful dialogue between artwork and audience and make the seal Inéditad remain in the history of the event that contained it.

Jean Carlos Puerto. Protección. Oil and copper leaf on wood. 60 x 48. 2021. Image courtesy of the gallery.

Since that first time and until today, the wandering gallery has managed to build projects on otherness, has repositioned in the spotlight the discourses on the LGTBIQ+ collective, has consolidated a group of artists who share its principles of resilience and empathy and the best thing is that it continues to bet from the professionalism and commitment to give voice to the difference.

Claudio Petit-Laurent.. El Joven de la Perla. Oil on wood. 30 x 30 cm. 2023. Image courtesy of the gallery.

Inéditad Gallery, thanks to its founder Luis López, its collaborators and the infinite possibilities manifested in the works of the artists it represents, is a gallery that has demonstrated its capacity and courage to stimulate the sensibility of the public through art and seduce a generation that moves between the glass window and the analogical story. Inéditad is a nomadic gallery that has gathered around it a community of artists and has moved the context with exhibition projects that think about LGTBIQ+ art without prejudices.

Pepa Salas Vilar. Las marcas del arcoiris. Oil on canvas. 40 x 50 cm. 2022. Image courtesy of the gallery.

Pride and Prejudice was inaugurated. An exhibition that brings together the works of sixteen artists: Abel Carrillo, Alex Domènech, Carlos Enfedaque, Silvia Flechoso, Jamalajama, Daniel Jaén, Claudio Petit-Laurent, Jean Carlos Puerto, Fernando Romero, Pablo Rodríguez, Pepa Salas Vilar, Jack Smith, Pablo Sola, Bran Sólo, Elia Tomás and Utürüo. Painting, illustration, photography and digital art are the manifestations that bring into dialogue around fifty neatly threaded pieces, in a discursive line that discusses such a latent phenomenon as discrimination. To achieve this, the artists invited to the exhibition question themselves whether: Does discrimination exist within the LGTBIQ+ collective?

Pride and Prejudice Official Poster. Image courtesy of the gallery.

With approaches on and from the body, the proposal invites to celebrate diversity, proposes to question and self-question the prejudices and attitudes of society against the collective. Pride and Prejudice is a space for dialogue about the constructs imposed on us by society. It is also an oasis in which to deconstruct with tolerance and respect the subjectivities that sometimes prevent us from approaching the production of the participating artists, simply because "the beautiful" does not fit in an androgynous body. The subjugation of stereotypes are pressed with determination to find the beauty of diversity in other palpable facets of reality.

Pablo Sola. All men are dogs. Photography. 2014. Image courtesy of the gallery.

Throughout these three years Inéditad has stimulated the vindictive projection towards bad practices, has questioned estates around the LGTBIQ+ body and the most admirable thing, is that these capacities have resurfaced around the dialogue and the visual narrative of the stories that are told from the visual: Artworks that are people, art that is, per se, humanity. Overcome impositions and accept what is different in order to continue fighting against homophobia, biphobia, lesbophobia or transphobia and defend the equal rights that all the acronyms of the collective deserve in our community.

That's Pride and Prejudice: One creature, the happiest in the world. And maybe other projects and other people have said it - or felt it - before, but none so fairly.

Silvia Flechoso. Hola, soy maricón. Oil on canvas. 73 x 54 cm. 2023. Image courtesy of the gallery.

From June 8th until June 22nd you can visit Pride and Prejudice. Carrer de Palau núm. 4. Canal Gallery space. Barcelona.