GUSTAV METZGER \"ACT OR PERISH\"

Gustav Metzger. The Southbank Demonstration, London 1961 (1961). Foto: © Getty Images

 

 

Gustav Metzger (Nürnberg 1926), an artist and political activist, grew up surrounded by Nazi propaganda. His Judeo-Christian origins forced him to emigrate to England along with one of his brothers, the rest of his family did not suffer the same fate. This experience has always accompanied the works of Gustav. With a bitter and nostalgic flavor, the artist has always supported the extreme left by leading initiatives on the recovery of historical memory. For him protest art is a way of denouncing other aspects such as the extinction of species or the cultural diversity in which we find ourselves. The basis of his work is based on social foundations and change. On numerous occasions they have defined him as a visionary or even an advance for his time.

 

View of the exhibition

 

In this retrospective presented at MUSAC (Museum of contemporary art of León), the curator in charge of Dobrila Denegri and Pontus Kyander shows an aerial view on the trajectory of one of the best artists of the S.XX. The exhibition has works from 1940 to the present. Of course the most recurrent themes are the environmental and political commitment with artistic connotations. The ability to reflect his own convictions in works of art characterizes him. The exhibition is composed of a large number of documentary material extracted much of his personal archive.

 

 

View of the exhibition

 

 

It is the first time that a sample in Spain of this caliber on Gustav Metzger is realized, it narrates what have been his more marked transitions. He began doing painting and sculpture, from there he derived to destructive art and creative self. "Acting or perishing" refers to the political activism he defends against capitalism and the communicative state of art that has accompanied him throughout his career. Completing these documents, are exposed a series of historical photographs and large format facilities that made since the 90s.

 

Gustav Metzger. Liquid Crystal Environment

 

 

Gustav reflects in his work his ability to analyze the society of the moment and translate it into his works. He has always advocated radical movements. Inspired by these demonstrations, which suffered their greatest apogee after the Second World War, Futurism and Dadaism were great sources from which to absorb their knowledge. It was also present in the first visualization of the fluxus movement which contributed to forge that eclectic and futuristic personality. A must on any agenda if you are going to visit Leon.

 

 

 

The cultural agenda gradually recovers after the health-crisis halt and art lovers are eager to enjoy the rich cultural offer that the different spaces and museums throughout our geography have to offer. In addition, one must remember that these centres have made an enormous effort to adapt to the demands that the new situation imposes and have created abundant online-accessible content to overcome confinement. We bring you a selection of content that can be visited both in person and through the web. There is no excuse for not enjoying contemporary art again.

Olafur Eliasson, “En la vida real (In real life)”, 2019

The Guggenheim Museum in Bilbao continues with its exhibition dedicated to Olafur Eliasson and offers numerous resources to understand not only the exhibition but also the work of the centre in the assembly and installation process. The website allows us to expand content with interviews with the artist, the download of the audio guide and the vision of the curator Lucía Aguirre, who offers us different video-pills on the pieces in the exhibition.

"Olafur Eliasson: in real life" brings together a part of this artist's work since 1990 through sculptures, photographs, paintings and installations that play with reflections and colours. Likewise, the integration of elements such as moss, water, ice, fog... put the visitor in a situation that confuses the senses and tries to challenge the way we perceive our environment and move in it.

Regina de Miguel, “Isla Decepción”, 2017

The Botín Centre in Santander hosts the exhibition "Collecting processes: 25 years of Itineraries" which brings together the work of 25 of the 210 scholarship recipients who, to date, have enjoyed the Botín Foundation Plastic Arts Scholarship, started in 1993. With the works Lara Almárcegui, Basma Alsharif, Leonor Antunes, Javier Arce, Erick Beltrán, David Bestué, Bleda and Rosa, Nuno Cera, Patricia Dauder, Patricia Esquivias, Karlos Gil, Carlos Irijalba, Adrià Julià, Juan López, Rogelio López Cuenca, Renata Lucas, Mateo Maté, Jorge Méndez Blake, Regina de Miguel, Leticia Ramos, Fernando Sánchez Castillo, Teresa Solar Abboud, Leonor Serrano Rivas, Jorge Yeregui, David Zink-Yi, the exhibition is a good example of up-to-date and young contemporary art contributed by artists with very diverse profiles.

Clemente Bernad. Series “Ante el umbral”, Madrid, 2020

The Reina Sofía Museum wanted to create a visual chronicle of what the confinement and the tragic numbers of infected and deceased have meant for the lives of many of us: a tale of pain, nostalgia and uncertainty made by the photographer Clemente Bernad. This exhibition, curated by Jorge Moreno Andrés, is entitled “Before the threshold”, a title that expresses the strange sensation that occurs when faced with something new and unknown, something that we cannot control or avoid, and that we all must go through. The alteration imposed on our lives unexpectedly is reflected in the streets, transformed into places of solitude and abandonment where life has been paralysed.

Mario Merz / No title, Triplo Igloo, 1984 MAXXI Collection

At the IVAM, the exhibition "What is our home?" brings together works from the IVAM collection and the MAXXI centre in Rome to propose a reflection on the space we inhabit seen from a personal and social perspective. It is about investigating the value that these spaces have as a home or refuge, as well as part of a city or community.

The exhibition, curated by José Miguel G. Cortés, also wants to delve into the feeling of those who feel like foreigners anywhere, because they do not identify with the habits or customs of the society, they do not fit into these social patterns, and home becomes the only shelter space that can adapt to their identity needs.

Martha Rosler, frame from “Backyard Economy I-II”, 1974 © Courtesy of Martha Rosler, 2020

Es Baluard Museu is committed to video creation and performance and hosts the monographic exhibition “Martha Rosler. How do we get there from here?” dedicated to this New York artist who pioneered the use of video as a mechanism for social and political analysis. This exhibition includes various works, from video to photography and several publications, which synthesise her main lines of discourse. Her concern for public policies and the social equality of women has led her to actively participate in numerous social movements in La Havana, New York, Mexico DC or Barcelona, and these experiences are present in one way or another in her work.

With the curatorship of Inma Prieto, a selection has been made within the abundant production of this artist, which presents one of the most coherent careers in towards-the-new-Millenium contemporary art.

Image from file, via meiac.es/turbulence/archive/acceso.html

The MEIAC - Museo Extremeño e Iberoamericano de Arte Contemporáneo, host the works of the prestigious international digital art archive "Turbulence", a platform dedicated to network and hybrid art. In view of the inevitable closure of this institution, the MEIAC has offered to host all this valuable content collected since 1996. The uploading of the file also served as an opportunity to restore numerous pieces and convert formats so that files that had become obsolete remain readable by new systems. A huge job of conservation and updating that can be enjoyed online today. The archive is made up of hundreds of digital works from around the world that can now be visited remotely.