Estefanía Martín Sáenz's work has made its way through artistic paths that run outside the mainstream of contemporary production. The use of techniques with higher manual weight and the resource to materials as common as atypical in the current scene made her work a reference in the dialogue between the present and the past. Until October 10th we can visit her exhibition "Máscaras" at the Alcobendas Art Centre.

Estefanía Martín Sáez, Dibujos literarios, "Marcela I", 2016

After her exhibition “Mourning and luxury” at the ABC Museum of illustration, within the 15th edition of the Connections program that relates works of the Banco Santander collection with the funds of the illustration museum, it could be seen that Estefanía's work displays enormous sensitivity and shows a way of creating based on dedication and personal devotion. With this methodology, her pieces convey all together that same generosity and delicacy that are needed to conclude them.

Estefanía Martín Sáez, “Las flores son para el cementerio I”, 2018

At the same time, the artist takes advantage of this detailed quality of her work to reflect on issues that question the traditional role of women in society. It is not therefore strange to see cuts of fabrics, embroidered cloths, interwoven threads and other materials that, in a constant way throughout history, have always been linked to female work within the domestic sphere. As a peaceful proclamation, Estefanía takes up these elements to give them new uses and build a subversive discourse that claims the real importance of women in an environment determined to relegate them to the background.

Estefanía Martín Sáez, "Máscara 5", 2018

Based on this global protest that refers to all the women in the world and, particularly, those that the artist has been encountering throughout her life, the “Máscaras” project offers a visual story where female figures appear faceless, because, what is important to highlight is the universal character of an endemic situation of social imbalance that only in the western world is shyly reversed. That is why the specific features of a face do not matter, but the representation in absolute terms of a shared reality.

Estefanía Martín Sáez, “Sígueme”, 2019

The exhibition brings together two lines of work of the artist: “Fiestas Paganas” and “Aquelarre”. Although with a different foundation, in both cases, Estefanía underlines the state of social exile that the female gender has historically lived in different contexts, times and places. With reference to pagan holidays, the presence of women in these celebrations appears as a mere object; while in "Aquelarre" she recovers part of the events that took place during the performance of the Inquisition, where many of them were sentenced to death accused of witchcraft and heresy for the sole fact of being women.

ART MADRID’ 26: 21 YEARS OF CONTEMPORARY ART

Discover all the information about the artists and galleries participating in the 21st edition of Art Madrid. The catalog features a curated selection of the works presented in this edition, along with the most relevant details of the event, making it an essential tool for engaging with the fair’s key figures and exploring the defining elements of today’s art scene.

In 2026, Art Madrid celebrates its 21st edition, further establishing itself as a leading event within Spain’s cultural sector. From March 4 to 8, the Galería de Cristal of the Palacio de Cibeles will once again become a meeting point for galleries, collectors, artists, and contemporary art enthusiasts.

Over the past twenty-one years, the fair has evolved into a dynamic and ever-expanding platform, fostering diversity in artistic languages, techniques, and discourses. In this edition, the Galleries Program brings together around 35 exhibitors from more than seven countries, offering a representative overview of the most recent developments in contemporary creation.

The Art Madrid ’26 catalog serves as a key publication for discovering the work of this edition’s galleries and artists —marked by experimentation and a plurality of perspectives— while also documenting the conceptual axes that shape the fair. As part of the Parallel Program, INHABITING THE EPHEMERAL: A Reflection on the “Species” of Spaces proposes a reflection on space, relationships, and shared experience, expanding the understanding of the fair beyond its commercial dimension and highlighting its cultural and experiential significance.

In addition, the catalog presents the initiatives that complete the program, such as the Open Booth dedicated to emerging creation, the Nebrija Space in collaboration with Nebrija University, the Performance Series “Open Infinite. What the Body Remembers,” the One Shot Collectors Program, and the Patronage Program, reaffirming the fair’s commitment to supporting, mediating, and accompanying contemporary art at every stage.

We invite you to discover more about Art Madrid ’26 through the catalog of its 21st edition — a publication that, beyond serving as documentary memory, becomes a cartography of the present artistic moment and an open door to new ways of inhabiting contemporary art.