Art Madrid'24 – THE NEW ARRIVALS AT ART MADRID

Nine galleries are released in the Art Madrid'18 General Program: 5 from Spain, from Madrid (although one of them is also based in New York), Bilbao and Valencia; and 4 foreigners from Germany, Portugal, Ukraine or Mexico. Art Madrid always takes care of the participation of national galleries and artists but it is also the perfect setting for more and more foreign galleries that trust the fair.

Among the Spanish newcomers we find Fucking Art (Madrid), an alternative space created in 2015, managed by a group of artists, bringing the perspective of the creator to the gallery experience. Fucking Art presents at the fair works by: Atauri, Isabel Alonso Vega, Carlos Regueira and Alfonso Zubiaga, artists whose works leave an unmistakable trail of reflection, search and innovation either through painting, photography, sculpture and objectual art.

Ángeles Atauri

Rara avis pajaritas, 2017

Mixed media

100 x 100cm

Ángeles Atauri

Rara avis ovillos, 2017

Mixed media

60 x 60cm

Mª Ángeles Atauri is a graphic designer at the La Nave Gráfica studio where she develops her activity for different projects and also, since 2010, where she develops her artistic production, a kind of poetic objects based on simple and intimate ideas, on universal feelings with which all we identify.

Isabel Alonso Vega is one of the founders of URGEL3, an alternative space in which they exhibit but also they disseminates art outside conventional networks, leading artists from the first creative process to the final state of their work. Vega's works, capsules of methacrylate in which she seems to have captured clouds, powers and geniuses, are between conceptual and sculptural and they speak about the intangible. For his part, Alfonso Zubiaga, training economist and artist by vocation, and Carlos Regueira, who is also a creative and art director in well-known advertising agencies, they propose new ways of doing and seeing photography. If Zubiaga plays with images that are deconstructed to be reconstructed in visual narratives with new meanings of the same reality; Regueira produces a expanded painting to the field of the photo, an hybrid between both techniques.

Reinhard Gorner, “Altenburg Abbey Gallery”, fotografía, 2017.

The Soraya Cartategui Gallery (Madrid-New York), directed by Soraya Cartategui and Bárbara Cartategui, opened its first headquarters in the neighborhood of Chelsea, New York, in 1994, specializing in conceptual art and performances by emerging artists. After four exciting years working with the new talents in the Big Apple, she settled in Madrid to devote herself to his specialty: Dutch and flemish art of the sixteenth and seventeenth century, pioneering the introduction of the Dutch Golden Age in the Spanish market and thus becoming a reference for many collectors. This wide vision of art has made its curatorship is based on the concept of "cross-collecting", the crossing of works of all media and periods to create a personal and intimate dialogue between works and objects. For their first participation in Art Madrid'18 they have chosen the work of Juan Genovés, Reinhard Gorner and Isabelita Valdecasas. Valdecasas, Sevillian painter, has experimented with all the techniques, squeezing their artistic possibilities, began with small works, disparate things, without any concrete order or thread; experimented with oil, watercolor, pens, pastel ... to evolve into a materic abstraction in whose works the artist uses elements found in nearby nature such as moss, sand, earth or tea grounds to create surreal worlds.

A very different proposal comes from the German photographer Reinhard Görner, whose images of architectures and monumental rooms transmit intimacy, depth and mystery at the same time. Görner became interested in architectural photography in 1982 and, with his large-format camera, since 2008 has photographed more than 50 libraries around the world such as Trinity College in Dublin, the Lello Library in Porto or the public library in Stuttgart, among others. His work has been present in numerous solo and group exhibitions in Paris, London and Berlin.

Cristina Iturrioz

Instalación "Colors" (detalle), 2018

Acrylic, digital and methacrylate

50 x 50cm

Cristina Iturrioz

Instalación "Colors" (detalle), 2018

Acrylic, digital and methacrylate

50 x 50cm

In Madrid there is also Mercedes Roldán Art Gallery (Madrid), a gallery that is involved with its artists from all points of view, advises them to direct their career, provides them with assistance and marketing services. Her involvement with emerging artists is visible in the selection she has made for Art Madrid'18, in which she has: Irene Cruz, photographer and video artist, one of the young artists with the most projection and of whom we have already spoken in this news section; the photographer and filmmaker Alexander Barrios, trained in documentary photography and whose work seeks the simplicity and the genuine nature, architecture, forms ... and the painter Cristina Iturrioz, fundamentally self-taught and whose work is characterized by manipulation and research with the materials and colors to achieve textures. Her artistic beginnings were oriented towards drawing, graphic design and figurative painting, with nature as a motif, with reality as a model, to evolve into a personal abstraction that shapes in multiple formats as painting, photography or sculpture.

Miquel Navarro

Edificio con asas, 2014

Grey iron

99 x 27cm

From Valencia, it comes Shiras gallery, directed by Sara Joudi and located in the historic center of the city. Shiras Gallery was born to offer an intergenerational proposal of national art whose speech is complemented by the voice of emerging avant-garde artists, always taking into account both the artistic quality of the projects and their plastic languages. The fundamental pillar of its programming is betting on projects of painting, sculpture, drawing and installation, being a current window towards the most avant-garde contemporary trends. At the Art Madrid fair they participate with Javier Chapa, Miquel Navarro, José Saborit and Horacio Silva.

Among them we would like to highlight the work of Miquel Navarro, one of the outstanding representatives of what is known as New Spanish Sculpture although he began his career as a painter, since 1972 he is exclusively dedicated to sculpture. Tireless, universal and in constant evolution, the idea of beauty for Miquel Navarro is closely linked to his idea of the classics, foundation and point of reference of the avant-garde of the beginning of the century. In 1986 he receives the National Prize of Plastic Arts and the National Prize of the Association of Art Critics ARCO 95, among others. Likewise, he is declared an Academician of the Royal Academy of Fine Arts of San Fernando.

Juanma Reyes

Escalera, 2015

Bobins, threads and loops

126 x 42cm

We jump north, to Bilbao, where MH Art Gallery (Bilbao) comes from. This space wants to present to its city and all the Basque Country a selection of artists of international prestige that will complement the current cultural and artistic offer that Bilbao already has, being a benchmark city in Europe for its commitment to art and design / architecture. Its program includes young "emerging" Basque artists with creative talent that the gallery projects in artistic spaces outside of the Basque Country. Its premiere at Art Madrid is done with a powerful international proposal that features the delicate ink drawings and pigments of the Korean female artist Joo Eun Bae; the mixed techniques that mix the oriental and Arab cultures of the Moroccan artist Khalid El Bekay; the collages and urban chaotic scenes of the Cantabrian Martín Carral; and the unclassifiable work of the Malaga-born Juanma Reyes, an eloquent way of capturing the thin line between the living and the dead, between waste and art, between tenderness (his works are woolly, soft, fluffy ...) and brutality (. ..and at the same time they are sharp, dismembered). Its objects, structures that could be sculpted drawings, are objets-trouveés assembled by Reyes to talk about the multiple forms of art.

Among the novelties of Art Madrid we also have 4 foreign galleries: the German Robert Drees of Hanover, Paulo Nunes Contemporary Art of Vila Franca de Xira, Portugal, the Ukrainian gallery Nebo Art Gallery (Kyiv) and the Carbo / Alterna gallery, with venues in Cancun, Mexico and Havana, Cuba. We will talk about all of them in upcoming news and we will highlight some of their most representative artists.

At Art Madrid, we are thrilled to present, for the fourth consecutive year, our curated interview program and thanks to Safe Creative. This time, we have the honor of hosting Marisol Salanova, art critic and curator, who will lead the series titled "Conversations with Marisol Salanova." Throughout these talks, we will delve into the fascinating creative world of eight outstanding artists featured in the 20th edition of the fair. This will be a unique opportunity to explore their processes, inspirations, and perspectives. With this program, we reaffirm our passion for bringing contemporary art closer to everyone, giving voice to the artists joining us for Art Week.

GUEST ARTISTS

Alexander Grahovsky. Galería BAT; Lil Blanc. Galería Rodrigo Juarranz; Diego Vallejo García. Shiras Galería; Antonio Ovejero. CLC ARTE; Gastón Lisak. Inéditad Gallery; Paula Blanco. Galería Arancha Osoro; Aurelio San Pedro. Pigment Gallery; Tiffany Alfonseca. OOA Gallery.

The essence that connects the artists selected for the Art Madrid’25 Interview Program is their spirit of constant exploration. This creative quest transcends the boundaries of materials and formats, manifesting itself in the unique way they understand the artistic process. Each of them is at a crucial point of evolution, demonstrating that art, by nature, is a dynamic and ever-changing journey. With distinct styles and an unmistakable personal imprint, these creators challenge conventions and refuse to remain in their comfort zones, driven by an inexhaustible passion to innovate and redefine the limits of contemporary art. Their bold character transforms their work into an experience that directly engages the viewer, expanding artistic possibilities and questioning audience expectations.

In the realm of new figuration, it is particularly revealing how some artists choose to move away from traditional methods, such as the use of preliminary sketches. Instead, they approach painting with spontaneity, allowing the initial stroke to become an essential part of the work's development. This approach reflects a courageous attitude that celebrates accident and intuition as fundamental tools in the creative process. Conversely, those working in abstraction exhibit an equally daring will, rejecting techniques that guarantee a predictable finish. There is no fear of error—only a deep embrace of uncertainty, seen as a reflection of life itself. Even the most technically elaborate pieces conceal creation processes where free gestures and experimentation play a crucial role.

This spirit of innovation finds a perfect setting at Art Madrid’25, where it engages in dialogue with the general public, critics, and collectors. To delve deeper into the concerns and aspirations of these creators, we have prepared a selection of interviews that provide insight into their personal worlds. From a critical yet accessible perspective, these conversations offer tools for interpreting the works and understanding the intentions behind each artistic proposal.

Hearing the voices of the artists not only helps democratize access to art but also adds value—an additional dimension to how we interact with it. Each interview invites us to reflect on the motivations driving these creators, their influences, and the expectations they place on their work. Their words build bridges between the artwork and the viewer, transforming what might seem out of reach into something intimate and profoundly human.

In this context, the interviews presented here are not mere descriptions but an opportunity to understand the ideas and context shaping each project. Through them, readers can discover both technical talent and the emotional and conceptual depth that broadly defines Art Madrid’25. This carefully curated journey, designed to complement the fair experience, invites the audience to immerse themselves in the vision of creative professionals who transform the intangible into art and the personal into the universal.

Marisol Salanova. Art critic and curator of the Interview Program at Art Madrid'25.


Guest Artists: Conversations with Marisol Salanova.

ABOUT THE ARTISTS

Lil Blanc (Madrid, 1993) began her professional journey by exploring textures, later evolving toward the study of gradients and transitions between colors. This pursuit culminated in an abstraction that conveys intense emotions. The soft gradations on her canvases evoke sunset skies, an attempt to capture the fleeting nature of those moments inspired by her personal experience of creative contemplation. Her perfectionist approach and "less is more" philosophy reflect her training as an architect. Without embellishments, Blanc creates works imbued with subtle stories and profound layers of meaning. Alexander Grahovsky (Alicante, 1980) adopts a chaotic and spontaneous approach, collecting images that he transforms into narrative collages. His painting is characterized by a strong surrealist component, with non-linear stories unfolding in overlapping scenes at different phases, inviting the viewer's gaze to wander across the composition. Influences from classical painting and cinema enrich his works, whose interpretation varies depending on the viewer’s background and mood. Diego Vallejo García (Ávila, 1991) blends a classical aesthetic with contemporary themes. His training in Art History and Restoration allows him to integrate both theoretical and practical approaches into his projects. Using oil paint and glazing techniques, he creates generational portraits that reflect the collective personality of his time, meticulously ensuring the conservation and durability of each piece. Antonio Ovejero (Valencia, 1999) investigates memory and scenes from the collective imagination, exploring beauty in the sublime everyday. His fascination with figures adorned with jewelry, geometric-patterned garments, and extravagant hairstyles connects different eras. Through a kitsch aesthetic, he merges the traditional with the ostentatious, crafting images that intertwine aging, elegance, and daily life. Ovejero describes his style as neo-pop costumbrismo. Gastón Lisak (Barcelona, 1989) moves toward conceptual art from his experience as a teacher and workshop facilitator. His work revolves around "mundane archaeology," examining the transformation of anachronistic objects. Influenced by industrial design, he critiques overproduction and finds beauty in discarded items, pausing to contemplate what often goes unnoticed. Paula Blanco (Oviedo, 1996) merges art and science to explore the relationship between nature, territory, and the environment. Drawing inspiration from the landscape, she uses clay, pigments, varnishes, and fiberglass to create structures reminiscent of natural organisms. Her abstract and ethereal approach sublimates matter, separating the concept from the object and expressing herself through the origins of raw materials. Tiffany Alfonseca (Dominican Republic, 1994) delves into her Afro-Latinx-American identity by depicting everyday scenes of empowered individuals and non-normative bodies. Combining painting, drawing, silkscreen, and embroidery, she draws inspiration from the vibrant colors of her childhood in the Dominican Republic. Her work blends vivid tones and rich textures to convey personal and collective narratives that resonate universally. Aurelio San Pedro (Barcelona, 1983) is known for his delicate black-and-white drawings focused on natural settings. Memory lies at the heart of his creative process, using recollection as a tool for visual expression. Paper plays a central role, balancing worked areas with untouched spaces. His style oscillates between abstraction and figuration while maintaining a distinctive artistic identity.

MARISOL SALANOVA.

ABOUT MARISOL SALANOVA

An art critic, curator, and cultural manager, Marisol Salanova (Valencia, 1982) is a natural communicator. She holds a degree in Philosophy from the University of Valencia and specialized in Art and Technology through a master’s degree in Artistic Production. She has authored works for publishers such as Plataforma Editorial and Akal, among others, publishing several essays, numerous catalogs, and artist books. For nearly a decade, she directed the publishing house Micromegas, dedicated to contemporary art texts, a role she balanced with teaching.

Marisol Salanova regularly writes for ABC Cultural and participates in the Hoy por Hoy program on Cadena Ser. She also advises collectors and has pioneered curating crypto art through the platform Arteinformado. She curates exhibitions for internationally renowned artists, both solo and group shows, and has curated editorial sections of art fairs such as the now-defunct SUMMA Madrid and MARTE Castellón. She conducts in-depth research for each project and is currently working on her doctoral thesis on the work of sculptor Apel·les Fenosa.

She is recognized as one of the most visible critical voices in the Spanish art scene, known for her high media profile and outreach skills, which she actively employs on social media. Her best tools are listening and engaging in dialogue to understand and amplify the work of artists.

 ABOUT SAFE CREATIVE

This Interview program of Art Madrid’25 features the collaboration of SAFE CREATIVE a platform allied with artists on the Internet to protect their rights. At present with new technological advancements, challenges have multiplied, and we provide solutions for creators and artists of all kinds. challenges have multiplied, and we provide solutions for creators and artists of all kinds. Safe Creative offers an online, user-friendly, and cost-effective system that enables any creator to obtain the necessary evidence to prove copyright ownership from the comfort of their home. By using their computer, they can instantly register all of their work.


With the collaboration of