Art Madrid'25 – THE NEW ARRIVALS AT ART MADRID

Nine galleries are released in the Art Madrid'18 General Program: 5 from Spain, from Madrid (although one of them is also based in New York), Bilbao and Valencia; and 4 foreigners from Germany, Portugal, Ukraine or Mexico. Art Madrid always takes care of the participation of national galleries and artists but it is also the perfect setting for more and more foreign galleries that trust the fair.

Among the Spanish newcomers we find Fucking Art (Madrid), an alternative space created in 2015, managed by a group of artists, bringing the perspective of the creator to the gallery experience. Fucking Art presents at the fair works by: Atauri, Isabel Alonso Vega, Carlos Regueira and Alfonso Zubiaga, artists whose works leave an unmistakable trail of reflection, search and innovation either through painting, photography, sculpture and objectual art.

Ángeles Atauri

Rara avis pajaritas, 2017

Mixed media

100 x 100cm

Ángeles Atauri

Rara avis ovillos, 2017

Mixed media

60 x 60cm

Mª Ángeles Atauri is a graphic designer at the La Nave Gráfica studio where she develops her activity for different projects and also, since 2010, where she develops her artistic production, a kind of poetic objects based on simple and intimate ideas, on universal feelings with which all we identify.

Isabel Alonso Vega is one of the founders of URGEL3, an alternative space in which they exhibit but also they disseminates art outside conventional networks, leading artists from the first creative process to the final state of their work. Vega's works, capsules of methacrylate in which she seems to have captured clouds, powers and geniuses, are between conceptual and sculptural and they speak about the intangible. For his part, Alfonso Zubiaga, training economist and artist by vocation, and Carlos Regueira, who is also a creative and art director in well-known advertising agencies, they propose new ways of doing and seeing photography. If Zubiaga plays with images that are deconstructed to be reconstructed in visual narratives with new meanings of the same reality; Regueira produces a expanded painting to the field of the photo, an hybrid between both techniques.

Reinhard Gorner, “Altenburg Abbey Gallery”, fotografía, 2017.

The Soraya Cartategui Gallery (Madrid-New York), directed by Soraya Cartategui and Bárbara Cartategui, opened its first headquarters in the neighborhood of Chelsea, New York, in 1994, specializing in conceptual art and performances by emerging artists. After four exciting years working with the new talents in the Big Apple, she settled in Madrid to devote herself to his specialty: Dutch and flemish art of the sixteenth and seventeenth century, pioneering the introduction of the Dutch Golden Age in the Spanish market and thus becoming a reference for many collectors. This wide vision of art has made its curatorship is based on the concept of "cross-collecting", the crossing of works of all media and periods to create a personal and intimate dialogue between works and objects. For their first participation in Art Madrid'18 they have chosen the work of Juan Genovés, Reinhard Gorner and Isabelita Valdecasas. Valdecasas, Sevillian painter, has experimented with all the techniques, squeezing their artistic possibilities, began with small works, disparate things, without any concrete order or thread; experimented with oil, watercolor, pens, pastel ... to evolve into a materic abstraction in whose works the artist uses elements found in nearby nature such as moss, sand, earth or tea grounds to create surreal worlds.

A very different proposal comes from the German photographer Reinhard Görner, whose images of architectures and monumental rooms transmit intimacy, depth and mystery at the same time. Görner became interested in architectural photography in 1982 and, with his large-format camera, since 2008 has photographed more than 50 libraries around the world such as Trinity College in Dublin, the Lello Library in Porto or the public library in Stuttgart, among others. His work has been present in numerous solo and group exhibitions in Paris, London and Berlin.

Cristina Iturrioz

Instalación "Colors" (detalle), 2018

Acrylic, digital and methacrylate

50 x 50cm

Cristina Iturrioz

Instalación "Colors" (detalle), 2018

Acrylic, digital and methacrylate

50 x 50cm

In Madrid there is also Mercedes Roldán Art Gallery (Madrid), a gallery that is involved with its artists from all points of view, advises them to direct their career, provides them with assistance and marketing services. Her involvement with emerging artists is visible in the selection she has made for Art Madrid'18, in which she has: Irene Cruz, photographer and video artist, one of the young artists with the most projection and of whom we have already spoken in this news section; the photographer and filmmaker Alexander Barrios, trained in documentary photography and whose work seeks the simplicity and the genuine nature, architecture, forms ... and the painter Cristina Iturrioz, fundamentally self-taught and whose work is characterized by manipulation and research with the materials and colors to achieve textures. Her artistic beginnings were oriented towards drawing, graphic design and figurative painting, with nature as a motif, with reality as a model, to evolve into a personal abstraction that shapes in multiple formats as painting, photography or sculpture.

Miquel Navarro

Edificio con asas, 2014

Grey iron

99 x 27cm

From Valencia, it comes Shiras gallery, directed by Sara Joudi and located in the historic center of the city. Shiras Gallery was born to offer an intergenerational proposal of national art whose speech is complemented by the voice of emerging avant-garde artists, always taking into account both the artistic quality of the projects and their plastic languages. The fundamental pillar of its programming is betting on projects of painting, sculpture, drawing and installation, being a current window towards the most avant-garde contemporary trends. At the Art Madrid fair they participate with Javier Chapa, Miquel Navarro, José Saborit and Horacio Silva.

Among them we would like to highlight the work of Miquel Navarro, one of the outstanding representatives of what is known as New Spanish Sculpture although he began his career as a painter, since 1972 he is exclusively dedicated to sculpture. Tireless, universal and in constant evolution, the idea of beauty for Miquel Navarro is closely linked to his idea of the classics, foundation and point of reference of the avant-garde of the beginning of the century. In 1986 he receives the National Prize of Plastic Arts and the National Prize of the Association of Art Critics ARCO 95, among others. Likewise, he is declared an Academician of the Royal Academy of Fine Arts of San Fernando.

Juanma Reyes

Escalera, 2015

Bobins, threads and loops

126 x 42cm

We jump north, to Bilbao, where MH Art Gallery (Bilbao) comes from. This space wants to present to its city and all the Basque Country a selection of artists of international prestige that will complement the current cultural and artistic offer that Bilbao already has, being a benchmark city in Europe for its commitment to art and design / architecture. Its program includes young "emerging" Basque artists with creative talent that the gallery projects in artistic spaces outside of the Basque Country. Its premiere at Art Madrid is done with a powerful international proposal that features the delicate ink drawings and pigments of the Korean female artist Joo Eun Bae; the mixed techniques that mix the oriental and Arab cultures of the Moroccan artist Khalid El Bekay; the collages and urban chaotic scenes of the Cantabrian Martín Carral; and the unclassifiable work of the Malaga-born Juanma Reyes, an eloquent way of capturing the thin line between the living and the dead, between waste and art, between tenderness (his works are woolly, soft, fluffy ...) and brutality (. ..and at the same time they are sharp, dismembered). Its objects, structures that could be sculpted drawings, are objets-trouveés assembled by Reyes to talk about the multiple forms of art.

Among the novelties of Art Madrid we also have 4 foreign galleries: the German Robert Drees of Hanover, Paulo Nunes Contemporary Art of Vila Franca de Xira, Portugal, the Ukrainian gallery Nebo Art Gallery (Kyiv) and the Carbo / Alterna gallery, with venues in Cancun, Mexico and Havana, Cuba. We will talk about all of them in upcoming news and we will highlight some of their most representative artists.

From July 7 to 9, 2025, the Balsera Palace will host the First Course on Collecting and Contemporary Art, an intensive 15-hour program that will explore the complex and fundamental question of taste in contemporary art. Organized by the Nebrija Institute of Arts and Humanities at Nebrija University and the Avilés City Council, in collaboration with 9915 — Association of Private Collectors of Contemporary Art and the Institute of Contemporary Art, the course offers a unique opportunity for analysis and debate on the dynamics that shape aesthetic and symbolic value in today’s art scene.


First Course on Collecting and Contemporary Art. Avilés, Asturias


The notion of taste, intrinsically tied to aesthetic judgments and power relations, has played a decisive role in the historical prominence of artists and artworks. However, contemporary art—marked by its breaking of conventions, diversity of media and techniques, and critical stance toward traditional canons—raises fundamental questions about the continued relevance of this concept.

This course will explore how the decisions made by key players in the art system—institutions, private collections, galleries, curators, and artists—continually redefine a field of taste shaped by aesthetic, symbolic, cultural, social, and political logics.


"¿But does it exist, and what is the prevailing taste of our time—so seemingly confused, fragmented, indecipherable?" - Omar Calabrese, The Neo-Baroque Era.


The academic program, directed by José Luis Guijarro Alonso, Director of the Master’s in Art Market and Related Business Management at Nebrija University, and Pablo Álvarez de Toledo, Head of the Department of Arts at Nebrija University and the Nebrija Institute of Arts and Humanities, will bring together a distinguished group of national experts—including collectors, critics, curators, gallery owners, and artists—whose contributions will address key issues in shaping aesthetic, symbolic, and market value in today’s art world.


PROGRAM

MONDAY, JULY 7

9:30 AM Registration.

10:00 AM Course Opening Nebrija University Avilés City Council Presented by Rosario López Meras – President of the Association of Contemporary Art Collectors, 9915, and Adrián Piera – President of the ICA, Institute of Contemporary Art.

10:30 AM Course Presentation By José Luis Guijarro Alonso – Art Historian and Anthropologist, Researcher, and Director of the Master’s in Art Market and Related Business Management at Nebrija University.

11:00 AM Coffee Break.

11:30 AM Panel Discussion The Taste of Private Collecting as a Prelude to History. Speakers: Candela Álvarez Soldevilla – Entrepreneur and Collector; Javier Quilis – INELCOM Collection; José Miguel Vegas Valle – Collector. Moderator: Luis Feás – Critic and Curator.

1:00 PM Lunch Break.

3:30 PM Individual Lecture On Good Taste in Contemporary Art. Speaker: Marisol Salanova – Curator and Art Critic, Director of Arteinformado.

4:45 PM Panel Discussion The Influence of Galleries in Shaping Contemporary Taste. Speakers: Elba Benítez – Gallerist; Ricardo Pernas – Gallerist (Arniches 26); Aurora Vigil-Escalera – Gallerist. Moderator: Rafael Martín – Coleccion@casamer.

6:00 PM End of Day.

6:30 PM Activity and Cocktail Visit to the Exhibition Asturian Artists in the Pérez Simón Collection – Avilés.

TUESDAY, JULY 8

10:00 AM Individual Lecture Contemporary (Bad) Taste: Kitsch, Camp, and Tacky. Speaker: Julio Pérez Manzanares – Autonomous University of Madrid.

11:00 AM Coffee Break.

11:30 AM Panel Discussion Institutions and the Formation of Contemporary Taste. Speakers: Virginia López – Artist, Founder of PACA_Proyectos Artísticos Casa Antonino; Julieta de Haro – Artistic Director of CentroCentro; Carlos Urroz – Director of Institutional Relations, Museo Nacional Centro de Arte Reina Sofía. Moderator: Laura Gutiérrez – Director, School of Art of Oviedo.

1:00 PM Lunch Break.

3:30 PM Panel Discussion Beyond the Eye: The Taste for Ethical, Ecological, Social, or Political Concerns in Contemporary Art. Speakers: Semíramis González – Independent Curator; Eugenio Ampudia – Artist; Claudia Rodríguez-Ponga – Independent Curator. Moderator: Bárbara Mur Borrás – PhD in Fine Arts.

5:00 PM End of Day.

5:30 PM Activity Visit to the Studiolo Exhibition – Candela Álvarez Soldevilla Collection.

WEDNESDAY, JULY 9

9:30 AM Meeting with Asturian Artists Speakers: María Castellanos – Artist; Avelino Sala – Artist; Consuelo Vallina – Artist. Moderator: Pablo Álvarez de Toledo – Nebrija University.

11:00 AM Activity Visit to the Niemeyer Center – Avilés.

Course Closing Ceremony.





This course is designed for art professionals, collectors, researchers, and students seeking an in-depth analysis of the dynamics that shape taste and collecting practices in contemporary art. Adopting a critical and multidisciplinary perspective, it provides a unique opportunity to rigorously examine the aesthetic, symbolic, and structural factors that underpin the legitimization of contemporary art.