Art Madrid'25 – New objectivity: from nature to industry

 

 

 

© Albert Renger-Patzsch

 

 

Renger-Patzsch (1897-1966) approaches to photography by his father´s influence, an amateur photographer. He studied Humanities and, after his military service (where he collaborated as a scientific assistant), he started Physics at the University of Dresde. However, he gave up his studies to dedicate entirely to photography. He also felt attracted to writing (he wrote more than thirty photography books). Foremost among these is “Die Welt ist schön” (The world is beautiful), 1928, that is a classic of modern photography. 

 

 

© Albert Renger-Patzsch

 

 

The exhibition is organised in several sections that presents an overview of his artistic career, which combine his personal projects with commercial practices. Renger-Patzsch was a relevant figure of the German New Objectivity, an artistic movement that emerged after the end of World War I as a reaction against the Expressionism that preceded it. This current strove to represent the world in the most objective way possible in a period in which Europe was going through numerous changes. He considered photography as a technical invention that belonged to the field of science.

 

 

© Albert Renger-Patzsch

 

 

In a first period, he worked for a publisher by making photographies of plants and flowers in a very severe and technical way. Neutral, dark or blurred backgrounds allowed focusing on details. He developed a careful and thoughtful method which lets him represent an objective and faithful reality. His first photographs are compilated in the book “Die Welt ist schön”, formed by 100 images that show nature and human developments: plants, landscapes, objects, architecture, city, industry, etc. These artworks enhance the importance of the industry and seriality, highlighting the perspective and the contrast of lights and shadows.

 

 

© Albert Renger-Patzsch

 

 

It can be seen how the artist keep on eye on the modern city. This is consider the place where the new and the old violently coexist. Using geometry he propose complicated frames. Lately, he focused on the peaceful feeling that nature brings; he used to walk a long time to find out the best conditions to take his pictures. Then, he paid attention to organic shapes in nature, such as the different textures that contrast with industry pulid surfaces.

 

 

© Albert Renger-Patzsch

 

 

Renger-Patszch proposes a view that focuses on the new era. His photographs can be visited during summer months until the 10th of September in Mapfre Foundation Recoletos Hall, where can also be enjoyed an exhibition about portrait in the 20th century, in which different artists from all around the world and historical moments approach to the human figure in a variety of ways.

 

 

© Albert Renger-Patzsch

 

 

At the most recent edition of Art Madrid, artist Luis Olaso (Bilbao, 1986), represented by Kur Art Gallery (San Sebastián), received the Residency Prize of the Art Madrid Patronage Program. This award, the result of a collaboration between Art Madrid, DOM Art Residence, and the Italian association ExtrArtis, enabled him to undertake an artistic residency in Sorrento (Italy) in August 2025.

Through initiatives like this, the fair reaffirms its support for contemporary creation—a commitment aimed at increasing artists’ visibility and strengthening art collecting through concrete actions such as acquisition prizes, recognition of emerging talents, and international residencies.


Artists in Residence. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


The DOM & ExtrArtis 2025 Residency Program took place in Sorrento from August 1 to 31, 2025. The artists lived together at Relais La Rupe, a 16th-century villa surrounded by cliffs and centuries-old gardens, which became an ideal setting for experimentation and exchange.

In this edition, residents worked around the theme “Reimagining Genius Loci”, an invitation to reflect on how the movement of people and traditions transforms the “spirit of place.” During the residency, DOM organized two public group exhibitions: the first to present the artists’ previous work, and the second to showcase the projects developed in Sorrento.


Work by Luis Olaso. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


Luis Olaso’s work moves between expressionist figuration and abstraction, always employing a pictorial language charged with strength and emotion. Initially self-taught, he later graduated in Fine Arts and has developed a solid international career, with exhibitions at venues including JD Malat (London) and Makasiini Contemporary (Turku, Finland), and participation in fairs such as Untitled Miami, Estampa, and Art Madrid itself.

His work is part of prestigious collections, including the Tokyo Contemporary Art Foundation, Fundación SIMCO, and the Provincial Council of Bizkaia, and has been recognized in competitions such as the Reina Sofía Prize for Painting and Sculpture and the Ibercaja Young Painting Prize.

In Sorrento, Olaso found a unique context to expand his pictorial research, engaging in dialogue with the Mediterranean landscape and the region’s historical heritage. The residency provided him with time, resources, and a framework for exchange with other international artists, fostering the production of new works that were later presented in the group exhibitions organized by DOM.


Luis Olaso working on his project. DOM & ExtrArtis. Image courtesy of DOM.

Luis Olaso’s experience at DOM Art Residence concluded with a public showcase of the works produced, reinforcing his presence on the international circuit and consolidating his position as one of the most prominent Basque artists on the contemporary scene.


Through initiatives such as this, Art Madrid demonstrates its active role as a platform for direct support of contemporary creation, creating opportunities for research, production, and intercultural dialogue that extend beyond the fair itself and accompany artists in their professional development.