For the third consecutive year, Art Madrid once again is engaged with Cultura Inquieta. Official media partner of this edition, Cultura Inquieta is one of the most interested and involved media in current culture. This year it invites all visitors to take their most creative side into its booth at the fair.

The two walls of the Cultura Inquieta stand began as two blank canvases, ready to welcome all kinds of artistic manifestations and encouraging free expression and creativity without limits. Artists present at the fair as well as visitors of all ages have participated ... In fact, we can all be creative and proof of this is that there is hardly any free space left to intervene in their booth. However, all those who want to be part of these collective murals will surely, with some ingenuity, find some way to leave their mark. In addition, at their booth, you can learn about other projects, such as the creative products they offer from the online store and those they have selected in order for you to see them at Art Madrid: art pills, design and inspiration.

Photo. Melisa Medina.

The Cultura Inquieta team presents "our own space, a couple of square meters where we synthesize our universe to channel, approach and soak up everything that happens. A space, overall for sharing. Sharing time, words and creativity. A place to rest for a few minutes, talk, laugh and reflect "with the ultimate goal" of bringing art to everyone absolutely".

Some of the reasons that motivate this type of proposal are so many that Cultura Inquieta compares them with the own principles of art. Unity or harmony, because, as explained by them, they are integrated, so naturally, that they come to lose sight of the limits imposed by space; variety, because they love having the chance to look out through an infinite window of inspiration, an exercise that they can feed by touring Art Madrid, where they find the production of both emerging artists and consecrated artists, "an almost mystical experience"; or balance, because "we are aware that life is what happens between 0 and 100 years, so we try to look with the eyes of children, and to children we try to give wings so that they can paint, dream, and believe in a much better future through art".

Photo. Miguel Mazuelo Álvarez.

Other reasons that support its proposal for the fair are related to contrast because, like Art Madrid, they enjoy the polyhedral side of things; proportion, because "we can not stop looking up towards the wonderful glass vault that surrounds everything. At the works, at the artists, at you, at us too, and then, is when the proportions of beauty escape us"; the emphasis and the enthusiasm of participating in a fair with which they share so many values and aspirations; and finally, for movement, for that "effervescent flow of people, ideas, concepts and messages that we share with artists, gallerists, visitors, friends ... during these five days".

Like Art Madrid, Cultura Inquieta has among its main objectives the spreading of the quality the current creation has, specialized in the promotion of young talent. Art, culture, trends, photography, trends or lifestyle; Cultura Inquieta is one of the most consulted and reputed digital portals worldwide. It is also the organizer of one of the major Spanish music festival, one of the most important annual events on the Madrid agenda, which this year celebrates its tenth edition beginning at end of June. From Art Madrid we encourage you to participate in the simple but so inclusive and exciting proposal of Cultura Inquieta: dare to express your creativity.

ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. PERFORMANCE CYCLE X ART MADRID'26

Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.

PERFORMANCE: ALTA FACTURA. BY COLECTIVO LA BURRA NEGRA

March 4 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.

"Discipline for Power.” Performance by La Burra Negra for Displacement of the Congress of Deputies by Roger Bernat. 2025.

Alta Factura subverts the conventional structure of the fashion runway to foreground the often-invisible processes that underpin artistic production. Through a series of conceptual textile works, the performance draws attention to the discipline of craft and the artist’s vulnerability, ultimately revealing those seams typically consigned to the margins, behind the scenes.

Colectivo La Burra Negra.

ABOUT EL COLECTIVO LA BURRA NEGRA

La Burra Negra is a nomadic performance art collective based in Málaga, founded in 2024 following its first residency in Totalán. The group is self-managed by Ascensión Soto Fernández, Gabriela Feldman de la Rocha, Sasha Camila Falcke, Sara Gema Domínguez Castillo, Sofía Barco Sánchez, and Regina Lagos González—six artists from diverse backgrounds and trajectories who met at the Hospital de Artistas at La Juan Gallery.

The collective brings together practitioners working across jewelry, painting, the performing arts, music, dance, cultural mediation, and arts management. Its activities include an annual residency in Totalán, the production of performative works, cultural mediation initiatives, and site-responsive interventions.

Since its inception, the collective has participated in the Periscopio series at La Térmica; presented A granel at the MVA in Málaga; carried out a number of actions in Totalán—the most recent during its second annual residency—and contributed its own proposals to the performance Displacement of the Congress of Deputies by Roger Bernat in Madrid.

At the core of La Burra Negra lies a commitment to collective creation and the exchange of knowledge. United in their effort to experiment with and disseminate performance art, the group explores the invisible dimensions of artistic labor—its temporalities, efforts, and relational dynamics, which so often remain unseen—as a form of critical affirmation.

Their practice emerges from dialogue and shared reflection, in the pursuit of decentralized spaces where art can be experienced and its processes made visible. Each residency and each action becomes an attempt to inhabit creation collectively, challenging conditions of precarity while fostering networks of care and collaboration that sustain both their own practice and that of those around them.