When you don't want to face a definition, a label; when you like performance, live art and music; or video art, sound art and dance... To play with the words of the dictionary that refer to any aspect of contemporary creation, and you want to be a participant in that concept puzzle. For whom art is more than a contemplative action. With this sum of ingredients, La Caixa launched last year the "Night Found! Festival", an event in which all forms of artistic expression have a place and that seeks to offer a space for the most emerging, most groundbreaking productions in today's contemporary scene, both national and international.

Image of “Walking Out”, 2011 (via bernatdaviu.com)

Although the initiative has a stable programming part, most of the activities concentrate on an intense day designed to awaken the most restless senses and open up the future of art. On November 16th, CaixaForum Madrid will open the scene to different artistic disciplines, offering the viewer a wide range of possibilities. From video-art to electronic and experimental music, through illustration, performance, poetry and contemporary dance.

One of the highlights of the program is the performance of Violeta Gil and Abraham Boba in a literary-musical performance entitled "Before you throw away my things." Violeta's personal story comes at a time of vital transition, when, after living for a while in the United States, she returned to Spain after the worst years of the crisis. The result of this experience is this poem-book, which will be recited with the live music of Abraham Boba, a renowned sound artist.

Imageof the artwork by María Arnal and Ilan Manouach: “Shapereader Chorale”

We must also highlight the appointment "E gira tutto intorno alla stanza", a performance starring Bernat Daviu and a group of dancers choreographed by Mar Aguiló. This proposal rescues a recently extended practice in some avant-garde cities in which young people dance spontaneously in public spaces. On this occasion, the dance will take place in tune with the pieces exhibited in the room, in a dialogue generated in the context of the exhibition “The painting. A permanent challenge ”, with works by Spaletti, Ryman or Ángela de la Cruz. As Daviu explains, the purpose is to generate several layers of discourse, one over the other, although they do not always have a unique meaning and can be discordant.

Besides, you can enjoy "Shapereader Chorale", a performative action by María Arnal and Ilan Manouach. This meeting is articulated as an experimental workshop to inquire about musical composition, tactile exploration and vocal interpretation so that participants can collectively create a unique musical piece.

In addition, there is also room for the little ones with the performance of Spaghetti Monster (Anastasia Bengoechea). This graphic and creative humorist will share with the public her creative process with hints of humour and lots of energy.

After their appointment at CaixaForum Barcelona, last October, the Night Found arrives at the Madrid headquarters on November 16th. Get ready!

Buying the first work of art always instils respect. A difficult feeling to define that mixes vertigo with adrenaline. But over uncertainty and caution, a pleasurable sense of connection, understanding, and desire prevails. That work that, once seen, stays in the mind, reappears in the memory several times a day and seems to tell you that it is willing to be part of your home, is the perfect candidate to make the decision.

In the first steps, many collectors do point out that one does not start from an established plan, but rather that one acquires pieces based on taste and the connection one feels with them until, after time, they realise that the volume of works that accumulates can be labelled as a "collection". For example, this is how Alicia Aza explains it:

“I was not aware that I was collecting until many years later when a third party named me as a collector and talked about my collection. In 2005, I became aware of what collecting means and decided to articulate a collection with an identity of criteria and formats”.

Marcos Martín Blanco, co-founder, with his wife Elena Rueda, of the MER Collection, shares this same opinion:

“Collecting has been a passion, driven by a visceral state that encourages you to do so. The collection, in terms of acquisitions, has not been particularly complicated because, let's face it: it is easy to buy because they are all beautiful things and you have some clear idea of where you want to go, but at first those preferences were not so clear. It is with the time that a criterion is being formed”.

It is not always this way, of course, but for the buyer who starts out on this path, the personal connection that entails the first piece is essential. There it is the germ of a lasting relationship that is not limited to a simple aesthetic question but is an open window to knowledge, to exploration, to a world that is often unknown to us and awakens our fascination. The seed of that connection is purely sentimental, and it is precisely this impulse that determines the first acquisitions. The first piece is never forgotten.

Art Madrid'20, photo by Ana Maqueda

Exceeding the usual recommendations made by advisers and agents, rare is the occasion when the art lover decides to buy by pure investment. These paths usually open later, when the volume of pieces is large enough. In addition, there are those who are a bit against this classic concept of the traditional collector, approached from an eccentric, elitist and little accessible vision. On the contrary, art buyers are, above all, art lovers, sentient beings and permeable to creative stimulus who, at a given moment, decide to deepen the relationship they already have with art to take a piece home.

It is not that hard to overcome that small psychological barrier that turns the visitor into a buyer if one approaches the matter from a more personal and intimate perspective than from social consideration. Small-format works, graphic work or serial photography are of great help for this, whose price range, generally more affordable, allows a closer comparison to the daily basis expenses. In this way, the purchase of art falls within the range of feasible activities and becomes something close and possible.

Art Madrid'20, photo by Marc Cisneros

At that moment, a different relationship with art begins, based on pure experience and coexistence with the acquired piece. Perhaps it can be seen as an act of daring, but on many occasions, it is more a matter of necessity and transformation. Collectors also agree that the acquisition of an artwork is an exercise on personal analysis and opening up to a new field of knowledge that was previously alien to us. Alicia Aza explains that the reason she acquired her first piece of video art, by Sergio Prego, is because she did not understand it and because she saw it as a challenge and an opportunity to self-improve. This open window to knowledge creates new connections and bonds with creators, as one of the most fascinating parts of the process. Candela Álvarez Soldevilla explains that

"I think the most interesting thing in the art world is talking to artists. They are people with a special sensitivity to listen and understand.”

And Alicia Aza also says:

"I can share the satisfaction of being able to count on many artists in my circle of close friends today, and that is a long way to go."

Thus, with works that seem acceptable within the horizon of expenses that each one considers affordable, it is easy to find a piece that catches us. Since then, our home also evolves into a space in which art has a permanent place and presence, and there is no doubt that this transforms us inside.

Art Madrid'20, photo by Henar Herguera

Jaime Sordo, owner of Los Bragales collection and founder of the 9915 Contemporary Art Collectors Association, has always defined his relationship with art as a true passion and a vital necessity. For buyers who start on this path, he has the following recommendation:

“It is an essential condition that they feel the need to live with their passion to enjoy the works. Another very important aspect is that before making decisions for purchases, they are informed, so it is necessary to read specialised newspapers and books, visit exhibitions and museums and a lot of contact with galleries, which is an important and very specific source of information of the artists they represent. Finally, the presence in national and international art fairs. All this generates information and training.”

Indeed, fairs have become a good place for discovery because they condense a wide offer and allow diverse and global contact in a concentrated way. For this reason, many new generation buyers start in the context of an event such as Art Madrid, whose closeness and quality constitute a unique opportunity to meet, soak up and feed the passion for art.

(*) quotes taken from various interviews published in public media between 2013 and 2019.