When you don't want to face a definition, a label; when you like performance, live art and music; or video art, sound art and dance... To play with the words of the dictionary that refer to any aspect of contemporary creation, and you want to be a participant in that concept puzzle. For whom art is more than a contemplative action. With this sum of ingredients, La Caixa launched last year the "Night Found! Festival", an event in which all forms of artistic expression have a place and that seeks to offer a space for the most emerging, most groundbreaking productions in today's contemporary scene, both national and international.

Image of “Walking Out”, 2011 (via bernatdaviu.com)

Although the initiative has a stable programming part, most of the activities concentrate on an intense day designed to awaken the most restless senses and open up the future of art. On November 16th, CaixaForum Madrid will open the scene to different artistic disciplines, offering the viewer a wide range of possibilities. From video-art to electronic and experimental music, through illustration, performance, poetry and contemporary dance.

One of the highlights of the program is the performance of Violeta Gil and Abraham Boba in a literary-musical performance entitled "Before you throw away my things." Violeta's personal story comes at a time of vital transition, when, after living for a while in the United States, she returned to Spain after the worst years of the crisis. The result of this experience is this poem-book, which will be recited with the live music of Abraham Boba, a renowned sound artist.

Imageof the artwork by María Arnal and Ilan Manouach: “Shapereader Chorale”

We must also highlight the appointment "E gira tutto intorno alla stanza", a performance starring Bernat Daviu and a group of dancers choreographed by Mar Aguiló. This proposal rescues a recently extended practice in some avant-garde cities in which young people dance spontaneously in public spaces. On this occasion, the dance will take place in tune with the pieces exhibited in the room, in a dialogue generated in the context of the exhibition “The painting. A permanent challenge ”, with works by Spaletti, Ryman or Ángela de la Cruz. As Daviu explains, the purpose is to generate several layers of discourse, one over the other, although they do not always have a unique meaning and can be discordant.

Besides, you can enjoy "Shapereader Chorale", a performative action by María Arnal and Ilan Manouach. This meeting is articulated as an experimental workshop to inquire about musical composition, tactile exploration and vocal interpretation so that participants can collectively create a unique musical piece.

In addition, there is also room for the little ones with the performance of Spaghetti Monster (Anastasia Bengoechea). This graphic and creative humorist will share with the public her creative process with hints of humour and lots of energy.

After their appointment at CaixaForum Barcelona, last October, the Night Found arrives at the Madrid headquarters on November 16th. Get ready!

ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26

Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.

PERFORMANCE: OFF LINE. JIMENA TERCERO

March 7 | 7:00 p.m. Galería de Cristal of the Palacio de Cibeles.

OFF LINE is a performance piece that reflects on the fragility of the body in the digital age. Our relationship with the outside world is mediated by a screen, which distances us further and further from physical contact and interpersonal relationships. Focusing on creating a digital identity causes the body to distance itself from the physical world and lose its memory.

Hyperconnectivity and fragmented attention lead to a more passive physical existence, characterised by reduced spontaneous movement and less direct sensory interaction. This raises fundamental questions: how is the concept of presence redefined when our relationship with the world relies on technological mediation? What will the experience of the body be like in a future where virtuality predominates over the physical? There is a risk of progressive bodily passivity: bodies that remain still, whose activity is determined by devices and whose memory is stored digitally. The fragmentation of physical experience and the primacy of technological representation create a scenario in which, although the body is visible, it is displaced from its original function as an agent of perception and action.

This conceptual framework invites reflection on the impact of digitisation on corporeality, memory and social relationships, and on the vulnerability and inertia experienced by bodies in environments that are increasingly mediated by technology.

ABOUT JIMENA TERCERO

Jimena Tercero (Madrid, 1998) is a multidisciplinary artist whose work explores the boundaries of the female body, identity, and the subconscious. She uses performance, video, and painting to address concepts such as memory, tangibility, and play. Tercero trained in painting with Lola Albín and in analog photography at Cambridge in 2014. She studied audiovisual direction from 2018 to 2020 with renowned figures such as Víctor Erice and the production company El Deseo. She is currently pursuing a Master's degree in Creative Direction at ELISAVA. She completed her performance training at La Juan Gallery. In 2011, she was part of the children's jury at the Isfahan Film Festival in Iran.

Her directed works include Private (2016) and Paranoid (2021), which were exhibited at the Aspa Contemporary Gallery. She has also worked on projects such as Yo, mi, me, conmigo (2023, Teatros del Canal), Inside Voices (2021, Conde Duque with Itziar Okariz), and La última regla (La Juan Gallery). She has directed fashion films for publishers and brands such as Puma, Dior, and Dockers. She has also provided art direction for artists such as Sen Senra and Jorge Drexler. Additionally, she directed the documentary Also Here for ArtforChange–La Caixa. She presented Out of View (Nebula Gallery), EDEN (White Lab Gallery), and Navel Bite (Sinespacio). She participates in residencies such as Medialab with Niño de Elche and Miguel Álvarez Fernández. In 2025, she will be part of the Special Jury of the Asian Film Fest in Barcelona and the International Cultural Museum of Assilah Art Residency in Morocco).