Art Madrid'25 – NH Gallery in Art Madrid\'15

La telaraña mágica. Álvaro Barrios.

 

Nohra Haime Gallery has just turned four years of life in january. This young gallery, established in Cartagena de Indias, Colombia, has sought from the beginning promoting artists from all backgrounds, not just Colombians, showing a broad spectrum of contemporary art with works from all artistic disciplines. Nohra Haime also has headquarters in New York. Both locations are focused on designing a strategy for cultural exchange in the north-south axis of the American continent. Furthermore, the gallery has sought to effectively promote their artists through collaborations with other cultural institutions and the art world, which have become monographic exhibitions at venues such as the Art Museum of the Americas, Training Center Spanish Cooperation in Cartagena and the Museum of Modern Art in Barranquilla.
 

Prey. Natalia Arias.

 

The director of the gallery, Sara Angel, brings to Art Madrid'15 a proposal in which highlights the art made by women with works of Niki de Saint Phalle, Alvaro Barrios, Julie Hedrick, Valerie Hird, Ruby Rumie, Natalia Arias and Francisca Sutil.

Les trois graces. Niki de Saint Phalle.

 

Niki de Saint Phalle (1930-2000) is one of the most influential creators of the second half of the twentieth century .
 
This Franco-American artist received an education in line with the social codes of New York's upper class. However, his unique worldview, their rebellion and creativity joined to not follow the script was already written for her. Niki de Saint Phalle is a self-taught artist who has been defined as a feminist, radical and political.
 
In Paris at the New Realists is linked in the 1960s, when his series of her shooting paintings , and since then uses the media, like Andy Warhol, to consolidate their public image. His career includes numerous public art projects, among which are The Tarot Garden in Tuscany, or The source Stravinsky in Paris. It also conducts experimental film and stage designs for ballet but, above all, reach the public with the development of their Nanas, huge sculptures that revolutionize the representation of women in art. 

Vasija coronada. Ruby Rumié.

 

Born in Cartagena de Indias (1958), Ruby Rumié studied in the Fine Arts School of Cartagena de Indias. Since her first exhibition (1985) in Cartagena, in which she was clearly influenced by the hyper-realism, Ruby has tried to reflect the face of characters belonging to the Cartagenian landscape, being then the coachmen, musicians, barbers, children, women, old men and black nobles, the protagonists of detailedly made portraits. The assembly with dolls and geometrical accessories has been another period through which Ruby's artistic life has passed, who was also interested in acrylic technique, as the outstanding characteristic in some of her creations.

We can talk about an evolution in which Ruby has taken as departure point the classic to reach to alternative presentations in which she achieves to involve painting, photography and other techniques to show her change of perspective. She has made important exhibitions in: Bogotá, Barranquilla, Cartagena; Santiago de Chile; Miami; Nueva York; Washington; Rouen; París. Rumie participated recently in the international section of the First Contemporary Art Bienal of Cartagena de Indias. She actually lives and works between Cartagena in Colombia and Santiago de Chile.

 

 

From July 7 to 9, 2025, the Balsera Palace will host the First Course on Collecting and Contemporary Art, an intensive 15-hour program that will explore the complex and fundamental question of taste in contemporary art. Organized by the Nebrija Institute of Arts and Humanities at Nebrija University and the Avilés City Council, in collaboration with 9915 — Association of Private Collectors of Contemporary Art and the Institute of Contemporary Art, the course offers a unique opportunity for analysis and debate on the dynamics that shape aesthetic and symbolic value in today’s art scene.


First Course on Collecting and Contemporary Art. Avilés, Asturias


The notion of taste, intrinsically tied to aesthetic judgments and power relations, has played a decisive role in the historical prominence of artists and artworks. However, contemporary art—marked by its breaking of conventions, diversity of media and techniques, and critical stance toward traditional canons—raises fundamental questions about the continued relevance of this concept.

This course will explore how the decisions made by key players in the art system—institutions, private collections, galleries, curators, and artists—continually redefine a field of taste shaped by aesthetic, symbolic, cultural, social, and political logics.


"¿But does it exist, and what is the prevailing taste of our time—so seemingly confused, fragmented, indecipherable?" - Omar Calabrese, The Neo-Baroque Era.


The academic program, directed by José Luis Guijarro Alonso, Director of the Master’s in Art Market and Related Business Management at Nebrija University, and Pablo Álvarez de Toledo, Head of the Department of Arts at Nebrija University and the Nebrija Institute of Arts and Humanities, will bring together a distinguished group of national experts—including collectors, critics, curators, gallery owners, and artists—whose contributions will address key issues in shaping aesthetic, symbolic, and market value in today’s art world.


PROGRAM

MONDAY, JULY 7

9:30 AM Registration.

10:00 AM Course Opening Nebrija University Avilés City Council Presented by Rosario López Meras – President of the Association of Contemporary Art Collectors, 9915, and Adrián Piera – President of the ICA, Institute of Contemporary Art.

10:30 AM Course Presentation By José Luis Guijarro Alonso – Art Historian and Anthropologist, Researcher, and Director of the Master’s in Art Market and Related Business Management at Nebrija University.

11:00 AM Coffee Break.

11:30 AM Panel Discussion The Taste of Private Collecting as a Prelude to History. Speakers: Candela Álvarez Soldevilla – Entrepreneur and Collector; Javier Quilis – INELCOM Collection; José Miguel Vegas Valle – Collector. Moderator: Luis Feás – Critic and Curator.

1:00 PM Lunch Break.

3:30 PM Individual Lecture On Good Taste in Contemporary Art. Speaker: Marisol Salanova – Curator and Art Critic, Director of Arteinformado.

4:45 PM Panel Discussion The Influence of Galleries in Shaping Contemporary Taste. Speakers: Elba Benítez – Gallerist; Ricardo Pernas – Gallerist (Arniches 26); Aurora Vigil-Escalera – Gallerist. Moderator: Rafael Martín – Coleccion@casamer.

6:00 PM End of Day.

6:30 PM Activity and Cocktail Visit to the Exhibition Asturian Artists in the Pérez Simón Collection – Avilés.

TUESDAY, JULY 8

10:00 AM Individual Lecture Contemporary (Bad) Taste: Kitsch, Camp, and Tacky. Speaker: Julio Pérez Manzanares – Autonomous University of Madrid.

11:00 AM Coffee Break.

11:30 AM Panel Discussion Institutions and the Formation of Contemporary Taste. Speakers: Virginia López – Artist, Founder of PACA_Proyectos Artísticos Casa Antonino; Julieta de Haro – Artistic Director of CentroCentro; Carlos Urroz – Director of Institutional Relations, Museo Nacional Centro de Arte Reina Sofía. Moderator: Laura Gutiérrez – Director, School of Art of Oviedo.

1:00 PM Lunch Break.

3:30 PM Panel Discussion Beyond the Eye: The Taste for Ethical, Ecological, Social, or Political Concerns in Contemporary Art. Speakers: Semíramis González – Independent Curator; Eugenio Ampudia – Artist; Claudia Rodríguez-Ponga – Independent Curator. Moderator: Bárbara Mur Borrás – PhD in Fine Arts.

5:00 PM End of Day.

5:30 PM Activity Visit to the Studiolo Exhibition – Candela Álvarez Soldevilla Collection.

WEDNESDAY, JULY 9

9:30 AM Meeting with Asturian Artists Speakers: María Castellanos – Artist; Avelino Sala – Artist; Consuelo Vallina – Artist. Moderator: Pablo Álvarez de Toledo – Nebrija University.

11:00 AM Activity Visit to the Niemeyer Center – Avilés.

Course Closing Ceremony.





This course is designed for art professionals, collectors, researchers, and students seeking an in-depth analysis of the dynamics that shape taste and collecting practices in contemporary art. Adopting a critical and multidisciplinary perspective, it provides a unique opportunity to rigorously examine the aesthetic, symbolic, and structural factors that underpin the legitimization of contemporary art.