Art Madrid'24 – “MINIMUM SPOT, MAXIMUM IDEA”, PABLO AMARGO IN THE ABC MUSEUM

Among all the disciplines that art offers, illustration is usually the most forgotten. Perhaps because of the feeling of accessibility of this technique in contrast to other more demanding specialities. However, illustration has been considerably updated and is one of the artistic branches in which digital tools have come to stay.

This appreciation of the illustration has changed in recent times, which has given rise to a new generation of young illustrators. In addition, the consideration of this discipline has strengthened, and there are many prizes now awarded to creators who previously used pencil and paper and are now using the digital brush more and more frequently.

This is precisely the case of Pablo Amargo, illustrator born in Oviedo who has taken his works beyond our borders and has wide international recognition. Pablo owns many awards and mentions, such as the National Illustration Award granted by the Ministry of Culture in 2004, or the most recent awarded by the New York Society of Illustrators in 2016 and 2017. Furthermore, in 2016 he won the Graphic Award, in recognition for his contribution to Spanish visual culture.

Pablo's work has evolved in permanent connection with the publishing sector. His illustrations are a conscious exercise of simplification and minimalism, with an intentional game of comedy and witticism that honours the maxim "less is more". The exhibition dedicated today by the ABC Museum of Illustration responds precisely to this spirit, with the title "Minimum spot, maximum idea", which includes the original works of two of his most recent series: "Cats are paradoxes" and "Casualidad".

Black and white, the naked line and the play of contrasts are essential elements in Pablo's work. This search for visual double meanings, paradoxes on paper has led him to illustrate on several occasions the covers of The New York Times, The New Yorker, Jot Down Magazine or National Geographic, among others. A good opportunity to know the proposals of this consolidated cartoonist.

“I paint in a completely free way, I don't have a plan, it's chaotic, but everything has a reason. I don't prepare anything before I start painting, what I paint is what I feel or try to communicate at that moment, so it changes a lot (from one work to another)”.

Chão limpo e o resto. Mixed media on canvas. 2023. Ana Malta. Courtesy of the artist.

Cultura Inquieta once again joins the experience of discovering and celebrating creative talent within the broad spectrum of artistic expressions present at Art Madrid'24. As a supporter of culture and contemporary art, its commitment to promoting and supporting emerging artists is reflected in a special initiative in this edition: highlighting and supporting the work of the REVELATION ARTIST of the 19th edition.

Só durmo na minha almofada. Mixed media on canvas. 2023. Ana Malta. Courtesy of the artist.

In this context, Ana Malta emerges into the contemporary art scene with a fresh voice and her own visual aesthetic. Born in Lisbon in 1996, Malta is a talented visual artist and freelance designer who has captivated the public with her distinctive approach and bold exploration of the beauty of everyday spaces through her investigations of color.

Her studies in Painting at the Faculty of Fine Arts of the University of Lisbon, as well as her Master's Degree in Creative Industries Management at the Catholic University of Portugal in Porto, have provided a solid foundation for her artistic practice. Currently, she also collaborates in the Communication and Production Office of Carpintarias de São Lázaro - Centro Cultural e Galeria Belo-Galsterer, showing her commitment to the cultural fabric of her community. She is also part of the artistic collective VÊS.TRÊS.

Ana Malta has been recognized in several platforms and media, including the 14th Edition of QUADRANTE, Melancia Mag and the SCROLL program of the RTP2 channel. Her participation in the book (AS)ARTISTAS - Ensaio Gráfico sobre Histórias e Práticas Artísticas no Feminino and in the April 21st Edition of Nova Awareness Club underlines her impact and relevance in the contemporary art scene.

Só um é que ganha. Mixed media on canvas. 2023. Ana Malta. Courtesy of the artist.

Ana Malta's work is characterized by her exploration of color, patterns, composition, and texture. These elements are not only vehicles of her plastic and visual expression, but also embody an intimate dialogue between aesthetic restlessness and the transformation of error into opportunity.

It is exciting to see Ana Malta make her debut at Art Madrid'24, represented by Galeria São Mamede (STAND B3). Her presence promises to further enrich the artistic experience of the event, inviting the public to approach the visually captivating and conceptually stimulating universe that the artist creates to narrate the chaos she rearranges in shapes and colors.

Não fico pendurada. Mixed media on canvas. 2023. Ana Malta. Courtesy of the artist.

In a world in constant movement, Ana Malta reminds us of the importance of experimentation and continuous exploration in the search for authentic and sincere artistic expression.

Her work has been REVEALED to us in the 19th edition of ART MADRID, thanks to the precise point of view of CULTURA INQUIETA as a testimony of the transforming power of art. In her hands, the entropy of forms brings us the possible memory of an endless summer; the luminosity of the sun becomes the caress of everyday life; we may even be surprised by the formula of happiness turned into a companion animal.

Ana Malta's pieces combines the restlessness of a space that appears to be in a state of chaos with the delicate synesthesia of vibrating at the velocity of light, nuances, lines and colors in her paintings.