Intercessions. Performance Cycle X Tara For Women. Parallel Program. Art Madrid'24

INTERCESSIONS. PERFORMANCE CYCLE X TARA FOR WOMEN

In his Poetics of Space, Gaston Bachelard states: "One must be in the present, in the present of the image, in the minute of the image: if there is a philosophy of poetry, this philosophy must be born and reborn with the motif of a dominant verse, in total adherence to an isolated image, and precisely in the ecstasy of the novelty of the image”.

In our present time, a moment of homogenized images, we find a problem that is expressed in the need to listen to the voices that come from otherness. In those other places, it is still possible to find the novelty of the image and the poetry of the image that announces diversity. Everything seems known or familiar if we explore the possibilities of representing a concise idea of the present, of the moment that obliges us to act. From here, contemporary art serves as a pretext to transform society, making use of its goodness as a healing instrument and giving voice to those who turn their vocation into dominant verse, to break into the scenario in which everything happens and takes place, thus making them part of what is happening.

Are we capable of putting ourselves in the place of the other? Do we use our privileged place to intercede for others? How often do we drop our "I" to support the " We"? What does it mean to work for the common good?

All these questions are answered in the exercise of intercession. How people intercede for one another in order to change the course of events, how intercession has the purpose of finding a solution for the improvement of our fellows, how the work and the commitment of those for whom we intercede are brought into a common place.

Thus was born Intercessions, a Performance Cycle X Tara For Women, part of the Parallel Program of Art Madrid'24, featuring artists Estel Boada (Mataró, Barcelona, 1991), Teresa Búa (Muxía, A Coruña, 1991), Sara Domínguez (Málaga, 1993) and Mónica Egido (Salamanca, 1994). The main purpose of the cycle is to bet on projects that reflect our times. The performance in its multiple dramaturgical expressions, especially those that use the body as a vehicle to deconstruct and observe from a critical perspective, the relationship of human beings with their natural environment, are conducive to relate the truth of our time.

Mónica Egido. Still from the FOMO Project. 2024.

Like hands to the body, eyes to the soul, earth to life, and art to society, the powerful metaphor that represents the exercise of interceding for the other turns the stage of the fair into a device capable of activating and communicating the concerns of the invited artists and extending them to the public in a gesture of empathy..

The treatment of human relations makes the carnal habitat a reservoir of affection for the surrounding reality. To intercede for others, to propitiate an intercession with the objective of achieving a benefit for an entity or subject that dynamizes our action, is the leitmotif of this performance cycle, which appropriates one of the most important artistic moments of the year and transforms it into a catapult of projection for the four participating artists.

Estel Boada. Performance of Pfff Historia d'una Fitball. Documentation. 2024.

Intercessions proposes a sharp look at the symbolic relationship between human beings and their context, turning the body into a reservoir of affections that enables intercession and the act of interceding for other entities or subjects. In essence, this initiative seeks to promote reflections that transcend the surface of everyday experience, challenging prejudices and entering into the construction of an artistic legacy forged from experience stripped of conventionalisms.

The selection of artists responds to the need to highlight the relevance of works that, through performance, have a strong impact on the collective conscience regarding the challenges and dangers that threaten our society and the way we relate to others. The human body, considered as a motor and a link with the artistic and natural essence, becomes the epicenter of the conceptual exploration proposed by this program, transcending the ordinary to unravel the complexities of the intercession between the individual and his environment.

During the days of the fair, Intercessions will transform the exhibition space into an activating device powerfully communicating the urgency with which humanity must approach the construction of its future legacy. Just as the hands are to the body, the eyes to the soul, and the earth to life, this cycle of performances affirms that art, in its maximum expression, intercedes for us, and represents the fundamental notion that will guide the participants in their search for the transcendence and meaning of their works. Intercessions is thus established as a manifesto of performance, a critical and transformative instrument forging a provocative and necessary dialogue in the context of Art Madrid'24.

ABOUT THE ARTISTS

Mónica Egido (Salamanca, 1994) is a visual artist with a background in physiotherapy and specialization in neuroscience of chronic pain and obstetrics. She has excelled in the field of photography, being selected for Futures Photography 2023 and awarded a grant by PhotoEspaña. Her work, exhibited in various spaces in Europe, addresses different issues of neuroscience in relation to health, using art as a mechanism for dissemination, as in her latest project FOMO, where she talks about the impact of permanent anxiety on physical and mental health. Her piece Vacío reflects on the feeling of dissatisfaction and unhappiness that many people of the millennial generation suffer from.

Mónica Egido. Guest artist of Intercessions. Performance Cycle X Tara For Women.

Mónica Egido presents at Art Madrid'24 her performance: VACÍO. From the series FOMO

Vacío is a reflection of the sense of dissatisfaction and constant unhappiness that many people belonging to the millennial generation suffer from.

Mónica Egido. Still from Vacío. FOMO Project. 2024.

Sara Gema Domínguez (Malaga, 1993) is an artist with a background in Fine Arts and a MA in Interdisciplinary Artistic Production and Research. She specializes in action art, exploring the relationship between art and life. The performance Bingo de Artista satirizes and criticizes the processes of artistic professionalization, inviting the public to participate as potential creators in a game that questions chance and artistic recognition.

Sara Gema Domínguez. Guest artist of Intercessions. Performance Cycle X Tara For Women.

Sara Gema Domínguez presents at Art Madrid'24 her performance: BINGO DE ARTISTA

Chance is a constant in our lives, and the context in which an artist is born or develops is essential to determine their position in the market or mere recognition.

Sara Gema Domínguez. Bingo de artista. Documentation. 2024.

Teresa Búa (Muxía, A Coruña, 1991) combines fine arts, fashion design and craftsmanship in her artistic projects. Her work, represented in national and international exhibitions, focuses on self-knowledge, Galician cultural heritage and digital fashion.

Teresa Búa. Guest artist of Intercessions. Performance Cycle X Tara For Women.

Teresa Búa presents at Art Madrid'24 her performance: MATERNIDAD 4. AMAMANTAR

This work invites us to witness the beauty of maternal experience as a source of creativity in the intercession of life and production as interconnected forces in human experience.

Teresa Búa. Maternidad 4. Amamantar. Documentation. 2024.

Estel Boada (Mataró, Barcelona, 1991) is a multifaceted artist who addresses past, present and future issues in an ironic and burlesque way. With a background in Fine Arts, her work includes design, drawing, performance, among others…

Estel Boada. Guest artist of Intercessions. Performance Cycle X Tara For Women.

Estel Boada presents at Art Madrid'24 her performance: STAND, BY ME

Stand, by Me is a performance that wants to address the responsibility and the position of an art fair stand from an ironic and burlesque point of view.

Estel Boada. Stand, By Me. Documentation. 2024.

PERFORMANCES

Wednesday, 6 March / 19:00 h - Mónica Egido - VACÍO

Thursday, 7 March / 19:00 h - Sara Gema Domínguez - BINGO DE ARTISTA

Friday, 8 March / 17:00 h - Teresa Búa - MATERNIDAD 4. AMAMANTAR

Saturday, 9 March / 19:00 h - Estel Boada - STAND, BY ME

The performance cycle Intercessions. X Tara For Women is supported by the Foundation, whose mission is to empower talented women around the world to promote sustainable economic and social development. Its vision is to build a global community without borders, where talented women find the necessary empowerment and access to the essential tools to achieve success in their endeavors and artistic expressions. True to its values, it joins Art Madrid in this edition to contribute to the much-needed work of representing the talent of women artists in the national contemporary art exhibition circuit.

ART MADRID '26: 21 YEARS OF CONTEMPORARY ART

In 2026, Art Madrid will celebrate its 21st edition, further consolidating its position as a leading contemporary art fair in Spain. From 4 to 8 March, the fair will bring together thirty-five national and international galleries at the Galería de Cristal of the Palacio de Cibeles. Returning to its date during Madrid Art Week, Art Madrid reaffirms its pioneering role by expanding the fair calendar and offering an open and enriching dialogue in which diverse artistic proposals coexist.

Throughout its history, Art Madrid has established itself as a leading presence in the contemporary art scene. It is renowned for its commitment to promoting both emerging and established galleries, and for its dedication to making contemporary art accessible to a diverse range of audiences.

Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity in its offering, respecting the identity of each exhibitor and promoting a plural creative ecosystem that reflects the richness and differences of the current art scene.

Art Madrid '25. Photo by Lucas Amillano

GALLERY PROGRAM: AN ACTIVE MAP OF CONTEMPORARY CREATION

The Gallery Program is at the heart of Art Madrid’26. For this edition, thirty-five national and international galleries will participate in a space that celebrates experimentation, hybrid languages, and the latest artistic production. The selection of proposals constitutes a representative mosaic of the aesthetics, discourses, and contemporary practices that are shaping the present of art in Europe.

The Galería de Cristal of the Palacio de Cibeles will once again be transformed into a dynamic space where the exhibitions interact with each other, inviting the public to explore visual narratives that show the evolution of contemporary languages. Works that experiment with new media, formal investigations that reformulate traditional techniques, pieces that reflect on the links between technology and humanity, and poetic approaches that explore territory, identity, or memory make up a plural, stimulating journey open to multiple interpretations.

Art Madrid also continues to strive to become a platform for discovery, allowing both professionals and visitors to identify new voices and consolidate relationships with artists who are already emerging as leaders within the contemporary cultural landscape.

Art Madrid '25. Photo by Lucas Amillano

NATIONAL AND INTERNATIONAL EXHIBITORS

Thirty-five galleries are participating in this edition, twenty-seven of which are returning after finding the fair to be a favourable environment in which to strengthen connections, increase visibility and promote their artists' work on an international scene.

Twenty-six of these are Spanish galleries from various regions of the country: 3 Punts Gallery (Barcelona), Alba Cabrera Gallery (Valencia), Aurora Vigil-Escalera (Gijón), CLC ARTE (Valencia), DDR Art Gallery (Madrid), Est_ArtSpace (Madrid), g • gallery (Barcelona), Galería Arancha Osoro (Oviedo), Galería BAT alberto cornejo (Madrid), Galería Beatriz Pereira (Plasencia), Galería Carmen Terreros (Zaragoza), Galería Espiral (Noja), Galería La Mercería (Valencia), Galería Luisa Pita (Santiago de Compostela), Galería María Aguilar (Cadiz), Metro Gallery (Santiago de Compostela), Rodrigo Juarranz Gallery (Aranda de Duero), Sigüenza Gallery (Sigüenza), Gerhardt Braun Gallery (Palma de Mallorca | Madrid), Inéditad Gallery (Barcelona), Kur Art Gallery (San Sebastián), LAVIO (Murcia | Shanghai), Moret Art (A Coruña), Pigment Gallery (Barcelona), Shiras Galería (Valencia) and Uxval Gochez Gallery (Barcelona). This selection of galleries highlights the importance of the Spanish scene and its contribution to the development of the contemporary cultural ecosystem.

Art Madrid '25. Photo by Lucas Amillano

The nine international galleries participating in this edition are: Banditrazos Gallery (Seoul, South Korea), Collage Habana (Havana, Cuba), Galeria São Mamede (Lisbon, Portugal), Galerie ONE (Paris, France), KANT Gallery (Copenhagen, Denmark | Palma de Mallorca, Spain), Loo & Lou Gallery (Paris, France), Nuno Sacramento Arte Contemporânea (Ílhavo, Portugal), Trema Arte Contemporânea (Lisbon, Portugal) and Yiri Arts (Taipei, Taiwan). Their participation broadens the fair's international reach, promoting creative and conceptual exchange between diverse artistic perspectives.

In addition, eight new galleries have been added to the list of exhibitors:

Banditrazos Gallery (Seoul, South Korea), Est_ArtSpace (Madrid, Spain), g • gallery (Barcelona, Spain), Galería Beatriz Pereira (Plasencia, Spain), Galerie ONE (Paris, France), Galería Sigüenza (Sigüenza, Spain), Gerhardt Braun Gallery (Palma de Mallorca | Madrid, Spain) and KANT Gallery (Copenhagen, Denmark | Palma de Mallorca). These additions reinforce Art Madrid's commitment to continuous renewal and openness to spaces that are exploring new approaches to contemporary art.

Art Madrid '25. Photo by Lucas Amillano

PARALLEL PROGRAM: A REFLECTION ON THE ‘SPECIES’ OF SPACES

One of the great attractions of Art Madrid is its Parallel Program, which this time delves into the notions of: ‘Fragments, relationships, and imaginary distances.’ This approach turns the fair into an expanded space, where art, audience, architecture, and memory converge. Thus, the Parallel Program proposes a critical approach to the container of the event itself. Taking as a reference the reading of Species of Spaces by Georges Perec (Perec, Georges. Species of Spaces. Montesinos, 2004), it adopts a marked interest in the everyday, that which usually goes unnoticed, the infra-ordinary, giving each corner of the venue its own narrative value.

Another of the conceptual references of this edition is based on an analysis of Édouard Glissant's Poetics of Relation (Glissant, Édouard. Poetics of Relation; Prologue by Manuel Rebón. - 1st ed. - Bernal: Universidad Nacional de Quilmes, 2017.), which advocates the coexistence of differences and the importance of non-totalizing links, which are extrapolated to the art system, proposing an understanding of it as a network of exchanges and connections that respect the uniqueness of each cultural practice and actor.

‘Imaginary distances,’ understood as subjective journeys and affective cartographies traced by visitors, thus become the conceptual axis that articulates this program. This perspective transforms the Fair into an experience that goes beyond visual contemplation, turning it into a territory that can be collectively reconstructed, without losing sight of the paths travelled by the individuality of each voice.

In this edition, the Parallel Program encourages visitors to engage with the space and its projects, turning contemplation into an opportunity to question and interact with things that might otherwise go unnoticed in everyday life.

Art Madrid '25. Photo by Lucas Amillano

In the preview and during Art Week, Art Madrid'26 offers a range of experiences that allow the public to get closer to the creative process and practices of the participating artists. Among the returning initiatives are the Interview Program, Curated Walkthroughs, the third edition of Open Booth, dedicated to emerging creation, the presentation of Espacio Nebrija, a university project in collaboration with Nebrija University, alongside the fair’s established Performance Cycle.

In addition, the One Shot Collectors Program and the second edition of the Patronage Program are back. These initiatives seek to strengthen the bond between collectors, artists, and the public, promoting ethical, informed, and responsible practices in collecting and patronage.

Art Madrid '25. Photo by Lucas Amillano

Art Madrid'26 has established itself as a dynamic meeting place, where diverse experiences, discourses, and practices converge. Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity as a structuring principle, respecting the identity of each exhibitor and fostering a plural creative ecosystem. This plurality is not merely formal, but translates into a network of practices, languages, and perspectives that reflects the complexity, richness, and tensions of the contemporary art scene, consolidating the fair as a catalyst for cultural relations, an observatory of emerging trends, and an international reference point for the Spanish art scene.