Art Madrid'25 – PELLO IRAZU AND THE RENOVATION OF BASQUE SCULPTURE

Pello Irazu The land that sleeps, 1986. Steel and oil 66 x 120 x 39 cm. Soledad Lorenzo Collection. Deposited at MNCARS © VEGAP, Bilbao, 2017

 

 

Pello Irazu (Guipúzcoa, 1963) is a Spanish artist of Basque origin. Known for his sculptural gifts, he also draws drawings and murals. Influenced by the Basque sculptor Jorge Oteiza, the space and its influence on artistic practices is a reference in the renovation of the Basque sculpture of the 80s. One of the main characteristics of his work is experimentation with materials and search The emotion of the spectator rather than the image he projects.

 

 

Pello Irazu The good teacher (on the table being a piece of wood)

 

 

His sculptures alternate three-dimensional minimal proposals with object-oriented hybrids and large installations. Panorama is not only a sculpture exhibition, it also shows photography, drawing and mural painting. Irazu delves into the problematic between the multiple relationships between our body with images, objects and space. The exhibition has been articulated by the sculptor himself and part of a series of photographs taken by him. The germ of this exhibition is his first work in steel, which covers its strength with a layer of paint added.

 

 

The artist Pello Irazu (Andoain, 1963), before one of his works in the Guggenheim.

 

 

The wall, and its function before the spectator are two issues to consider. The mural painting and the location of the different objects give a new meaning to this literary construction. Already in the 90's, Irazu, moves to New York and begins to work with other materials such as plywood or plastic. These textures, perfectly represent the wink to the domestic spaces. Reconstructing everyday objects discontinuously awakens in the viewer a double feeling of affection and estrangement that changes the meaning of these objects.

 

 

Pello Irazu Feliz, 1988. Construction in steel and oil 22 x 22 x 14 cm. Private collection, Barcelona © VEGAP, Bilbao, 2017

 

 

Already in the year 2000 returns to Bilbao and initiates a new phase of production where it resorts to forms suggestive for the spectator that insinuate a feeling of familiarity, ambiguity and strangeness. An artist, turned in the innovation that knew to give a new air to the concept of the Basque sculpture. Now, he is recognized in his land, in the Guggenheim Museum in Bilbao, until June 25.

 

 

At the most recent edition of Art Madrid, artist Luis Olaso (Bilbao, 1986), represented by Kur Art Gallery (San Sebastián), received the Residency Prize of the Art Madrid Patronage Program. This award, the result of a collaboration between Art Madrid, DOM Art Residence, and the Italian association ExtrArtis, enabled him to undertake an artistic residency in Sorrento (Italy) in August 2025.

Through initiatives like this, the fair reaffirms its support for contemporary creation—a commitment aimed at increasing artists’ visibility and strengthening art collecting through concrete actions such as acquisition prizes, recognition of emerging talents, and international residencies.


Artists in Residence. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


The DOM & ExtrArtis 2025 Residency Program took place in Sorrento from August 1 to 31, 2025. The artists lived together at Relais La Rupe, a 16th-century villa surrounded by cliffs and centuries-old gardens, which became an ideal setting for experimentation and exchange.

In this edition, residents worked around the theme “Reimagining Genius Loci”, an invitation to reflect on how the movement of people and traditions transforms the “spirit of place.” During the residency, DOM organized two public group exhibitions: the first to present the artists’ previous work, and the second to showcase the projects developed in Sorrento.


Work by Luis Olaso. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


Luis Olaso’s work moves between expressionist figuration and abstraction, always employing a pictorial language charged with strength and emotion. Initially self-taught, he later graduated in Fine Arts and has developed a solid international career, with exhibitions at venues including JD Malat (London) and Makasiini Contemporary (Turku, Finland), and participation in fairs such as Untitled Miami, Estampa, and Art Madrid itself.

His work is part of prestigious collections, including the Tokyo Contemporary Art Foundation, Fundación SIMCO, and the Provincial Council of Bizkaia, and has been recognized in competitions such as the Reina Sofía Prize for Painting and Sculpture and the Ibercaja Young Painting Prize.

In Sorrento, Olaso found a unique context to expand his pictorial research, engaging in dialogue with the Mediterranean landscape and the region’s historical heritage. The residency provided him with time, resources, and a framework for exchange with other international artists, fostering the production of new works that were later presented in the group exhibitions organized by DOM.


Luis Olaso working on his project. DOM & ExtrArtis. Image courtesy of DOM.

Luis Olaso’s experience at DOM Art Residence concluded with a public showcase of the works produced, reinforcing his presence on the international circuit and consolidating his position as one of the most prominent Basque artists on the contemporary scene.


Through initiatives such as this, Art Madrid demonstrates its active role as a platform for direct support of contemporary creation, creating opportunities for research, production, and intercultural dialogue that extend beyond the fair itself and accompany artists in their professional development.