Art Madrid'26 – The legacy of the photographer Vivan Maier arrives to Fundacion Canal in Madrid from June 9th to August 16th.

 

Vivian Maier was the babysitter of the wealthy families of New York City in the 50s, but she had been born in the Bronx and knew the daily life of the people in humble neighborhoods, hobos, drunks and the girls who aspired to achieve the American Dream, whichever it was; and she somehow wanted to keep their images, the reality of everyday things.

 

Hiding the negatives, in her spare time, camera in hand, Maier took more than 100.000 photographs of the people she crossed in the street, the shop windows of the luxury and the misery, the crying children, and their neighbors. This archive was found by accident in 2007 by John Maloof, a fanatic of cheap auctions and second-hand dealers who bought it and resold it, and in that process the images caught the eye of the photography department of the New York Times.

 

History wanted that Maloof, upon the discovery of Maier's obituary, contacted the people who used to be their bosses and the families she lived with, and the documentary 'Discovering Vivian Maier' came to light. Nobody ever knew or even suspected the talent of the babysitter. The myth could start from there. Her work saw the light in 2010 and has become a milestone in street photography all over the world.

 

 

Is the text for the exhibition at Fundacion Canal reads, 'this exhibition traces, for the first time in Madrid, a comprehensive itinerary through Vivian Maier's work, tackling in a thematic way her main interests and showing the quality of her gaze and the subtlety with which she incorporated the visual language of her times.'

 

Maier's imagery, full of reflections, cut/up, out of frame images and fragments of scenes now fills the most prestigious galleries of the world, and hundreds of papers and catalogues. Now, her unique point of view arrives to Fundación Canal.

 

 


ART MADRID’ 26: 21 YEARS OF CONTEMPORARY ART


Discover all the information about the artists and galleries participating in the 21st edition of Art Madrid. The catalog features a curated selection of the works presented in this edition, along with the most relevant details of the event, making it an essential tool for engaging with the fair’s key figures and exploring the defining elements of today’s art scene.


In 2026, Art Madrid celebrates its 21st edition, further establishing itself as a leading event within Spain’s cultural sector. From March 4 to 8, the Galería de Cristal of the Palacio de Cibeles will once again become a meeting point for galleries, collectors, artists, and contemporary art enthusiasts.


Over the past twenty-one years, the fair has evolved into a dynamic and ever-expanding platform, fostering diversity in artistic languages, techniques, and discourses. In this edition, the Galleries Program brings together around 35 exhibitors from more than seven countries, offering a representative overview of the most recent developments in contemporary creation.


The Art Madrid ’26 catalog serves as a key publication for discovering the work of this edition’s galleries and artists —marked by experimentation and a plurality of perspectives— while also documenting the conceptual axes that shape the fair. As part of the Parallel Program, INHABITING THE EPHEMERAL: A Reflection on the “Species” of Spaces proposes a reflection on space, relationships, and shared experience, expanding the understanding of the fair beyond its commercial dimension and highlighting its cultural and experiential significance.


In addition, the catalog presents the initiatives that complete the program, such as the Open Booth dedicated to emerging creation, the Nebrija Space in collaboration with Nebrija University, the Performance Series “Open Infinite. What the Body Remembers,” the One Shot Collectors Program, and the Patronage Program, reaffirming the fair’s commitment to supporting, mediating, and accompanying contemporary art at every stage.

We invite you to discover more about Art Madrid ’26 through the catalog of its 21st edition — a publication that, beyond serving as documentary memory, becomes a cartography of the present artistic moment and an open door to new ways of inhabiting contemporary art.