In every training process, artists learn from the masters; they copy the techniques, styles and works of their predecessors until they mature their own creative personality. This evolution necessarily involves imitating, repeating and interpreting the most representative pieces of art history as references. From there, the particular identity of the artist builds up, which is sometimes supported by previous works to offer an updated reading. This has happened with Duchamp, Modigliani, Damien Hirst, Goya, Bacon ... and Picasso himself.

Pablo Picasso, “Meninas”, 1957

Picasso used to say that "great artists copy, geniuses steal". This master of the 20th century also wanted to reinterpret some of the most iconic works of the history of painting and to do so he has sought inspiration in major European museums, such as the Prado or the Louvre. With his work, the author from Malaga adapted to the new times of modernism based on the classics.

Pablo Picasso, "Jacqueline con sombrero de paja", 1962

The Círculo de Bellas Artes hosts the exhibition "Picasso and the Museum" in which it explores this facet so little studied by the painter. Much has been written about the origin of Cubism and the imprint of Picasso in the universal history of painting, however, his work has not always been analysed from the perspective of his great influences.

Pablo Picasso, “Hombre con gorguera”, 1962

Since Picasso visited the Prado when he was 13 years old, the impact of these great works, which so much impressed him, can be traced in many of his compositions. Ingres, Manet, Velázquez, Courbet, Zurbarán, Delacroix, Rembrandt ... have left a mark, not always evident, in the author's imagination. Sometimes hidden among the angles of his cubic figures or hidden among the strokes of his sketches ... the inspiration has a lot of homage and imitation.

The exhibition is open until May 16th and completes with a program of guided tours and children's activities designed to understand better this unexplored aspect of Picasso’s work.

At the most recent edition of Art Madrid, artist Luis Olaso (Bilbao, 1986), represented by Kur Art Gallery (San Sebastián), received the Residency Prize of the Art Madrid Patronage Program. This award, the result of a collaboration between Art Madrid, DOM Art Residence, and the Italian association ExtrArtis, enabled him to undertake an artistic residency in Sorrento (Italy) in August 2025.

Through initiatives like this, the fair reaffirms its support for contemporary creation—a commitment aimed at increasing artists’ visibility and strengthening art collecting through concrete actions such as acquisition prizes, recognition of emerging talents, and international residencies.

Artists in Residence. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.

The DOM & ExtrArtis 2025 Residency Program took place in Sorrento from August 1 to 31, 2025. The artists lived together at Relais La Rupe, a 16th-century villa surrounded by cliffs and centuries-old gardens, which became an ideal setting for experimentation and exchange.

In this edition, residents worked around the theme “Reimagining Genius Loci”, an invitation to reflect on how the movement of people and traditions transforms the “spirit of place.” During the residency, DOM organized two public group exhibitions: the first to present the artists’ previous work, and the second to showcase the projects developed in Sorrento.

Work by Luis Olaso. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.

Luis Olaso’s work moves between expressionist figuration and abstraction, always employing a pictorial language charged with strength and emotion. Initially self-taught, he later graduated in Fine Arts and has developed a solid international career, with exhibitions at venues including JD Malat (London) and Makasiini Contemporary (Turku, Finland), and participation in fairs such as Untitled Miami, Estampa, and Art Madrid itself.

His work is part of prestigious collections, including the Tokyo Contemporary Art Foundation, Fundación SIMCO, and the Provincial Council of Bizkaia, and has been recognized in competitions such as the Reina Sofía Prize for Painting and Sculpture and the Ibercaja Young Painting Prize.

In Sorrento, Olaso found a unique context to expand his pictorial research, engaging in dialogue with the Mediterranean landscape and the region’s historical heritage. The residency provided him with time, resources, and a framework for exchange with other international artists, fostering the production of new works that were later presented in the group exhibitions organized by DOM.

Luis Olaso working on his project. DOM & ExtrArtis. Image courtesy of DOM.

Luis Olaso’s experience at DOM Art Residence concluded with a public showcase of the works produced, reinforcing his presence on the international circuit and consolidating his position as one of the most prominent Basque artists on the contemporary scene.

Through initiatives such as this, Art Madrid demonstrates its active role as a platform for direct support of contemporary creation, creating opportunities for research, production, and intercultural dialogue that extend beyond the fair itself and accompany artists in their professional development.