Art Madrid'26 – Punto gallery in Art Madrid\'15

Directed by Jose Antonio Agrait, the second generation of the Agrait family, PUNTO gallery takes hard its international interest and organizes exhibitions curating working for the constant renewal of artistic proposals by promoting emerging artists working closely with museums, galleries, public and private institutions. 
Artists participating in Art Madrid'15: Julio Le Parc, Carmen Calvo, Valerio Adami, Juan Genovés, Victor Vasarely, José María Labra, Equipo Realidad, Natividad Navalón and José María Yturralde.

Equipo Realidad (http://www.art-madrid.com/artista-participante-am15/equipo-realidad), formed by Joan Cardells and Jorge Ballester, was born in Valencia in 1966, in the context of the Franco developmentalism, and voluntarily was dissolved ten years later. Equipo Realidad joins the critical figuration, which develops a painting with strong political and appropriation of images from everyday reality and history of art. Through serial works, the team analyzed the social transformation of the sixties, marked by expanding technology, consumerism and takeoff mass media. Your making critical position, demystifying the consumer society, underlies the treatment of iconographic symbols through the values that always have a double and ironic reading evidenced in works like 86 misses in swimsuit.

Equipo Realidad said: "What interests us is not reality, but his image", and therefore, taken as reference for his works images from magazines, advertisements and catalogs. They have been defined as a "radical painters that while denying authorship postulate teamwork, social criticism and political commitment", which cost them an absence of critical and without it, they had great difficulty in selling their pictures. Currently the work of Reality Team arouses great interest for both collectors and gallery owners, due to historical and political values associated with it, the same that caused the dissolution of the team in 1976.
 
 
Jose Maria Yturralde. (Valencia, 1942. BA and PhD in Fine Arts from the Polytechnic University of Valencia. Academician of the Royal Academy of Fine Arts of San Carlos de Valencia. Professor of Painting at the Faculty of Fine Arts in Valencia. In the mid-sixties went through a stage of experimentation in the "material informalism", from which evolved into geometric abstraction and the "Op Art" that characterizes him, in which the influences of Vasarely and the Italian specialists and constructivism are detected .
 
In 1966 he worked at the Museum of Spanish Abstract Art in Cuenca, founded by the painter Fernando Zobel. At this time he started working in monochrome with synthetic materials. In 1967 he was a founding member of the Prior Art Group, led by Aguilera Cerni, and began to make Kinetic Art; This interest in technology was accentuated by participating in seminars center Calculating the Complutense University of Madrid, who introduced him to work with computers.
In 1975 he moved to Massachusetts (USA) where he researched and taught at the Center for Advanced Visual Studies. In the eighties, after further the kinetic direction with his "flying structures", he returned to the plane with an attitude that, while remaining constructively rigorous, is more poetic, because of the interplay of colors and instability of the compositions . Currently he is director of the Painting Department of the Polytechnic University of Valencia.

 


ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: OSCURECER UN PAPEL. BY ROCÍO VALDIVIESO

March 5 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


Nocturnality. Installation. Rocío Valdivieso..


Oscurecer un papel forms part of a series of actions in which the artist engages in reading through repetition, memorization, and a measured degree of improvisation. Within this framework, a non-linear mode of reading emerges from a written text that is transformed when spoken aloud, assuming a different form in the act of articulation. The texts stem from an ongoing investigation into materiality, space, the relationships between body and matter, writing, the sculptural, and a sustained interest in the exploration of voice and orality.

The material from which Oscurecer un papel is constructed consists of a collection of purchase receipts the artist has been accumulating over time. The printed text they contain, together with the action of bringing them into proximity with a heat source—thereby activating the thermal paper on which they are produced—generates meanings that revolve around the notions of consumption and wear.


Rocío Valdivieso. Latent Aura. Performance documentation.


ABOUT ROCÍO VALDIVIESO

Rocío Valdivieso is an artist, researcher, and cultural manager. She is currently a PhD candidate in Fine Arts at the Complutense University of Madrid. She holds an MA in Research in Artistic Practices from the University of Castilla–La Mancha (UCLM) and a BA in Fine Arts from the National University of Tucumán, Argentina. She was a Fundación Carolina fellow from 2022 to 2023. She currently co-directs Errática. Laboratory of Processes and Critique in Madrid, alongside Romina Casile.

She was part of the PEEPA 2023 Program at the Centro de Residencias Artísticas, Matadero Madrid. She completed the 2021/22 Artists Program at Universidad Torcuato Di Tella, Buenos Aires, and in 2020 participated in the Intensive Curatorial Program of Proyecto PAC at Galería Gachi Prieto, Buenos Aires. She received the Visual Arts Promotion Award at the 4th Visual Arts Week of the Ente Cultural de Tucumán. She was awarded an AUGM scholarship for an exchange residency at UNESP, São Paulo, Brazil. She also participated in the International Residency Program La Ira de Dios and in the Acéfala Galería Residency for Argentine artists.