La Quinta del Sordo is a creative coworking space that is located in the La Latina neighborhood of Madrid, a place to work in community, to connect, to innovate, to learn and discover art and culture from within the industries themselves cultural and creative.

La Quinta del Sordo

But it is much more than a co-working space, it is designed to create and inspire, it is a creative community that grows and transforms itself to transform what surrounds it, whose mission is to generate a place for ideas and start-up of projects. La Quinta del Sordo, a space with more than 1000m2 conceived as a factory of collective creation dedicated to cultural innovation through training programs, networking and cultural events, is based on a model of collaboration and transmission between creators, professionals (today more than 70 professionals from different areas coexist in this space), and the public itself, with the commitment to creative companies and the professionalization of the sector, working with this philosophy to collectively grow and innovate in the cultural arts sector.

Closeness and community are the basis for transformation, and this is the place to shape the new ideas of each project. Plastic Artists, Filmmakers, Photographers, Playwrights, Architects, Musicians, Artisans, Designers, Innovation Projects, Marketing or Graphic Designers and O.N.G., are what give it life. This declaration of intentions is what has connected La Quinta del Sordo with the parallel program of the 13th edition of Art Madrid, dedicated to #Art&Education in which they are Collaborating Space (we will see you there throughout February with different activities) and also they present TANDEM.

Tandem

WHAT IS TANDEM? TANDEM is an intensive professionalization and project start-up course that unites artists and cultural managers to learn while they launch their artistic-cultural projects as a team. TANDEM is committed to innovation in cultural formats through the union of artists, managers and projects. It offers new tools for the creation, documentation, communication and marketing of creative projects, to grow collectively within the sector of cultural and creative industries.

The course is aimed at professionals, artists, cultural managers, students or art lovers, who want to develop their own projects working as a team and learning from within how the current artistic community works (if you do not have a project do not worry you will end up with one without doubt!).

The TANDEM course is an intensive course with theoretical-practical classes, lectures, project tutoring, debates, visits and meetings lasting 7 days. The objective: obtain the most current tools to develop projects in the field of culture and art.

If you are interested in TANDEM or want to meet La Quinta del Sordo, we will see you on THURSDAY, FEBRUARY 1, at 7:30 p.m. with #Art&Education #ArtMadrid18.

ABIERTO INFINITO.LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26

Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.

PERFORMANCE: TRAYECTORIA. BY AMANDA GATTI

March 6 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.

Amanda Gatti. Escaparate. 2023. DT-Espacio. Photograph by Pedro Mendes.

The proposal expands Amanda Gatti’s research initiated in La Plasti Ciudad del Cuerpo — an ongoing series of performance and installation presented since 2023 in spaces such as Fundación Antonio Pérez, Galería Nueva, CRUCE, and the Acción Spring(t)/UCM Congress — where she explores the relationship between her body and objects found in urban space. There, body and materials are articulated through a constant negotiation between functionality, weight, and support, generating temporary architectural compositions.

In Trayectoria, this research shifts toward the act of dragging: a gesture that makes visible the friction between body, objects, and space. The corridor ceases to be a neutrality to be crossed and becomes an operative intermediate zone, where form and content — veil and what is veiled, as Walter Benjamin points out — become confused. The space, saturated with objects turned into a mobile chain, clears and remakes itself with each step. Clearing, for Benjamin, is already an experience of space: each advance sustains this unfinished separation, always oriented toward a destination that may never be reached.

La Plasti Ciudad del Cuerpo #3. Amanda Gatti. Performance documentation. CRUCE 2054 exhibition, Galería CRUCE. Photograph by Pedro Mendes.

Displacement is not limited to material friction: it also becomes a symbolic inscription of that which every life trajectory drags along. The objects — remnants of past uses — function as metaphors for what remains attached to the body even when it no longer serves any function. The performance makes visible the condition of moving forward while carrying heterogeneous weights: material, affective, social. Thus, the gesture of walking linked to these objects turns the route into a writing in motion, where each step simultaneously activates a physical transit and a vital transit. Trayectoria proposes that every life is also a dragging: a continuous recomposing from what we insist on carrying with us.

The action operates objects as verbs: to push, to tense, to trip, to pull. From it emerges an operativity that involves the entire body and exceeds the visual. The image ceases to be representation and becomes gesture: a gesture that founds new spatial forms, that overflows, that produces an ephemeral mode of reappropriation of the corridor.

The trajectory thus becomes an affective map inscribed in the body, a way of merging with the environment by putting past and future, durability and wear, utility and obsolescence into friction. The action returns to public space what was taken from it, but now stripped of function: freed from meaning, freed from commodification, freed to be imagined otherwise.

ABOUT AMANDA GATTI

Amanda Gatti (1996, Porto Alegre, Brazil) is an artist and researcher whose practice unfolds across performance, video, photography, and installation. She explores the intersections of body, object, and space, investigating how we occupy — and are occupied by — the spaces around us. Drawing from experiences of displacement and the observation of domestic and urban environments, her work conceives the body as mediator and archive, transforming found objects, spatial arrangements, and everyday gestures into ephemeral architectures and relational situations.

She studied the Master’s in Scenic Practice and Visual Culture at Museo Reina Sofía/UCLM (Spain, 2023) and the Bachelor’s degree in Audiovisual Production at PUCRS (Brazil, 2018), where she received scholarships such as the Santander Universities grant. In Spain, her work has been presented in institutions and contexts such as Museo Reina Sofía, Fundación Antonio Pérez, Galería Nueva, CRUCE, and Teatro Pradillo, as well as in exhibitions and festivals in Brazil, Germany, Ireland, the United Kingdom, and the United States. She currently resides in Madrid, with secondary bases in Brazil and the United Kingdom.