Art Madrid'26 – Re-discovering the Architecture in the Capital

Façade-view of the Instituto Eduardo Torroja, built in 1953.

 

 

This Friday 29th of September the 14th Edition of “Week of the Architecture” starts and the COAM has programmed, due to the birth centenary of the activist Jane Jacobs, the projection of “Citizen Jane, The Battle for the City”. This film-documentary, directed by Matt Tyrnauer, tells the story of this urbanist from New York that achieved to mobilise crowds of people so as to stop an aberrant construction plan. The project foresaw the demolition of various buildings of lower Manhattan in order to layout a net of roads of eight lanes and to invade the city with tonnes of asphalt. The film arrives now to Spain after its recent first release in the US.

 

 

SGAE headquarters. Longoria Palace, built in 1904.

 

 

This real-fact case is just an example of the impact that urban decisions might cause into the preservation of the architectural heritage, one of the essential aspects to define the aesthetics of a city and to confer identity. The COAM’s program also counts this year on an invited city: Paris. the “Paris-Madrid Tandem 2017” aspires to go deeper into the architectural richness of these two cities and their urban transformation through culture. The proposal counted on the collaboration of both city councils, the embassies of France and Spain, the Institut Française and the Instituto Cervantes, and it offers a series of activities that will take place simultaneously in Madrid and Paris, besides the exhibitions “Réinventer Paris” and “Co-urbanismo” that will open in the Institut Française and L’Alliance Française of Madrid.

 

 

Paris-Madrid Tandem 2017.

 

 

One of the ways to appreciate this importance is by knowing our architecture by oneself, inside and outside. That’s why one of the most interesting proposals is the possibility of visiting the inner side of buildings that usually remain closed to the public. The Open House Festival and the COAM offer access to some of these reserved places like The Lira Palace, the Banco de España, Metrópolis or the Racecourse of Zarzuela. The catalogue overpasses one hundred of buildings and will certainly have a high demand, so you should be fast to register ahead. Last year, there were more than 40.000 visitors and many people couldn’t get access because tours were sold out.

 

 

Old underground station of Chamberí, 1919.

 

 

To close the program, in late October, the proposal “Madrid, otra mirada” (Madrid, another look) includes a series of concerts, visits, lectures and exhibitions to give a larger dissemination of the urban and monumental heritage of the capital. The city council has counted on the collaboration of 107 institutions that will open their doors for the visitors to approach the historic and monumental buildings with “another look”.


ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: OSCURECER UN PAPEL. BY ROCÍO VALDIVIESO

March 5 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


Nocturnality. Installation. Rocío Valdivieso..


Oscurecer un papel forms part of a series of actions in which the artist engages in reading through repetition, memorization, and a measured degree of improvisation. Within this framework, a non-linear mode of reading emerges from a written text that is transformed when spoken aloud, assuming a different form in the act of articulation. The texts stem from an ongoing investigation into materiality, space, the relationships between body and matter, writing, the sculptural, and a sustained interest in the exploration of voice and orality.

The material from which Oscurecer un papel is constructed consists of a collection of purchase receipts the artist has been accumulating over time. The printed text they contain, together with the action of bringing them into proximity with a heat source—thereby activating the thermal paper on which they are produced—generates meanings that revolve around the notions of consumption and wear.


Rocío Valdivieso. Latent Aura. Performance documentation.


ABOUT ROCÍO VALDIVIESO

Rocío Valdivieso is an artist, researcher, and cultural manager. She is currently a PhD candidate in Fine Arts at the Complutense University of Madrid. She holds an MA in Research in Artistic Practices from the University of Castilla–La Mancha (UCLM) and a BA in Fine Arts from the National University of Tucumán, Argentina. She was a Fundación Carolina fellow from 2022 to 2023. She currently co-directs Errática. Laboratory of Processes and Critique in Madrid, alongside Romina Casile.

She was part of the PEEPA 2023 Program at the Centro de Residencias Artísticas, Matadero Madrid. She completed the 2021/22 Artists Program at Universidad Torcuato Di Tella, Buenos Aires, and in 2020 participated in the Intensive Curatorial Program of Proyecto PAC at Galería Gachi Prieto, Buenos Aires. She received the Visual Arts Promotion Award at the 4th Visual Arts Week of the Ente Cultural de Tucumán. She was awarded an AUGM scholarship for an exchange residency at UNESP, São Paulo, Brazil. She also participated in the International Residency Program La Ira de Dios and in the Acéfala Galería Residency for Argentine artists.