The day has arrived, today we celebrate the inauguration of Art Madrid'19! Almost a thousand works of art, hundreds of artists and galleries are awaiting you in the Crystal Gallery of the Palacio de Cibeles from Wednesday, February 27 until Sunday, March 3. And to welcome you in a very special way, we reveal one of the surprises that you will find at the entrance to the fair: An impressive audiovisual installation by Rubén Martín de Lucas is welcoming you to the 14th edition of Art Madrid!

Rubén Martín de Lucas, "República #14" image, 2019.

Today, Wednesday 27, we inaugurate the new edition of Art Madrid, an edition that highlights the growing international participation and the firm commitment with young creators and the most contemporary works. Gallerists, artists, cultural agents, personalities from multiple areas, special guests and visitors will accompany us in an event where you can discover a spectacular display of contemporary art. In addition, after 1 PM attendees can enjoy a cocktail and talk directly with many of the protagonists of this edition.

Rubén Martín de Lucas, "República #13" image, 2019.

In Art Madrid'19 the surprises could not have been left out, and although sharing with all of you one of the great novelties of this year has been difficult, now we can tell you about the outstanding work that is welcoming you to the fair. Thanks to the collaboration with Sono, we have created a large video installation in which the new works by Rubén Martín de Lucas will be exhibited.

The Guest Artist of this edition is a multidisciplinary creator who, after his step as co-founder of the Boa Mistura collective, he has successfully continued his solo career since 2015. Since then, his main line of work has been the relationship between the individual and the territory. Martín de Lucas features new works from the “Repúblicas Mínimas” series, within the acclaimed “Stupid Borders” project: an exciting work to reflect on the geopolitical borders and the sense of ownership under a look both critical and poetic. Art Madrid presents this series in a new and outstanding media installation in which twelve of the "republics" of Martin de Lucas can be watched simultaneously, an outstanding piece that also connects directly with the main theme of the Activities Program of this year, video art.

Rubén Martín de Lucas, "República #12" image, 2019.

“Repúblicas Mínimas’” works are performative actions with which the artist intervenes the landscape symbolically. The process is simple: he appropriates 100m2, draws an elementary form in the chosen territory and lives in that new space for 24 hours. Precisely the last three editions of this work are those the artist made exclusively for Art Madrid, three unpublished works that will be discovered in the entry installation. This kind of action art always carefully conserves documentary material, video art pieces and photographs that become "poetic gestures, endowed with a mordant irony", as the creator explains.

The video installation that you will be able to enjoy at the entrance of Art Madrid, formed by 12 screens, has been made with the collaboration of Sono, a leading brand in audiovisual engineering and systems integration. With 45 years of experience, since 1972 this pioneering brand creates communication experiences based on audiovisual technology, both nationally and internationally. Thousands of installations, projects and events during these years evidence their success in a high level of competitiveness and always growing sector.

The Sono team specializes in the professional integration of audiovisual technology, and offers a variety of services that range from the ephemeral installation, in fairs, congresses or stages; also the fixed installation, in museums, stadiums, television sets or other types of corporate spaces; to content production. In this last aspect, it is worth highlighting the creation of interactive materials, such as 360º projections, augmented reality, 3D, virtual image and holograms, video mapping or the most advanced Kinect technology. These are precisely technologies that are beginning to have a more prominent presence in art circuits that are betting on new media, and more and more artists are investigating with the possibilities of these tools and expressing themselves through these languages.

With a wide range of equipment and multimedia systems to meet any need, Sono has made facilities for foreign institutions as prominent as the 2010 World Expo in Shanghai, where its intervention in the Spanish Pavilion was highlighted, the Etihad Museum in Dubai or the Olympic Museum of Qatar; as well as on a national level they have developed projects for Fitur, the Maritime Museum of Barcelona, the “Recinto Modernista de Sant Pau”, the concerts held at the Sagrada Familia, the Madrid Roca Gallery or the Primavera Sound, among others.

Possibly, audiovisual art is one of those types of creation that more clearly requires some time on the spectator’ part, and for that reason, this "Repúblicas Mínimas" installation by Martín de Lucas can really be appreciated and enjoyed at the fair. Welcome to the new edition of Art Madrid!

From July 7 to 9, 2025, the Balsera Palace will host the First Course on Collecting and Contemporary Art, an intensive 15-hour program that will explore the complex and fundamental question of taste in contemporary art. Organized by the Nebrija Institute of Arts and Humanities at Nebrija University and the Avilés City Council, in collaboration with 9915 — Association of Private Collectors of Contemporary Art and the Institute of Contemporary Art, the course offers a unique opportunity for analysis and debate on the dynamics that shape aesthetic and symbolic value in today’s art scene.

First Course on Collecting and Contemporary Art. Avilés, Asturias

The notion of taste, intrinsically tied to aesthetic judgments and power relations, has played a decisive role in the historical prominence of artists and artworks. However, contemporary art—marked by its breaking of conventions, diversity of media and techniques, and critical stance toward traditional canons—raises fundamental questions about the continued relevance of this concept.

This course will explore how the decisions made by key players in the art system—institutions, private collections, galleries, curators, and artists—continually redefine a field of taste shaped by aesthetic, symbolic, cultural, social, and political logics.

"¿But does it exist, and what is the prevailing taste of our time—so seemingly confused, fragmented, indecipherable?" - Omar Calabrese, The Neo-Baroque Era.

The academic program, directed by José Luis Guijarro Alonso, Director of the Master’s in Art Market and Related Business Management at Nebrija University, and Pablo Álvarez de Toledo, Head of the Department of Arts at Nebrija University and the Nebrija Institute of Arts and Humanities, will bring together a distinguished group of national experts—including collectors, critics, curators, gallery owners, and artists—whose contributions will address key issues in shaping aesthetic, symbolic, and market value in today’s art world.

PROGRAM

MONDAY, JULY 7

9:30 AM Registration.

10:00 AM Course Opening Nebrija University Avilés City Council Presented by Rosario López Meras – President of the Association of Contemporary Art Collectors, 9915, and Adrián Piera – President of the ICA, Institute of Contemporary Art.

10:30 AM Course Presentation By José Luis Guijarro Alonso – Art Historian and Anthropologist, Researcher, and Director of the Master’s in Art Market and Related Business Management at Nebrija University.

11:00 AM Coffee Break.

11:30 AM Panel Discussion The Taste of Private Collecting as a Prelude to History. Speakers: Candela Álvarez Soldevilla – Entrepreneur and Collector; Javier Quilis – INELCOM Collection; José Miguel Vegas Valle – Collector. Moderator: Luis Feás – Critic and Curator.

1:00 PM Lunch Break.

3:30 PM Individual Lecture On Good Taste in Contemporary Art. Speaker: Marisol Salanova – Curator and Art Critic, Director of Arteinformado.

4:45 PM Panel Discussion The Influence of Galleries in Shaping Contemporary Taste. Speakers: Elba Benítez – Gallerist; Ricardo Pernas – Gallerist (Arniches 26); Aurora Vigil-Escalera – Gallerist. Moderator: Rafael Martín – Coleccion@casamer.

6:00 PM End of Day.

6:30 PM Activity and Cocktail Visit to the Exhibition Asturian Artists in the Pérez Simón Collection – Avilés.

TUESDAY, JULY 8

10:00 AM Individual Lecture Contemporary (Bad) Taste: Kitsch, Camp, and Tacky. Speaker: Julio Pérez Manzanares – Autonomous University of Madrid.

11:00 AM Coffee Break.

11:30 AM Panel Discussion Institutions and the Formation of Contemporary Taste. Speakers: Virginia López – Artist, Founder of PACA_Proyectos Artísticos Casa Antonino; Julieta de Haro – Artistic Director of CentroCentro; Carlos Urroz – Director of Institutional Relations, Museo Nacional Centro de Arte Reina Sofía. Moderator: Laura Gutiérrez – Director, School of Art of Oviedo.

1:00 PM Lunch Break.

3:30 PM Panel Discussion Beyond the Eye: The Taste for Ethical, Ecological, Social, or Political Concerns in Contemporary Art. Speakers: Semíramis González – Independent Curator; Eugenio Ampudia – Artist; Claudia Rodríguez-Ponga – Independent Curator. Moderator: Bárbara Mur Borrás – PhD in Fine Arts.

5:00 PM End of Day.

5:30 PM Activity Visit to the Studiolo Exhibition – Candela Álvarez Soldevilla Collection.

WEDNESDAY, JULY 9

9:30 AM Meeting with Asturian Artists Speakers: María Castellanos – Artist; Avelino Sala – Artist; Consuelo Vallina – Artist. Moderator: Pablo Álvarez de Toledo – Nebrija University.

11:00 AM Activity Visit to the Niemeyer Center – Avilés.

Course Closing Ceremony.

This course is designed for art professionals, collectors, researchers, and students seeking an in-depth analysis of the dynamics that shape taste and collecting practices in contemporary art. Adopting a critical and multidisciplinary perspective, it provides a unique opportunity to rigorously examine the aesthetic, symbolic, and structural factors that underpin the legitimization of contemporary art.