Art Madrid'25 – WHAT\'S BEHIND THE SCENES OF THE CHRISTMAS LOTTERY?

 

 

 

Although the origin of some of these customs goes back very far in time and on many occasions the trace has already been lost (pagan traditions mixed with religious celebrations, commercial strategies to release the surplus production, etc.), the lottery's history is much more recent and, however, unknown to many of us.

 

 

 

 

 

 

We bring here some curiosities about the history of the raffle and the process of design and production of tickets, something that for many of us goes unnoticed although it involves a huge amount of work and much anticipation. And even, those who are really anticipated and want to try their luck by bringing tickets from different places of Spain that they visit during their summer holidays will know that there are numbers for sale already at that time.

 

 

 

 

 

 

The production of lottery tickets is the exclusive responsibility of the National Currency and Stamp Factory, a project that every year undertakes with the highest professional zeal and maximum secrecy. But few know that the process of making begins the third week of April and that already on San Fermín people begin to buy tickets (they are officially on sale the on July 1st). Between April and June, 87% of all tickets are produced and then distributed throughout Spain through a random number distribution system. Tickets are printed with special inks on security OCR paper, to prevent counterfeiting. The sale is entrusted to Lotteries and State Bets through their administrations because the logistics of the raffle is a coordinated work between the FNMT and Lotteries.

 

 

 

 

 

 

Those of you who already have a ticket in your hands will have seen that this year's image is the "Adoration of the Shepherds" by Murillo (ca. 1650). The choice of the image of the 180 million tickets is the first part of the whole process, before selecting the main colour and the background design. Then, it's up to choose the series that will go on sale before starting the printing process. Each edition chooses an image linked to Christmas by Spanish artists, often with religious motives.

 

These are just some of the details of a raffle that began in 1812 with 12,000 numbers (today are 66,000), with a prize of 8,000 pesos and a price per ticket of 40 reals. Almost two centuries of history that have given rise to a true tradition.
 

At the most recent edition of Art Madrid, artist Luis Olaso (Bilbao, 1986), represented by Kur Art Gallery (San Sebastián), received the Residency Prize of the Art Madrid Patronage Program. This award, the result of a collaboration between Art Madrid, DOM Art Residence, and the Italian association ExtrArtis, enabled him to undertake an artistic residency in Sorrento (Italy) in August 2025.

Through initiatives like this, the fair reaffirms its support for contemporary creation—a commitment aimed at increasing artists’ visibility and strengthening art collecting through concrete actions such as acquisition prizes, recognition of emerging talents, and international residencies.


Artists in Residence. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


The DOM & ExtrArtis 2025 Residency Program took place in Sorrento from August 1 to 31, 2025. The artists lived together at Relais La Rupe, a 16th-century villa surrounded by cliffs and centuries-old gardens, which became an ideal setting for experimentation and exchange.

In this edition, residents worked around the theme “Reimagining Genius Loci”, an invitation to reflect on how the movement of people and traditions transforms the “spirit of place.” During the residency, DOM organized two public group exhibitions: the first to present the artists’ previous work, and the second to showcase the projects developed in Sorrento.


Work by Luis Olaso. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


Luis Olaso’s work moves between expressionist figuration and abstraction, always employing a pictorial language charged with strength and emotion. Initially self-taught, he later graduated in Fine Arts and has developed a solid international career, with exhibitions at venues including JD Malat (London) and Makasiini Contemporary (Turku, Finland), and participation in fairs such as Untitled Miami, Estampa, and Art Madrid itself.

His work is part of prestigious collections, including the Tokyo Contemporary Art Foundation, Fundación SIMCO, and the Provincial Council of Bizkaia, and has been recognized in competitions such as the Reina Sofía Prize for Painting and Sculpture and the Ibercaja Young Painting Prize.

In Sorrento, Olaso found a unique context to expand his pictorial research, engaging in dialogue with the Mediterranean landscape and the region’s historical heritage. The residency provided him with time, resources, and a framework for exchange with other international artists, fostering the production of new works that were later presented in the group exhibitions organized by DOM.


Luis Olaso working on his project. DOM & ExtrArtis. Image courtesy of DOM.

Luis Olaso’s experience at DOM Art Residence concluded with a public showcase of the works produced, reinforcing his presence on the international circuit and consolidating his position as one of the most prominent Basque artists on the contemporary scene.


Through initiatives such as this, Art Madrid demonstrates its active role as a platform for direct support of contemporary creation, creating opportunities for research, production, and intercultural dialogue that extend beyond the fair itself and accompany artists in their professional development.