Art Madrid'25 – THE ARCHAEOLOGICAL HERITAGE OF SPAIN DESERVES A TRIBUTE

 

 

 

Set up in 1867 by Isabel II, the institution followed the trend, shared by the rest of European countries, of founding museums devoted to showing the most representative treasures of the cultural and artistic richness of the country. It happened, besides, that archaeology was a study discipline in vogue by then, therefore this museum perfectly fitted with the idea of putting together the knowledge and wisdom in develop at that time around an exhibition space that clearly served to their goals of academic and enlightened dissemination.

 

 

 

Tombstone of Sancho III of Navarra, Museum of Leon.

 

 

 

When it was first open, the headquarters of the museum was located in the Casino de la Reina, in a nineteenth-century environment where a reduced collection of pieces were exhibited, from the prehistory to the Middle and Modern Ages, and with a wide selection of numismatic and ethnography. Later, the museum moved to its current headquarters, the Palacio de Biblioteca y Museos in 1895. Since then, the collection only moved during the Civil War, when it was disassembled and stored to protect its integrity.

 

 

 

Treasure of the Neápolis de Ampurias, Museu Nacional d’Art de Catalunya, Barcelona.

 

 

 

The museum remained closed from 2008 to 2013 to make a whole reform of the building, with a change in the structure, the display and the creation of new spaces that make more accessible to the public the visits in the showrooms and lighten the volume of pieces on show. After it re-opening in 2014, its name was also modernised, now called with the acronym MAN.

 

 

 

Chest of Hisham II, Treasure-museum of the Cathedral of Girona.

 

 

 

For this commemorative exhibition 150 pieces were put together, one for each year, come from 70 different institutions spread around the Spanish territory. Gonzalo Ruiz Zapatero, the curator of the showing, is a full professor of Prehistory at the Complutense University of Madrid. This exhibition offers a tour throughout the evolution of the archaeological science in our country and its connection to museology, since, 150 years ago, not only the MAN was founded, but also the Spanish archaeological museums net, that participates also in the celebration.

 

 

At the most recent edition of Art Madrid, artist Luis Olaso (Bilbao, 1986), represented by Kur Art Gallery (San Sebastián), received the Residency Prize of the Art Madrid Patronage Program. This award, the result of a collaboration between Art Madrid, DOM Art Residence, and the Italian association ExtrArtis, enabled him to undertake an artistic residency in Sorrento (Italy) in August 2025.

Through initiatives like this, the fair reaffirms its support for contemporary creation—a commitment aimed at increasing artists’ visibility and strengthening art collecting through concrete actions such as acquisition prizes, recognition of emerging talents, and international residencies.


Artists in Residence. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


The DOM & ExtrArtis 2025 Residency Program took place in Sorrento from August 1 to 31, 2025. The artists lived together at Relais La Rupe, a 16th-century villa surrounded by cliffs and centuries-old gardens, which became an ideal setting for experimentation and exchange.

In this edition, residents worked around the theme “Reimagining Genius Loci”, an invitation to reflect on how the movement of people and traditions transforms the “spirit of place.” During the residency, DOM organized two public group exhibitions: the first to present the artists’ previous work, and the second to showcase the projects developed in Sorrento.


Work by Luis Olaso. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


Luis Olaso’s work moves between expressionist figuration and abstraction, always employing a pictorial language charged with strength and emotion. Initially self-taught, he later graduated in Fine Arts and has developed a solid international career, with exhibitions at venues including JD Malat (London) and Makasiini Contemporary (Turku, Finland), and participation in fairs such as Untitled Miami, Estampa, and Art Madrid itself.

His work is part of prestigious collections, including the Tokyo Contemporary Art Foundation, Fundación SIMCO, and the Provincial Council of Bizkaia, and has been recognized in competitions such as the Reina Sofía Prize for Painting and Sculpture and the Ibercaja Young Painting Prize.

In Sorrento, Olaso found a unique context to expand his pictorial research, engaging in dialogue with the Mediterranean landscape and the region’s historical heritage. The residency provided him with time, resources, and a framework for exchange with other international artists, fostering the production of new works that were later presented in the group exhibitions organized by DOM.


Luis Olaso working on his project. DOM & ExtrArtis. Image courtesy of DOM.

Luis Olaso’s experience at DOM Art Residence concluded with a public showcase of the works produced, reinforcing his presence on the international circuit and consolidating his position as one of the most prominent Basque artists on the contemporary scene.


Through initiatives such as this, Art Madrid demonstrates its active role as a platform for direct support of contemporary creation, creating opportunities for research, production, and intercultural dialogue that extend beyond the fair itself and accompany artists in their professional development.