Art Madrid'25 – SPECIFIC IMAGES FOR ELUSIVE TIMES

Paulo Nunes-Arte Contemporânea, Bea Villamarín, Cornión y Montsequi galleries

 

Stopping, taking some time and being surprised. It seems a triviality but, either by imperatives or obligations, commitments or frustrated desires and, above all, by that epidemic of the 21st century that is the lack of time, usually, we do not calmly appreciate the things that surround us. This common situation especially affects the contemplation of art, which is also perverted in this heterogeneous era of frivolous cultural tourism, "biennalism", blockbusters and surreptitious advertising.

Ana Pais Oliveira

Ar livre #8, 2018

Técnica mixta sobre tela y contraplacado marítimo

135 x 200cm

In the proposal that the Paulo Nunes-Contemporary Art (Vila Franca de Xira) Gallery presents, fictions and realities are equally emphasized. On the one hand, the nostalgic sculptures by Manuel Patinha and paintings by Ana Pais Oliveira, these last ones seducing us into the indeterminate scenarios of abstract forms, particularly strange and seductive. At first glance, the spaces imagined by the artist are icy, cold, but through a deeper observation, you can also reach a greater sense of warmth. Everything depends on what it transmits to each viewer.

Mário Macilau

Sem título 1, 2017

Hahnemühle paper

80 x 120cm

Rui Dias Monteiro

Nas paredes e no chão, 2015

Photography

15 x 20cm

On the other hand, specific realities are expressed in this gallery’s booth with the work by Mário Macilau, an autochthonous photographer from Maputo (Mozambique) whose objective is to make the sociopolitical situation of his country visible. A perfect and necessary example within the debate of Otherness, because "the Other" can, must and knows how to represent itself. Beautiful and classic work in black and white that tells us about the current circumstances of millions of people, something that we sense or see from a comfortable distance but that we really do not know. Another reality is that reflected by the also photographer Rui Dias Monteiro, more interested in the detail, the fragment, in the intuitive. Any stone in the middle of the road can initiate or end a story, and surely the literary side of this artist is what explains that his gaze stops in these motives.

Alejandro Quincoces

Polluted cityscape, 2018

Oil on board

125 x 195cm

Carlos Tárdez

Tasador, 2017

Polychrome resin

10 x 10cm

Another type of especially narrative realism is the one cultivated by Alejandro Quincoces, an artist presented by the Bea Villamarín (Gijón) gallery. His work, which is located in the mysteriously natural and urban settings, is usually characterized by being very cinematographic, usually melancholic and even catastrophic; even in their broader urban views, dystopian future worlds are predicted, but not because of this are impossible. The world of another of the artists, Carlos Tárdez, is explicitly more critical; everything that his small format sculptures in polychrome resin have, becomes enormous in its provocative forms and satirical messages. Perhaps it is precisely the size what gives his works the greatest impact, both visually and emotionally.

Mònica Subidé

Los hijos del rey bufón y sus buitres, 2018

Oil, pencil and collage on wood

80 x 110cm

At the Villamarín's booth, you can also enjoy the work of Mònica Subidé, as rich in artistic references as in its taste for the oneiric story, both enigmatic and seductive -traits that can be appreciated twice as the artist also will be represented in the Yiri Arts space. Narratives much more hermetic are those the works by Patricia Escutia offer, a sort of palimpsests composed of notes, traces, indecipherable calligraphies that show the negation of language, the difficulties we have in our communication; abstract writing for an elusive time. Framed in abstraction is the work by Candela Muniozguren, an artist of whom the gallery will present a selection of her characteristic geometric sculpture of anchors.

Javier Victorero

En el jardín VIII, 2018

Acrylic on canvas

180 x 150cm

Also, the proposal of the Cornión (Gijón) gallery includes a solid bet for the most abstract geometric work: done by Javier Victorero. From an intense knowledge of compositional harmony and balance, the artist plays with straight lines and colour properties, in some cases intimately connecting with the creation of great geometric artists such as Eusebio Sempere. Similarly, the investigation of the materials characteristics is something he shares with the sculptor Amancio (González), more interested, though, in a kind of figurative abstraction.

Miguel Galano

Nieve en el Monticu, 2018

Oil on linen

46 x 53cm

Cornión closes its selection for Art Madrid with the painting, "atemporal and true", by Miguel Galano: a chant to the Asturian land, full of nostalgia and the most honest simplicity. These solitary and calm scenarios, invite to shelter or empathy; they are places in which we can clearly stop our accelerated vital rhythm and contemplate them from a more serene way of life.

Horacio Fernández Munizaga

Placeres, 2018

Acrylic on canvas

92 x 92cm

Rodrigo Nevsky

Apple fondo azul, 2018

Acrylic on canvas

30 x 30cm

In the Montsequi Art Gallery's (Madrid) booth there will also be a place for contemplation, especially through the bronze and iron sculpture by Mireia Serra, whose characters, as the gallerists point out, "show the beauty and the mystery of small moments full of emotions and feelings of the journey of life: women taking their time to decide at a crossroads of their lives, men enjoying their moments of relaxation, small pleasures, moments to pause... ". "Placeres" (2018), "Fuente Paraíso" (2018) or "Fuego" (2018) are some of the abstractions, vitalistic and mostly naturalistic, that Montsequi will present from the artist Horacio Fernández Munizaga. Along with his work, a selection by Rodrigo Nevsky these paintings, more aligned with contemporaneity, the kind full of marketing and icons such as the giant Apple, and that Nevsky works with a language that includes abstraction and figuration.

Let's take a moment, let's go into the specific stories and emotions proposed by the artists and then decide with more conscience whether they convince us or not. Let us rest from the weight of everyday life.

 

From July 7 to 9, 2025, the Balsera Palace will host the First Course on Collecting and Contemporary Art, an intensive 15-hour program that will explore the complex and fundamental question of taste in contemporary art. Organized by the Nebrija Institute of Arts and Humanities at Nebrija University and the Avilés City Council, in collaboration with 9915 — Association of Private Collectors of Contemporary Art and the Institute of Contemporary Art, the course offers a unique opportunity for analysis and debate on the dynamics that shape aesthetic and symbolic value in today’s art scene.


First Course on Collecting and Contemporary Art. Avilés, Asturias


The notion of taste, intrinsically tied to aesthetic judgments and power relations, has played a decisive role in the historical prominence of artists and artworks. However, contemporary art—marked by its breaking of conventions, diversity of media and techniques, and critical stance toward traditional canons—raises fundamental questions about the continued relevance of this concept.

This course will explore how the decisions made by key players in the art system—institutions, private collections, galleries, curators, and artists—continually redefine a field of taste shaped by aesthetic, symbolic, cultural, social, and political logics.


"¿But does it exist, and what is the prevailing taste of our time—so seemingly confused, fragmented, indecipherable?" - Omar Calabrese, The Neo-Baroque Era.


The academic program, directed by José Luis Guijarro Alonso, Director of the Master’s in Art Market and Related Business Management at Nebrija University, and Pablo Álvarez de Toledo, Head of the Department of Arts at Nebrija University and the Nebrija Institute of Arts and Humanities, will bring together a distinguished group of national experts—including collectors, critics, curators, gallery owners, and artists—whose contributions will address key issues in shaping aesthetic, symbolic, and market value in today’s art world.


PROGRAM

MONDAY, JULY 7

9:30 AM Registration.

10:00 AM Course Opening Nebrija University Avilés City Council Presented by Rosario López Meras – President of the Association of Contemporary Art Collectors, 9915, and Adrián Piera – President of the ICA, Institute of Contemporary Art.

10:30 AM Course Presentation By José Luis Guijarro Alonso – Art Historian and Anthropologist, Researcher, and Director of the Master’s in Art Market and Related Business Management at Nebrija University.

11:00 AM Coffee Break.

11:30 AM Panel Discussion The Taste of Private Collecting as a Prelude to History. Speakers: Candela Álvarez Soldevilla – Entrepreneur and Collector; Javier Quilis – INELCOM Collection; José Miguel Vegas Valle – Collector. Moderator: Luis Feás – Critic and Curator.

1:00 PM Lunch Break.

3:30 PM Individual Lecture On Good Taste in Contemporary Art. Speaker: Marisol Salanova – Curator and Art Critic, Director of Arteinformado.

4:45 PM Panel Discussion The Influence of Galleries in Shaping Contemporary Taste. Speakers: Elba Benítez – Gallerist; Ricardo Pernas – Gallerist (Arniches 26); Aurora Vigil-Escalera – Gallerist. Moderator: Rafael Martín – Coleccion@casamer.

6:00 PM End of Day.

6:30 PM Activity and Cocktail Visit to the Exhibition Asturian Artists in the Pérez Simón Collection – Avilés.

TUESDAY, JULY 8

10:00 AM Individual Lecture Contemporary (Bad) Taste: Kitsch, Camp, and Tacky. Speaker: Julio Pérez Manzanares – Autonomous University of Madrid.

11:00 AM Coffee Break.

11:30 AM Panel Discussion Institutions and the Formation of Contemporary Taste. Speakers: Virginia López – Artist, Founder of PACA_Proyectos Artísticos Casa Antonino; Julieta de Haro – Artistic Director of CentroCentro; Carlos Urroz – Director of Institutional Relations, Museo Nacional Centro de Arte Reina Sofía. Moderator: Laura Gutiérrez – Director, School of Art of Oviedo.

1:00 PM Lunch Break.

3:30 PM Panel Discussion Beyond the Eye: The Taste for Ethical, Ecological, Social, or Political Concerns in Contemporary Art. Speakers: Semíramis González – Independent Curator; Eugenio Ampudia – Artist; Claudia Rodríguez-Ponga – Independent Curator. Moderator: Bárbara Mur Borrás – PhD in Fine Arts.

5:00 PM End of Day.

5:30 PM Activity Visit to the Studiolo Exhibition – Candela Álvarez Soldevilla Collection.

WEDNESDAY, JULY 9

9:30 AM Meeting with Asturian Artists Speakers: María Castellanos – Artist; Avelino Sala – Artist; Consuelo Vallina – Artist. Moderator: Pablo Álvarez de Toledo – Nebrija University.

11:00 AM Activity Visit to the Niemeyer Center – Avilés.

Course Closing Ceremony.





This course is designed for art professionals, collectors, researchers, and students seeking an in-depth analysis of the dynamics that shape taste and collecting practices in contemporary art. Adopting a critical and multidisciplinary perspective, it provides a unique opportunity to rigorously examine the aesthetic, symbolic, and structural factors that underpin the legitimization of contemporary art.