Art Madrid'26 – Taller del Prado gallery in Art Madrid\'15

Taller del Prado is a publisher of contemporary graphic art, it works in publishing projects by artists with a proven track record in the art world, creators of prestige that add value to the development of contemporary art in our country . Taller del Prado has its own printing workshop and these editions are available to private collectors, art dealers, art galleries or specialized companies.

The director, Francisco Molina Montero, makes a proposal with essential names of art in our country: Rafael Canogar, Alberto Corazón, Brinkmann, Feito, Miró, Picasso, Tapies, Bellver, ...

 
Alberto Corazón  (Madrid, 1942). It is one of the Spanish designers with more extensive international presence. Awarded by the Arts Director Club of New York, the British Design and the Design Council International,  Corazón develops their professional work both in the area of graphic design as in industrial design. Awarded in 1989 with the National Design Award, the jury recorded that was accorded "in recognition of the strength, talent and commitment of a star of Spanish design."
 
It is the only European designer who has received the Gold Medal of the American Institute of Graphic Arts, the most important international award in the field of visual communication, which is awarded every three years and so far only received five great teachers.
 
He was president and founder of the Spanish Association of Professional Designers and part, at present, the Advisory Committee of the European Parliament for the regularization of Graphic Communication.
Enrique Brinkmann. (Málaga, 1938). Brinkmann was born in the same building where Pablo Picasso was born. He began studying industrial expert who leaves quickly to devote himself to painting on his own.
 
In 1957 he held his first exhibition at Malaga. Picasso is part of the group and collaborates with the MAM (Artistic Movement of the Mediterranean). In 1961The march to Germany where he worked in a factory and in his painting, haunting Europe at that time, learn engraving and working with the Fluxus group illustrating sheet music for Cornelius Cardew. Subsequently lives a year in Rome.
 
In 1967 he returned to Spain and settled in Málaga, mainly developing his work in painting, printmaking and drawing. Later, he moved to Madrid, alternating his work between Málaga and the capital of Spain. Da courses recorded in Fuendetodos and the Mint of Madrid.

 


ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: OSCURECER UN PAPEL. BY ROCÍO VALDIVIESO

March 5 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


Nocturnality. Installation. Rocío Valdivieso..


Oscurecer un papel forms part of a series of actions in which the artist engages in reading through repetition, memorization, and a measured degree of improvisation. Within this framework, a non-linear mode of reading emerges from a written text that is transformed when spoken aloud, assuming a different form in the act of articulation. The texts stem from an ongoing investigation into materiality, space, the relationships between body and matter, writing, the sculptural, and a sustained interest in the exploration of voice and orality.

The material from which Oscurecer un papel is constructed consists of a collection of purchase receipts the artist has been accumulating over time. The printed text they contain, together with the action of bringing them into proximity with a heat source—thereby activating the thermal paper on which they are produced—generates meanings that revolve around the notions of consumption and wear.


Rocío Valdivieso. Latent Aura. Performance documentation.


ABOUT ROCÍO VALDIVIESO

Rocío Valdivieso is an artist, researcher, and cultural manager. She is currently a PhD candidate in Fine Arts at the Complutense University of Madrid. She holds an MA in Research in Artistic Practices from the University of Castilla–La Mancha (UCLM) and a BA in Fine Arts from the National University of Tucumán, Argentina. She was a Fundación Carolina fellow from 2022 to 2023. She currently co-directs Errática. Laboratory of Processes and Critique in Madrid, alongside Romina Casile.

She was part of the PEEPA 2023 Program at the Centro de Residencias Artísticas, Matadero Madrid. She completed the 2021/22 Artists Program at Universidad Torcuato Di Tella, Buenos Aires, and in 2020 participated in the Intensive Curatorial Program of Proyecto PAC at Galería Gachi Prieto, Buenos Aires. She received the Visual Arts Promotion Award at the 4th Visual Arts Week of the Ente Cultural de Tucumán. She was awarded an AUGM scholarship for an exchange residency at UNESP, São Paulo, Brazil. She also participated in the International Residency Program La Ira de Dios and in the Acéfala Galería Residency for Argentine artists.