Art Madrid'23 – THE ATEMPORALITY OF REGINA GIMÉNEZ

At home Walter, 2004. Painting, collage on wood

 

 

Regina Giménez (1966) born in Barcelona in the mid 60's was born in a world between the imaginary and the real world. Always referring to objects that convey a feeling of loneliness and lead to an introspective journey towards the infinite. Terran balloons, boats or lighthouses, feed that intimate feeling that suggests the loneliness of life in the city. Its main creation are showcases that show a philosophy of postindustrial and consumer life.

 

Your eyes are windows, 2002. Painting, collage on wood

 

 

His collages combine artisan soul with photographic technique. This metaphor on the duality of nature with the urban world are unified in architectures of almost abstract landscapes. The narrative plots within his works, attracting the vintage aesthetics, his iconography and his poetic soul are the transport to that past so near today. The filmmaking of the 40's are also very present in the work of the artist. The free interpretation is the script for the reading of these works.

 

La boutique aux trovailles, 2004. Painting, collage on wood

 

This exhibition suspends the visitor in time, the timelessness, is a resource very studied by Regina. The ocher and not very intense tonality reminds us of photographic techniques used in the 50's, classic and careful typography reminds us of decades frozen in time. We continue with the intimate idea and a rather desolate stage. The static figures try to appear dynamic but at the same time they feel frozen. Midway moves and abandoned places are the common denominator of these collages.

 

Chez Tou, 2003. Painting, collage on wood

 

 

The warm color contrasts with the coldness of past times. Homesickness and melancholy travel the visitor's soul when he visualizes them. Many of these works are clear winks to artists as well known as Miró, this once again demonstrates the artistic knowledge of the artist and her ability to simulate her own creation. This virtual exhibition can be visited at the VIRTUAL ART MUSEUM OF ART CONTEMPORANI CATALA in Barcelona. This is a positive experience of enjoying a distance exhibition.

 

 

In the year 2020 in the heart of Barcelona a wandering gallery was born, the same one that in February 2021 would debut at Art Madrid with an exhibition proposal focused on contemporary portraits; with this subject matter it would manage to create a powerful dialogue between artwork and audience and make the seal Inéditad remain in the history of the event that contained it.

Jean Carlos Puerto. Protección. Oil and copper leaf on wood. 60 x 48. 2021. Image courtesy of the gallery.

Since that first time and until today, the wandering gallery has managed to build projects on otherness, has repositioned in the spotlight the discourses on the LGTBIQ+ collective, has consolidated a group of artists who share its principles of resilience and empathy and the best thing is that it continues to bet from the professionalism and commitment to give voice to the difference.

Claudio Petit-Laurent.. El Joven de la Perla. Oil on wood. 30 x 30 cm. 2023. Image courtesy of the gallery.

Inéditad Gallery, thanks to its founder Luis López, its collaborators and the infinite possibilities manifested in the works of the artists it represents, is a gallery that has demonstrated its capacity and courage to stimulate the sensibility of the public through art and seduce a generation that moves between the glass window and the analogical story. Inéditad is a nomadic gallery that has gathered around it a community of artists and has moved the context with exhibition projects that think about LGTBIQ+ art without prejudices.

Pepa Salas Vilar. Las marcas del arcoiris. Oil on canvas. 40 x 50 cm. 2022. Image courtesy of the gallery.

Pride and Prejudice was inaugurated. An exhibition that brings together the works of sixteen artists: Abel Carrillo, Alex Domènech, Carlos Enfedaque, Silvia Flechoso, Jamalajama, Daniel Jaén, Claudio Petit-Laurent, Jean Carlos Puerto, Fernando Romero, Pablo Rodríguez, Pepa Salas Vilar, Jack Smith, Pablo Sola, Bran Sólo, Elia Tomás and Utürüo. Painting, illustration, photography and digital art are the manifestations that bring into dialogue around fifty neatly threaded pieces, in a discursive line that discusses such a latent phenomenon as discrimination. To achieve this, the artists invited to the exhibition question themselves whether: Does discrimination exist within the LGTBIQ+ collective?

Pride and Prejudice Official Poster. Image courtesy of the gallery.

With approaches on and from the body, the proposal invites to celebrate diversity, proposes to question and self-question the prejudices and attitudes of society against the collective. Pride and Prejudice is a space for dialogue about the constructs imposed on us by society. It is also an oasis in which to deconstruct with tolerance and respect the subjectivities that sometimes prevent us from approaching the production of the participating artists, simply because "the beautiful" does not fit in an androgynous body. The subjugation of stereotypes are pressed with determination to find the beauty of diversity in other palpable facets of reality.

Pablo Sola. All men are dogs. Photography. 2014. Image courtesy of the gallery.

Throughout these three years Inéditad has stimulated the vindictive projection towards bad practices, has questioned estates around the LGTBIQ+ body and the most admirable thing, is that these capacities have resurfaced around the dialogue and the visual narrative of the stories that are told from the visual: Artworks that are people, art that is, per se, humanity. Overcome impositions and accept what is different in order to continue fighting against homophobia, biphobia, lesbophobia or transphobia and defend the equal rights that all the acronyms of the collective deserve in our community.

That's Pride and Prejudice: One creature, the happiest in the world. And maybe other projects and other people have said it - or felt it - before, but none so fairly.

Silvia Flechoso. Hola, soy maricón. Oil on canvas. 73 x 54 cm. 2023. Image courtesy of the gallery.

From June 8th until June 22nd you can visit Pride and Prejudice. Carrer de Palau núm. 4. Canal Gallery space. Barcelona.