Art Madrid'26 – THE GIFTS OF HERMANN AND MAGRIT RUPF

Hermann and Margrit Rupf, on the Brückfeldstrasse 27, in Bern, 1950s. Photo: © Kurt Blum / Fotostiftung Schweiz

 

 

Hermann and Magrit Rupf, two collectors of Swiss origin, made it very clear from the beginning what their artistic tastes were. A firm commitment to abstract and contemporary art, from there was born one of the largest collections of these currents worldwide. This exhibition is the first time he arrives in Spain. The creations date from 1907 to 2016. The 70 works bring together the great masters of the first half of the XX century. After the death of Herman Rupf, these precious works continued to be treasured under the mantle of a foundation with his name.

 

 

Pablo Picasso (Malaga, 1881-Mougins, France, 1973). Head of man (Tête d'homme), 1908. Oil on wood. 27 x 21 cm. Hermann und Margrit Rupf-Stiftung, Kunstmuseum Bern. © Succession Pablo Picasso, VEGAP, Madrid, 2016

 

 

The names of the most outstanding artists, such as Pablo Picasso, Georges Braque, Juan Gris, Fernand Léger, Paul Klee or Wassily Kandinsky, are currently in the Guggenheim. In 1954 the Rupf Foundation was founded, dedicated to the conservation, consolidation and expansion of these funds, which were deposited at the Kunstmuseum Bern in the early 1960's. The rest of its heritage was also donated to the foundation to ensure the Legacy of collectors.

 

André Derain (Chatou, France, 1880-Garches, France, 1954). Landscape near Cassis (Paysage aux environs de Cassis), 1907. Oil on canvas. 33x 41cm. Hermann und Margrit Rupf-Stiftung, Kunstmuseum Bern. © André Derain, VEGAP, Bilbao, 2016

 

The projected exhibition in three rooms, covers the whole course of this obtainment of works. The first part exhibits the pieces obtained in the Parisian gallery of a great friend of Hermann, Daniel-Henry Kahnweiler. Also, from others bought in London due to his travels by work matters. In 1910 he married Magrit Rupf and both together with the advice of this friend / adviser began this journey toward collecting.

 


The second room, shows its acquisitions in the years after the first World War. One of the characteristics to take into account is the little difference between the year of creation and the year of obteinment. One of the gifts that offers us this event, is the evolution of a mythical artist such as Juan Gris.

 

Room 307, which includes works dating from the closing of the Dessau Bauhaus, Paul Klee, who later moved to Bern, served to strengthen his relationship with collectors. The two stars of the exhibition are August Macke's "Summer terrace" (Gartenrestaurant, 1912) and Ewald Mataré's "Lie Down" (Liegende Kuh, 1925) (room 305), both from the historic auction "paintings and sculptures Of modern masters coming from German museums. "

 

 

Juan Gris (Madrid, 1887-Boulogne-Billancourt, France, 1927). Book and pipe (Livre et pipe), 1925. Oil on canvas. 27 x 35 cm. Hermann und Margrit Rupf-Stiftung, Kunstmuseum Bern

 

 

Didaktika completes this staging, with information on the opening philosophy and the peculiar lifestyle of the couple of Swiss origin. Also documentary images of personal character and of professional scope that make of historical document of the Parisian and Berlinesa society. This contribution as an encyclopedia can be enjoyed until April 23, 2017. Curated by Susanne Friedli, Hermann Foundation and Margrit Rupf, and Petra Joos, it is a tour of the most relevant art of S.XX.

 

 

 


ART MADRID CLOSES ITS 21ST EDITION AS A KEY EVENT OF MADRID ART WEEK


The Galería de Cristal of the Palacio de Cibeles hosted the 21st edition of Art Madrid from March 4 to 8, once again consolidating its role as one of the must-see events of Madrid Art Week. Over the course of five days, the fair brought together 35 national and international galleries and more than 200 artists, turning the venue into a meeting point for gallerists, collectors, professionals, and lovers of contemporary art.

Throughout its trajectory, Art Madrid has built a distinct identity, with a constant focus on giving visibility to both emerging and established galleries and on opening contemporary art to diverse audiences. Rather than being structured around a single curatorial line, the fair embraced a plural proposal, respecting the unique DNA of each exhibitor.



Art Madrid’26 presented a Gallery Program distinguished by the diversity of artistic proposals and languages, encouraging dialogue between different generations and contemporary practices. Painting, sculpture, photography, drawing, installation, and new hybrid forms coexisted in an edition that once again confirmed the dynamism of today’s art scene

During the days of the fair, nearly 20,000 visitors explored the booths of the participating galleries and enjoyed a parallel program that expanded the experience beyond the traditional exhibition format.


The Parallel Program: An Expanded Art Fair

The Parallel Program once again took center stage in the Art Madrid experience, activating the fair space through projects that explored new forms of interaction between artworks, artists, and the public.

Among the most notable initiatives was the performance series Open Infinite: What the Body Remembers, which presented a daily performative action at the fair featuring works by Colectivo La Burra Negra, Rocío Valdivieso, Amanda Gatti, and Jimena Tercero. The pieces incorporated the body as a critical device and a space of memory, reinforcing the presence of performance within Art Madrid’s programming.

The third edition of Open Booth presented Despiece. Protocolo de mutación, by Daniel Barrio, a site-specific project that transformed the booth into a landscape constructed from urban remnants and industrial materials. The installation invited visitors to physically engage with the work, creating an immersive experience within the exhibition space.

Meanwhile, Espacio Nebrija hosted the project Estancias transitorias (NotanIA SipedagogIE), a proposal by Nebrija University that reflected on Aesthetic Intelligence in the face of the growing dominance of algorithmic logic. The installation proposed a reclamation of gesture, materiality, and the time inherent to the creative process as dimensions that cannot be reduced to automation.

Lecturas. Curated Walkthroughs also returned, with itineraries designed by Zuriñe Lafón and Marisol Salanova that offered curatorial insights for exploring the fair from specific critical perspectives and expanding the visitor experience.



Patronage, Awards, and Acquisitions

Support for contemporary creation once again stood as one of the fair’s central pillars through the second edition of the Art Madrid Patronage Program, which recognizes the work of artists and strengthens the connections between galleries, collectors, and private entities.

On this occasion, the following awards were presented:

Cervezas Alhambra Emerging Artist Award Iyán Castaño, represented by Galería Arancha Osoro


One Shot Hotels Breakthrough Artist Award Joost Vandebrug, represented by KANT Gallery


In the Acquisition Awards category, several private collections incorporated works presented at the fair into their collections.


Studiolo Collection Roger Sanguino — DDR Art Gallery


Devesa Law Kim Han Ki — Banditrazos Gallery


E2IN2 Collection Albert Bonet — Inéditad Gallery


dn2 Collection Iván Baizán — Galería Arancha Osoro

These acquisitions reflect the private sector’s commitment to the development of contemporary art and contribute to advancing the professional trajectories of emerging and mid-career artists.



Collecting and Support for the Artistic Ecosystem

The promotion of collecting once again played a prominent role in this edition thanks to the One Shot Collectors program, which offered personalized advice to both new buyers and more experienced collectors, facilitating access to the contemporary art market and fostering direct relationships between artists, galleries, buyers, and collectors.


This program, together with the Patronage Program, continues to strengthen the professional ecosystem surrounding the fair and reinforce Art Madrid’s commitment to supporting contemporary creation.

Among the most notable sales were works by Antonio Ovejero, represented by CLC ARTE; Leticia Feduchi and Ángela Mena, represented by Galería Sigüenza; Idoia Cuesta and Iyán Castaño, represented by Galería Arancha Osoro; and Yasiel Elizagaray, represented by Nuno Sacramento Arte Contemporânea. Likewise, the proposals presented by Inéditad Gallery were very well received, with notable sales of works by artists Albert Bonet and Eduardo Urdiales, as well as Carmen Mansilla, who debuted at Art Madrid'26 and achieved a sold out.



The overall balance of the edition has been particularly positive, with sales reported by all 35 participating galleries, confirming the strong interest from collectors and the dynamism of the market throughout the fair. Among the galleries that recorded notable commercial activity are La Mercería (Valencia), LAVIO (Murcia–Shanghai), 3 Punts Galería (Barcelona), Galerie One (Paris), Shiras Galería (Valencia), Galería Rodrigo Juarranz (Aranda de Duero), Galería São Mamede (Lisbon), Yiri Arts (Taiwan), and Trema Arte Contemporânea (Lisbon), among others.


A Fair made possible thanks to Its network of Partners

The success of Art Madrid’26 has been made possible thanks to the support of its official sponsors: Cervezas Alhambra, One Shot Hotels, Liquitex, Universidad Nebrija, and Posca, as well as the trust of its collaborators: Asociación 9915, Colección Studiolo, E2IN2, Colección dn2, Devesa Law, Enviarte, Cova 13, and Vanille Bakery Lab & Café. The fair also benefits from the involvement of its media partners and the support of various cultural organizations, private collections, and institutions that contribute to strengthening the contemporary art ecosystem.



Art Madrid: A Future Full of Possibilities

After 21 years of history, Art Madrid continues to consolidate its position as a key event in the contemporary art calendar, both nationally and internationally. Its ability to bring together galleries, artists, collectors, and institutions reinforces its role as a space for encounter, exchange, and discovery. The fair maintains a steadily growing outlook, driven by a program that evolves each year and increasingly opens up to more innovative proposals.

Thank you for being part of the 21st edition of Art Madrid. Your support is essential for continuing to promote art and culture.


SEE YOU AT ART MADRID'27!