Art Madrid'26 – THE OWN BRAND OF OUR SOLITARY GALLERIES

In this edition we have the pleasure of having galleries from different points of Spanish geography, Cantabria, Bilbao, Mallorca and Aranda de Duero were not going to be less. With a long experience in the sector, these four protagonists illustrate us with the works of their best artists.

 

 

Nacho Angulo, Map, 2016. Mixed technique on wood

 

 

The Spiral Gallery, lived its beginnings to the west of the Cantabrian community, changing its location in 2013, premiering in Noja, a small town with a view to the sea that does not leave indifferent to the landscape that surrounds it. Directed by Manuel Sáenz-Messía and Ana Laguna Vela, in its beginnings began to expose the SIANOJA Collection. With the passing of the years, his dealings with contemporary art have crossed frontiers, developing in the same way with national and international art.

 

The first and second markets were not a challenge to display their innovative languages ??and always to the latest trend. One of its strengths is the great commitment of its gallerists for visibility at national and international fairs of different cities such as Brussels, Strasbourg, Lille, Santander and of course, Madrid. The artists that are going to exhibit in this February edition are: Nacho Angulo, Joaquín Martínez Cano, Antonio Maya, Eduardo Vega Seoane and José Antonio Quintana. All of them are professionals of the sector.

 

 

Rut Olabarri, Self-portrait with table, 2016. Watercolor

 

From Cantabria we travel to Bilbao and here we are welcomed by the Vanguardia gallery. This showcase focuses its attention on the commercialization of the most current and contemporary art. Their great activity when it comes to posing samples and exhibitions makes them stand out. With an average of 6 to 7 annual exhibitions, Vanguardia bets on national and international artists. The new technologies and their commitment to parallel activities reinforce the dynamic and entrepreneurial spirit of the same.

 

The proposal presented by the gallery, with the artist Ruth Olabarri as the protagonist approaches the theme of Basque matriarchalism based on the legend of the Goddess Mari. It raises the description of the character through the objects that represent or belong to it. It also inquires into the symbolism of folklore through dress and ornamentation.

 

 

Cristina Mur, Unfurling the Wings, 2016. Acrylic and oil on linen

 

 

Entering a little more in the center of the territory, we move to Aranda de Duero (Burgos) where the gallery Rodrigo Juarranz opens its doors. This past year in 2016, the gallery turned 10 years and what better way to celebrate than in the 12th edition of Art Madrid. His best gifts have been to meet two goals of great weight, promoting and marketing contemporary art, a task not easy for the times that run. The eclecticism of its exhibitions plays with the alternation of showing artists of recognized prestige with young powers of great international repercussion.

 

All a certain when it comes to projecting such exhibitions. But, his work does not end here apart from participating in numerous national and international fairs. The gallery Rodrigo juarranz has published books and catalogs, completing them with the edition of multiple works in engraving and sculpture. For their stand at the fair they have bet by Mar Solís, Marcos Tamargo, Cristina Mur, Beatriz Díaz Ceballos and Diego Beneitez. Five personalities that will give life to the space of this gallery in Burgos.

 

 

Rubén Torras Llorca, Neo-Coliseum, 2016. Mixed technique on canvas

 

 

Leaving the peninsula aside, we flew to Majorca and landed in the Pep Llabrés gallery, a whim of the island that can be visited in the capital. With more than 25 years of experience in the sector, its gallery owner opened the doors of this new space only two years ago. From this new experience he has focused his objectives on betting on the freshest contemporary art.

 

As the main engine, we highlight the young and dynamic art that supports the most youthful values ??of the sector. The new languages ??of expression, coupled with the experience of great consecrated artists and together bet on the union of different streams that show the identity of the gallery. Robert Ferrer i Martorell and Rubén Torras Llorca, represents the perfection of the theory that wants to make known the gallery in Art Madrid 17.

 

 

 

ART MADRID '26: 21 YEARS OF CONTEMPORARY ART



In 2026, Art Madrid will celebrate its 21st edition, further consolidating its position as a leading contemporary art fair in Spain. From 4 to 8 March, the fair will bring together thirty-five national and international galleries at the Galería de Cristal of the Palacio de Cibeles. Returning to its date during Madrid Art Week, Art Madrid reaffirms its pioneering role by expanding the fair calendar and offering an open and enriching dialogue in which diverse artistic proposals coexist.


Throughout its history, Art Madrid has established itself as a leading presence in the contemporary art scene. It is renowned for its commitment to promoting both emerging and established galleries, and for its dedication to making contemporary art accessible to a diverse range of audiences.

Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity in its offering, respecting the identity of each exhibitor and promoting a plural creative ecosystem that reflects the richness and differences of the current art scene.


Art Madrid '25. Photo by Lucas Amillano


GALLERY PROGRAM: AN ACTIVE MAP OF CONTEMPORARY CREATION


The Gallery Program is at the heart of Art Madrid’26. For this edition, thirty-five national and international galleries will participate in a space that celebrates experimentation, hybrid languages, and the latest artistic production. The selection of proposals constitutes a representative mosaic of the aesthetics, discourses, and contemporary practices that are shaping the present of art in Europe.

The Galería de Cristal of the Palacio de Cibeles will once again be transformed into a dynamic space where the exhibitions interact with each other, inviting the public to explore visual narratives that show the evolution of contemporary languages. Works that experiment with new media, formal investigations that reformulate traditional techniques, pieces that reflect on the links between technology and humanity, and poetic approaches that explore territory, identity, or memory make up a plural, stimulating journey open to multiple interpretations.

Art Madrid also continues to strive to become a platform for discovery, allowing both professionals and visitors to identify new voices and consolidate relationships with artists who are already emerging as leaders within the contemporary cultural landscape.


Art Madrid '25. Photo by Lucas Amillano


NATIONAL AND INTERNATIONAL EXHIBITORS

Thirty-five galleries are participating in this edition, twenty-seven of which are returning after finding the fair to be a favourable environment in which to strengthen connections, increase visibility and promote their artists' work on an international scene.

Twenty-six of these are Spanish galleries from various regions of the country: 3 Punts Gallery (Barcelona), Alba Cabrera Gallery (Valencia), Aurora Vigil-Escalera (Gijón), CLC ARTE (Valencia), DDR Art Gallery (Madrid), Est_ArtSpace (Madrid), g • gallery (Barcelona), Galería Arancha Osoro (Oviedo), Galería BAT alberto cornejo (Madrid), Galería Beatriz Pereira (Plasencia), Galería Carmen Terreros (Zaragoza), Galería Espiral (Noja), Galería La Mercería (Valencia), Galería Luisa Pita (Santiago de Compostela), Galería María Aguilar (Cadiz), Metro Gallery (Santiago de Compostela), Rodrigo Juarranz Gallery (Aranda de Duero), Sigüenza Gallery (Sigüenza), Gerhardt Braun Gallery (Palma de Mallorca | Madrid), Inéditad Gallery (Barcelona), Kur Art Gallery (San Sebastián), LAVIO (Murcia | Shanghai), Moret Art (A Coruña), Pigment Gallery (Barcelona), Shiras Galería (Valencia) and Uxval Gochez Gallery (Barcelona). This selection of galleries highlights the importance of the Spanish scene and its contribution to the development of the contemporary cultural ecosystem.


Art Madrid '25. Photo by Lucas Amillano


The nine international galleries participating in this edition are: Banditrazos Gallery (Seoul, South Korea), Collage Habana (Havana, Cuba), Galeria São Mamede (Lisbon, Portugal), Galerie ONE (Paris, France), KANT Gallery (Copenhagen, Denmark | Palma de Mallorca, Spain), Loo & Lou Gallery (Paris, France), Nuno Sacramento Arte Contemporânea (Ílhavo, Portugal), Trema Arte Contemporânea (Lisbon, Portugal) and Yiri Arts (Taipei, Taiwan). Their participation broadens the fair's international reach, promoting creative and conceptual exchange between diverse artistic perspectives.

In addition, eight new galleries have been added to the list of exhibitors:

Banditrazos Gallery (Seoul, South Korea), Est_ArtSpace (Madrid, Spain), g • gallery (Barcelona, Spain), Galería Beatriz Pereira (Plasencia, Spain), Galerie ONE (Paris, France), Galería Sigüenza (Sigüenza, Spain), Gerhardt Braun Gallery (Palma de Mallorca | Madrid, Spain) and KANT Gallery (Copenhagen, Denmark | Palma de Mallorca). These additions reinforce Art Madrid's commitment to continuous renewal and openness to spaces that are exploring new approaches to contemporary art.


Art Madrid '25. Photo by Lucas Amillano


PARALLEL PROGRAM: A REFLECTION ON THE ‘SPECIES’ OF SPACES


One of the great attractions of Art Madrid is its Parallel Program, which this time delves into the notions of: ‘Fragments, relationships, and imaginary distances.’ This approach turns the fair into an expanded space, where art, audience, architecture, and memory converge. Thus, the Parallel Program proposes a critical approach to the container of the event itself. Taking as a reference the reading of Species of Spaces by Georges Perec (Perec, Georges. Species of Spaces. Montesinos, 2004), it adopts a marked interest in the everyday, that which usually goes unnoticed, the infra-ordinary, giving each corner of the venue its own narrative value.

Another of the conceptual references of this edition is based on an analysis of Édouard Glissant's Poetics of Relation (Glissant, Édouard. Poetics of Relation; Prologue by Manuel Rebón. - 1st ed. - Bernal: Universidad Nacional de Quilmes, 2017.), which advocates the coexistence of differences and the importance of non-totalizing links, which are extrapolated to the art system, proposing an understanding of it as a network of exchanges and connections that respect the uniqueness of each cultural practice and actor.

‘Imaginary distances,’ understood as subjective journeys and affective cartographies traced by visitors, thus become the conceptual axis that articulates this program. This perspective transforms the Fair into an experience that goes beyond visual contemplation, turning it into a territory that can be collectively reconstructed, without losing sight of the paths travelled by the individuality of each voice.

In this edition, the Parallel Program encourages visitors to engage with the space and its projects, turning contemplation into an opportunity to question and interact with things that might otherwise go unnoticed in everyday life.


Art Madrid '25. Photo by Lucas Amillano


In the preview and during Art Week, Art Madrid'26 offers a range of experiences that allow the public to get closer to the creative process and practices of the participating artists. Among the returning initiatives are the Interview Program, Curated Walkthroughs, the third edition of Open Booth, dedicated to emerging creation, the presentation of Espacio Nebrija, a university project in collaboration with Nebrija University, alongside the fair’s established Performance Cycle.

In addition, the One Shot Collectors Program and the second edition of the Patronage Program are back. These initiatives seek to strengthen the bond between collectors, artists, and the public, promoting ethical, informed, and responsible practices in collecting and patronage.


Art Madrid '25. Photo by Lucas Amillano


Art Madrid'26 has established itself as a dynamic meeting place, where diverse experiences, discourses, and practices converge. Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity as a structuring principle, respecting the identity of each exhibitor and fostering a plural creative ecosystem. This plurality is not merely formal, but translates into a network of practices, languages, and perspectives that reflects the complexity, richness, and tensions of the contemporary art scene, consolidating the fair as a catalyst for cultural relations, an observatory of emerging trends, and an international reference point for the Spanish art scene.

WELCOME TO ART MADRID'26