Art Madrid'26 – THE PORTUGUESE GALLERIES OF ART MADRID FAIR

While Art Lounge repeats in Art MAdrid, Nuno Sacramento and Arte Periférica are premiered in this edition with new artists and others of recognized trajectory. An opportunity to get closer to the Portuguese art market.

 

 

Papartus. Untitled - Mixed media on canvas - 200 x 200 cm - 2014

 


The gallery Nuno Sacramento was founded in the city of Aveiro (Portugal) in 2003. In 2009 the gallery changes its headquarters to Ílhavo, where it has a space specially designed to be a contemporary art gallery. Nuno Sacramento performs six individual and collective exhibitions per year, and publishes catalogs about its artists. In addition, he actively participates in museums and cultural centers in many Portuguese cities and around the world, highlighting those made in the Museum of Decorative Arts in Havana and those of the CEART Museum in Madrid.

 

Nuno Sacramento comes to Art Madrid’17 with a monograph by the artist Papartus, who returns to the cultural scene in Madrid with recent works of large format. Some of the artist's pieces are in public collections such as the Huarte Museum in Navarra, the Malaga Architects Association and the Pamplona City Hall, among others.

 

 

Joâo Noutel. Untitled - Mixed technique on MDF - 130 x 68 cm - 2016

 


Art Lounge Gallery, one of the veteran foreign galleries in Art Madrid, selects artists from many different origins, defending the importance of cultural exchange and promoting the work of artists little known in Portugal. Its intention is to enhance the internationalization of the contemporary plastic arts.

 

The gallery will exhibit in its stand the work of artists with very different lines, like Fabio Camarotta, Ana Michaelis, Joâo Noutel, the Spanish Carmen Calvo, Angela Bassano and Felix Farfán.

 

The work of Farfán (Brazil, 1960), for example, has enjoyed great recognition in South America, especially in his native Brazil, in the 80's of last century. His work has participated in numerous collective and individual exhibitions in Brazil, Brasilia, Recife, Olinda and Sao Paulo. In his art works, with a style very similar to Carmen Calvo's, the artist mixes drawing with the assemblage and collage, traditional symbols and popular culture in colorful mixed techniques on which embroiery, rips and colors to create their particular universe.

 

 

Camilo Alves. Zé Povinho according to Vetrúvio. Oil on canvas. 100x100 cm. 2014

 

Arte Periférica Gallery was founded in 1991 by Anabela Antunes and Pedro Reigadas and, since 1994, occupies a special place in the popular Cultural Center of Belem, on the outskirts of Lisbon, where it also has a shop of Fine Arts products. During 25 years of activity it has been outstanding for promoting the work of young artists from inside and outside Portugal, with special dedication to Spanish and Asian artists. Arte Periférica has imposed an ambitious agenda with 12 annual exhibitions.

 

His proposal for Art Madrid includes the work of Angela Sanchez, Eva Navarro, Eva Armisén, Camilo Alves and Isabel Sabino.

 

Isabel Sabino (Lisbon, 1955) has exhibited individually in Lisbon on numerous occasions, with Arte Periférica Gallery but also with the Galería Novo Século and at the Casa Museo Jorge Vieira. He has participated in collective exhibitions such as the Biennial of Lagos or the Biennial of Vila Nova de Cerveira. Her work, eminently on paper, is expressed in mixed techniques, watercolors and drawing to talk about an almost surrealist figuration in which the scenes - ilusions , allegories and dreams- appear fulled of color spots, geometric structures and apparently delocalized elements in a Painting full of energy.

 

 

 


ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: OSCURECER UN PAPEL. BY ROCÍO VALDIVIESO

March 5 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


Nocturnality. Installation. Rocío Valdivieso..


Oscurecer un papel forms part of a series of actions in which the artist engages in reading through repetition, memorization, and a measured degree of improvisation. Within this framework, a non-linear mode of reading emerges from a written text that is transformed when spoken aloud, assuming a different form in the act of articulation. The texts stem from an ongoing investigation into materiality, space, the relationships between body and matter, writing, the sculptural, and a sustained interest in the exploration of voice and orality.

The material from which Oscurecer un papel is constructed consists of a collection of purchase receipts the artist has been accumulating over time. The printed text they contain, together with the action of bringing them into proximity with a heat source—thereby activating the thermal paper on which they are produced—generates meanings that revolve around the notions of consumption and wear.


Rocío Valdivieso. Latent Aura. Performance documentation.


ABOUT ROCÍO VALDIVIESO

Rocío Valdivieso is an artist, researcher, and cultural manager. She is currently a PhD candidate in Fine Arts at the Complutense University of Madrid. She holds an MA in Research in Artistic Practices from the University of Castilla–La Mancha (UCLM) and a BA in Fine Arts from the National University of Tucumán, Argentina. She was a Fundación Carolina fellow from 2022 to 2023. She currently co-directs Errática. Laboratory of Processes and Critique in Madrid, alongside Romina Casile.

She was part of the PEEPA 2023 Program at the Centro de Residencias Artísticas, Matadero Madrid. She completed the 2021/22 Artists Program at Universidad Torcuato Di Tella, Buenos Aires, and in 2020 participated in the Intensive Curatorial Program of Proyecto PAC at Galería Gachi Prieto, Buenos Aires. She received the Visual Arts Promotion Award at the 4th Visual Arts Week of the Ente Cultural de Tucumán. She was awarded an AUGM scholarship for an exchange residency at UNESP, São Paulo, Brazil. She also participated in the International Residency Program La Ira de Dios and in the Acéfala Galería Residency for Argentine artists.