Art Madrid'26 – THE PORTUGUESE GALLERIES OF ART MADRID FAIR

While Art Lounge repeats in Art MAdrid, Nuno Sacramento and Arte Periférica are premiered in this edition with new artists and others of recognized trajectory. An opportunity to get closer to the Portuguese art market.

 

 

Papartus. Untitled - Mixed media on canvas - 200 x 200 cm - 2014

 


The gallery Nuno Sacramento was founded in the city of Aveiro (Portugal) in 2003. In 2009 the gallery changes its headquarters to Ílhavo, where it has a space specially designed to be a contemporary art gallery. Nuno Sacramento performs six individual and collective exhibitions per year, and publishes catalogs about its artists. In addition, he actively participates in museums and cultural centers in many Portuguese cities and around the world, highlighting those made in the Museum of Decorative Arts in Havana and those of the CEART Museum in Madrid.

 

Nuno Sacramento comes to Art Madrid’17 with a monograph by the artist Papartus, who returns to the cultural scene in Madrid with recent works of large format. Some of the artist's pieces are in public collections such as the Huarte Museum in Navarra, the Malaga Architects Association and the Pamplona City Hall, among others.

 

 

Joâo Noutel. Untitled - Mixed technique on MDF - 130 x 68 cm - 2016

 


Art Lounge Gallery, one of the veteran foreign galleries in Art Madrid, selects artists from many different origins, defending the importance of cultural exchange and promoting the work of artists little known in Portugal. Its intention is to enhance the internationalization of the contemporary plastic arts.

 

The gallery will exhibit in its stand the work of artists with very different lines, like Fabio Camarotta, Ana Michaelis, Joâo Noutel, the Spanish Carmen Calvo, Angela Bassano and Felix Farfán.

 

The work of Farfán (Brazil, 1960), for example, has enjoyed great recognition in South America, especially in his native Brazil, in the 80's of last century. His work has participated in numerous collective and individual exhibitions in Brazil, Brasilia, Recife, Olinda and Sao Paulo. In his art works, with a style very similar to Carmen Calvo's, the artist mixes drawing with the assemblage and collage, traditional symbols and popular culture in colorful mixed techniques on which embroiery, rips and colors to create their particular universe.

 

 

Camilo Alves. Zé Povinho according to Vetrúvio. Oil on canvas. 100x100 cm. 2014

 

Arte Periférica Gallery was founded in 1991 by Anabela Antunes and Pedro Reigadas and, since 1994, occupies a special place in the popular Cultural Center of Belem, on the outskirts of Lisbon, where it also has a shop of Fine Arts products. During 25 years of activity it has been outstanding for promoting the work of young artists from inside and outside Portugal, with special dedication to Spanish and Asian artists. Arte Periférica has imposed an ambitious agenda with 12 annual exhibitions.

 

His proposal for Art Madrid includes the work of Angela Sanchez, Eva Navarro, Eva Armisén, Camilo Alves and Isabel Sabino.

 

Isabel Sabino (Lisbon, 1955) has exhibited individually in Lisbon on numerous occasions, with Arte Periférica Gallery but also with the Galería Novo Século and at the Casa Museo Jorge Vieira. He has participated in collective exhibitions such as the Biennial of Lagos or the Biennial of Vila Nova de Cerveira. Her work, eminently on paper, is expressed in mixed techniques, watercolors and drawing to talk about an almost surrealist figuration in which the scenes - ilusions , allegories and dreams- appear fulled of color spots, geometric structures and apparently delocalized elements in a Painting full of energy.

 

 

 


ART MADRID CLOSES ITS 21ST EDITION AS A KEY EVENT OF MADRID ART WEEK


The Galería de Cristal of the Palacio de Cibeles hosted the 21st edition of Art Madrid from March 4 to 8, once again consolidating its role as one of the must-see events of Madrid Art Week. Over the course of five days, the fair brought together 35 national and international galleries and more than 200 artists, turning the venue into a meeting point for gallerists, collectors, professionals, and lovers of contemporary art.

Throughout its trajectory, Art Madrid has built a distinct identity, with a constant focus on giving visibility to both emerging and established galleries and on opening contemporary art to diverse audiences. Rather than being structured around a single curatorial line, the fair embraced a plural proposal, respecting the unique DNA of each exhibitor.



Art Madrid’26 presented a Gallery Program distinguished by the diversity of artistic proposals and languages, encouraging dialogue between different generations and contemporary practices. Painting, sculpture, photography, drawing, installation, and new hybrid forms coexisted in an edition that once again confirmed the dynamism of today’s art scene

During the days of the fair, nearly 20,000 visitors explored the booths of the participating galleries and enjoyed a parallel program that expanded the experience beyond the traditional exhibition format.


The Parallel Program: An Expanded Art Fair

The Parallel Program once again took center stage in the Art Madrid experience, activating the fair space through projects that explored new forms of interaction between artworks, artists, and the public.

Among the most notable initiatives was the performance series Open Infinite: What the Body Remembers, which presented a daily performative action at the fair featuring works by Colectivo La Burra Negra, Rocío Valdivieso, Amanda Gatti, and Jimena Tercero. The pieces incorporated the body as a critical device and a space of memory, reinforcing the presence of performance within Art Madrid’s programming.

The third edition of Open Booth presented Despiece. Protocolo de mutación, by Daniel Barrio, a site-specific project that transformed the booth into a landscape constructed from urban remnants and industrial materials. The installation invited visitors to physically engage with the work, creating an immersive experience within the exhibition space.

Meanwhile, Espacio Nebrija hosted the project Estancias transitorias (NotanIA SipedagogIE), a proposal by Nebrija University that reflected on Aesthetic Intelligence in the face of the growing dominance of algorithmic logic. The installation proposed a reclamation of gesture, materiality, and the time inherent to the creative process as dimensions that cannot be reduced to automation.

Lecturas. Curated Walkthroughs also returned, with itineraries designed by Zuriñe Lafón and Marisol Salanova that offered curatorial insights for exploring the fair from specific critical perspectives and expanding the visitor experience.



Patronage, Awards, and Acquisitions

Support for contemporary creation once again stood as one of the fair’s central pillars through the second edition of the Art Madrid Patronage Program, which recognizes the work of artists and strengthens the connections between galleries, collectors, and private entities.

On this occasion, the following awards were presented:

Cervezas Alhambra Emerging Artist Award Iyán Castaño, represented by Galería Arancha Osoro


One Shot Hotels Breakthrough Artist Award Joost Vandebrug, represented by KANT Gallery


In the Acquisition Awards category, several private collections incorporated works presented at the fair into their collections.


Studiolo Collection Roger Sanguino — DDR Art Gallery


Devesa Law Kim Han Ki — Banditrazos Gallery


E2IN2 Collection Albert Bonet — Inéditad Gallery


dn2 Collection Iván Baizán — Galería Arancha Osoro

These acquisitions reflect the private sector’s commitment to the development of contemporary art and contribute to advancing the professional trajectories of emerging and mid-career artists.



Collecting and Support for the Artistic Ecosystem

The promotion of collecting once again played a prominent role in this edition thanks to the One Shot Collectors program, which offered personalized advice to both new buyers and more experienced collectors, facilitating access to the contemporary art market and fostering direct relationships between artists, galleries, buyers, and collectors.


This program, together with the Patronage Program, continues to strengthen the professional ecosystem surrounding the fair and reinforce Art Madrid’s commitment to supporting contemporary creation.

Among the most notable sales were works by Antonio Ovejero, represented by CLC ARTE; Leticia Feduchi and Ángela Mena, represented by Galería Sigüenza; Idoia Cuesta and Iyán Castaño, represented by Galería Arancha Osoro; and Yasiel Elizagaray, represented by Nuno Sacramento Arte Contemporânea. Likewise, the proposals presented by Inéditad Gallery were very well received, with notable sales of works by artists Albert Bonet and Eduardo Uridales.



The overall balance of the edition has been particularly positive, with sales reported by all 35 participating galleries, confirming the strong interest from collectors and the dynamism of the market throughout the fair. Among the galleries that recorded notable commercial activity are La Mercería (Valencia), LAVIO (Murcia–Shanghai), 3 Punts Galería (Barcelona), Galerie One (Paris), Shiras Galería (Valencia), Galería Rodrigo Juarranz (Aranda de Duero), Galería São Mamede (Lisbon), Yiri Arts (Taiwan), and Trema Arte Contemporânea (Lisbon), among others.


A Fair made possible thanks to Its network of Partners

The success of Art Madrid’26 has been made possible thanks to the support of its official sponsors: Cervezas Alhambra, One Shot Hotels, Liquitex, Universidad Nebrija, and Posca, as well as the trust of its collaborators: Asociación 9915, Colección Studiolo, E2IN2, Colección dn2, Devesa Law, Enviarte, Cova 13, and Vanille Bakery Lab & Café. The fair also benefits from the involvement of its media partners and the support of various cultural organizations, private collections, and institutions that contribute to strengthening the contemporary art ecosystem.



Art Madrid: A Future Full of Possibilities

After 21 years of history, Art Madrid continues to consolidate its position as a key event in the contemporary art calendar, both nationally and internationally. Its ability to bring together galleries, artists, collectors, and institutions reinforces its role as a space for encounter, exchange, and discovery. The fair maintains a steadily growing outlook, driven by a program that evolves each year and increasingly opens up to more innovative proposals.

Thank you for being part of the 21st edition of Art Madrid. Your support is essential for continuing to promote art and culture.

See You at Art Madrid’27!