Art Madrid'26 – UNUSUAL CONTEMPORARY SCULPTURE

The urban space appears as an immense blank canvas that offers a multitude of options to accommodate surprising, ingenious and, above all, large proposals. The visual strength of these pieces is capable of modifying the environment and generating a great attraction, in addition to energising the activity and serving as a way to channel global messages that seek a direct change in the community. In this panorama, the urban sculpture reveals itself as the great winner. The riskiest and voluminous works claim their share of prominence by living with other disciplines that also make their way into the cities. We bring you some of the most curious works conceived for the public space.

Richard Jackson, “Bad Dog”, 2013 (via publicdelivery.org)

Richard Jackson made this temporary sculpture outside the Orange County Museum of Art, in Santa Ana, California, on the occasion of the retrospective that the centre dedicated to him in 2013. The author wanted to open the debate about the role of humour in art, and of course, he got it. "Bad Dog" achieved a significant impact. The work of this artist is very focused on the double meanings, irony and the fight against stereotypes in art. The result is eclectic and challenging to define work that breaks moulds.

Ugo Rondinone, “Seven Magic Mountains”, Las Vegas, Nevada, 2016 (photo by Gianfranco Gorgoni)

Other authors prefer to place their proposals in natural spaces where asphalt and cement are far away. This is the work of Ugo Rondinone, which is committed to using elements of the environment, such as stones and giving them a layer of colour to create his compositions. As assembled pieces of large format, its columns of painted rocks rise as beings from another world and remind us of the indigenous totems that evoke the ancestor's spirits. His work swings between the landart and the popart taken to desolate and diaphanous places, as with his famous "Seven Magic Mountains", located in the Nevada desert.

Eduardo Catalano, “Floralis Genérica”, 2002 (via www.craiglotter.co.za)

Urban works are also vehicles for symbolic values. "Floralis Generica" is a huge flower-shaped sculpture made of aluminium, stainless steel and concrete. The architect Eduardo Catalano donated it to the city of Buenos Aires in 2002. Since then, it is installed in the United Nations Plaza, in the centre of an artificial lake. Thanks to an electric mechanism, the flower opens its 23-meter petals every morning and closes at dusk. With this simple gesture, this work represents the hope of each new day and the rebirth of life, and today has become a symbol of the city.

Costas Varotsos, “Dromeas”, 1994

In a review of the futuristic movement that triumphed in the first decades of the twentieth century, the work Dromeas ("The Runner") is a 12-meter high sculpture made entirely of superimposed green glass sheets. The Greek Costas Varotsos wanted to represent the strength, momentum and speed of the racers and pay homage to the start of the Olympic games, where athletics was one of the first disciplines to consolidate. In the middle of the Marathon’s Way, in Athens, this work seems to gain speed and erase its contours to the wind.

Charles Robb, “Charles La Trobe”, 2007

In this list, we cannot forget the sculpture of Charles La Trobe made by Charles Robb in 2007 that we can see in Melbourne. Charles Joseph La Trobe was a public figure in the Australian colony of Victoria driving several cultural projects between 1839 and 1854, a period in which the Royal Botanic Gardens, the State Library, the Victoria Museum, the National Gallery of Victoria and the University of Melbourne. Robb's decision to create a piece by presenting the figure face down was a way of questioning the meaning and purpose of contemporary monuments dedicated to celebrities or people of public interest. Today this work made of plastic and fibreglass can be seen at La Trobe University in Bundoora.

 


ART MADRID’ 26: 21 YEARS OF CONTEMPORARY ART


Discover all the information about the artists and galleries participating in the 21st edition of Art Madrid. The catalog features a curated selection of the works presented in this edition, along with the most relevant details of the event, making it an essential tool for engaging with the fair’s key figures and exploring the defining elements of today’s art scene.


In 2026, Art Madrid celebrates its 21st edition, further establishing itself as a leading event within Spain’s cultural sector. From March 4 to 8, the Galería de Cristal of the Palacio de Cibeles will once again become a meeting point for galleries, collectors, artists, and contemporary art enthusiasts.


Over the past twenty-one years, the fair has evolved into a dynamic and ever-expanding platform, fostering diversity in artistic languages, techniques, and discourses. In this edition, the Galleries Program brings together around 35 exhibitors from more than seven countries, offering a representative overview of the most recent developments in contemporary creation.


The Art Madrid ’26 catalog serves as a key publication for discovering the work of this edition’s galleries and artists —marked by experimentation and a plurality of perspectives— while also documenting the conceptual axes that shape the fair. As part of the Parallel Program, INHABITING THE EPHEMERAL: A Reflection on the “Species” of Spaces proposes a reflection on space, relationships, and shared experience, expanding the understanding of the fair beyond its commercial dimension and highlighting its cultural and experiential significance.


In addition, the catalog presents the initiatives that complete the program, such as the Open Booth dedicated to emerging creation, the Nebrija Space in collaboration with Nebrija University, the Performance Series “Open Infinite. What the Body Remembers,” the One Shot Collectors Program, and the Patronage Program, reaffirming the fair’s commitment to supporting, mediating, and accompanying contemporary art at every stage.

We invite you to discover more about Art Madrid ’26 through the catalog of its 21st edition — a publication that, beyond serving as documentary memory, becomes a cartography of the present artistic moment and an open door to new ways of inhabiting contemporary art.