Art Madrid'26 – UNUSUAL CONTEMPORARY SCULPTURE

The urban space appears as an immense blank canvas that offers a multitude of options to accommodate surprising, ingenious and, above all, large proposals. The visual strength of these pieces is capable of modifying the environment and generating a great attraction, in addition to energising the activity and serving as a way to channel global messages that seek a direct change in the community. In this panorama, the urban sculpture reveals itself as the great winner. The riskiest and voluminous works claim their share of prominence by living with other disciplines that also make their way into the cities. We bring you some of the most curious works conceived for the public space.

Richard Jackson, “Bad Dog”, 2013 (via publicdelivery.org)

Richard Jackson made this temporary sculpture outside the Orange County Museum of Art, in Santa Ana, California, on the occasion of the retrospective that the centre dedicated to him in 2013. The author wanted to open the debate about the role of humour in art, and of course, he got it. "Bad Dog" achieved a significant impact. The work of this artist is very focused on the double meanings, irony and the fight against stereotypes in art. The result is eclectic and challenging to define work that breaks moulds.

Ugo Rondinone, “Seven Magic Mountains”, Las Vegas, Nevada, 2016 (photo by Gianfranco Gorgoni)

Other authors prefer to place their proposals in natural spaces where asphalt and cement are far away. This is the work of Ugo Rondinone, which is committed to using elements of the environment, such as stones and giving them a layer of colour to create his compositions. As assembled pieces of large format, its columns of painted rocks rise as beings from another world and remind us of the indigenous totems that evoke the ancestor's spirits. His work swings between the landart and the popart taken to desolate and diaphanous places, as with his famous "Seven Magic Mountains", located in the Nevada desert.

Eduardo Catalano, “Floralis Genérica”, 2002 (via www.craiglotter.co.za)

Urban works are also vehicles for symbolic values. "Floralis Generica" is a huge flower-shaped sculpture made of aluminium, stainless steel and concrete. The architect Eduardo Catalano donated it to the city of Buenos Aires in 2002. Since then, it is installed in the United Nations Plaza, in the centre of an artificial lake. Thanks to an electric mechanism, the flower opens its 23-meter petals every morning and closes at dusk. With this simple gesture, this work represents the hope of each new day and the rebirth of life, and today has become a symbol of the city.

Costas Varotsos, “Dromeas”, 1994

In a review of the futuristic movement that triumphed in the first decades of the twentieth century, the work Dromeas ("The Runner") is a 12-meter high sculpture made entirely of superimposed green glass sheets. The Greek Costas Varotsos wanted to represent the strength, momentum and speed of the racers and pay homage to the start of the Olympic games, where athletics was one of the first disciplines to consolidate. In the middle of the Marathon’s Way, in Athens, this work seems to gain speed and erase its contours to the wind.

Charles Robb, “Charles La Trobe”, 2007

In this list, we cannot forget the sculpture of Charles La Trobe made by Charles Robb in 2007 that we can see in Melbourne. Charles Joseph La Trobe was a public figure in the Australian colony of Victoria driving several cultural projects between 1839 and 1854, a period in which the Royal Botanic Gardens, the State Library, the Victoria Museum, the National Gallery of Victoria and the University of Melbourne. Robb's decision to create a piece by presenting the figure face down was a way of questioning the meaning and purpose of contemporary monuments dedicated to celebrities or people of public interest. Today this work made of plastic and fibreglass can be seen at La Trobe University in Bundoora.

 


ART MADRID CLOSES ITS 21ST EDITION AS A KEY EVENT OF MADRID ART WEEK


The Galería de Cristal of the Palacio de Cibeles hosted the 21st edition of Art Madrid from March 4 to 8, once again consolidating its role as one of the must-see events of Madrid Art Week. Over the course of five days, the fair brought together 35 national and international galleries and more than 200 artists, turning the venue into a meeting point for gallerists, collectors, professionals, and lovers of contemporary art.

Throughout its trajectory, Art Madrid has built a distinct identity, with a constant focus on giving visibility to both emerging and established galleries and on opening contemporary art to diverse audiences. Rather than being structured around a single curatorial line, the fair embraced a plural proposal, respecting the unique DNA of each exhibitor.



Art Madrid’26 presented a Gallery Program distinguished by the diversity of artistic proposals and languages, encouraging dialogue between different generations and contemporary practices. Painting, sculpture, photography, drawing, installation, and new hybrid forms coexisted in an edition that once again confirmed the dynamism of today’s art scene

During the days of the fair, nearly 20,000 visitors explored the booths of the participating galleries and enjoyed a parallel program that expanded the experience beyond the traditional exhibition format.


The Parallel Program: An Expanded Art Fair

The Parallel Program once again took center stage in the Art Madrid experience, activating the fair space through projects that explored new forms of interaction between artworks, artists, and the public.

Among the most notable initiatives was the performance series Open Infinite: What the Body Remembers, which presented a daily performative action at the fair featuring works by Colectivo La Burra Negra, Rocío Valdivieso, Amanda Gatti, and Jimena Tercero. The pieces incorporated the body as a critical device and a space of memory, reinforcing the presence of performance within Art Madrid’s programming.

The third edition of Open Booth presented Despiece. Protocolo de mutación, by Daniel Barrio, a site-specific project that transformed the booth into a landscape constructed from urban remnants and industrial materials. The installation invited visitors to physically engage with the work, creating an immersive experience within the exhibition space.

Meanwhile, Espacio Nebrija hosted the project Estancias transitorias (NotanIA SipedagogIE), a proposal by Nebrija University that reflected on Aesthetic Intelligence in the face of the growing dominance of algorithmic logic. The installation proposed a reclamation of gesture, materiality, and the time inherent to the creative process as dimensions that cannot be reduced to automation.

Lecturas. Curated Walkthroughs also returned, with itineraries designed by Zuriñe Lafón and Marisol Salanova that offered curatorial insights for exploring the fair from specific critical perspectives and expanding the visitor experience.



Patronage, Awards, and Acquisitions

Support for contemporary creation once again stood as one of the fair’s central pillars through the second edition of the Art Madrid Patronage Program, which recognizes the work of artists and strengthens the connections between galleries, collectors, and private entities.

On this occasion, the following awards were presented:

Cervezas Alhambra Emerging Artist Award Iyán Castaño, represented by Galería Arancha Osoro


One Shot Hotels Breakthrough Artist Award Joost Vandebrug, represented by KANT Gallery


In the Acquisition Awards category, several private collections incorporated works presented at the fair into their collections.


Studiolo Collection Roger Sanguino — DDR Art Gallery


Devesa Law Kim Han Ki — Banditrazos Gallery


E2IN2 Collection Albert Bonet — Inéditad Gallery


dn2 Collection Iván Baizán — Galería Arancha Osoro

These acquisitions reflect the private sector’s commitment to the development of contemporary art and contribute to advancing the professional trajectories of emerging and mid-career artists.



Collecting and Support for the Artistic Ecosystem

The promotion of collecting once again played a prominent role in this edition thanks to the One Shot Collectors program, which offered personalized advice to both new buyers and more experienced collectors, facilitating access to the contemporary art market and fostering direct relationships between artists, galleries, buyers, and collectors.


This program, together with the Patronage Program, continues to strengthen the professional ecosystem surrounding the fair and reinforce Art Madrid’s commitment to supporting contemporary creation.

Among the most notable sales were works by Antonio Ovejero, represented by CLC ARTE; Leticia Feduchi and Ángela Mena, represented by Galería Sigüenza; Idoia Cuesta and Iyán Castaño, represented by Galería Arancha Osoro; and Yasiel Elizagaray, represented by Nuno Sacramento Arte Contemporânea. Likewise, the proposals presented by Inéditad Gallery were very well received, with notable sales of works by artists Albert Bonet and Eduardo UrdIales, as well as Carmen Mansilla, who debuted at Art Madrid'26 and achieved a sold out.



The overall balance of the edition has been particularly positive, with sales reported by all 35 participating galleries, confirming the strong interest from collectors and the dynamism of the market throughout the fair. Among the galleries that recorded notable commercial activity are La Mercería (Valencia), LAVIO (Murcia–Shanghai), 3 Punts Galería (Barcelona), Galerie One (Paris), Shiras Galería (Valencia), Galería Rodrigo Juarranz (Aranda de Duero), Galería São Mamede (Lisbon), Yiri Arts (Taiwan), and Trema Arte Contemporânea (Lisbon), among others.


A Fair made possible thanks to Its network of Partners

The success of Art Madrid’26 has been made possible thanks to the support of its official sponsors: Cervezas Alhambra, One Shot Hotels, Liquitex, Universidad Nebrija, and Posca, as well as the trust of its collaborators: Asociación 9915, Colección Studiolo, E2IN2, Colección dn2, Devesa Law, Enviarte, Cova 13, and Vanille Bakery Lab & Café. The fair also benefits from the involvement of its media partners and the support of various cultural organizations, private collections, and institutions that contribute to strengthening the contemporary art ecosystem.



Art Madrid: A Future Full of Possibilities

After 21 years of history, Art Madrid continues to consolidate its position as a key event in the contemporary art calendar, both nationally and internationally. Its ability to bring together galleries, artists, collectors, and institutions reinforces its role as a space for encounter, exchange, and discovery. The fair maintains a steadily growing outlook, driven by a program that evolves each year and increasingly opens up to more innovative proposals.

Thank you for being part of the 21st edition of Art Madrid. Your support is essential for continuing to promote art and culture.

See You at Art Madrid’27!