As every year, Art Madrid organizes activities focused on contemporary art that take place throughout the month of February and with which the fair invites the public to participate in a much more active way. In this edition, the program is focused on contemporary video art, especially concerning the most recent Spanish media creation.

The wide range of activities, organized by Art Madrid and curated by the PROYECTOR Festival, includes ranging from professional workshops, conversations with artists, lectures, master classes to curated screening programs; as well as is maintained with the collaboration of Obra Social "La Caixa" and the Community of Madrid, through its spaces CaixaForum Madrid and Sala Alcalá 31 respectively. In addition, the program has the support of Cervezas La Virgen, One Shot Hotels and the Culture and Sports Area of Madrid City Council. With this program, Art Madrid becomes a platform for new trends in video and media art, inviting everyone to participate in the most recent contemporary art movements.

Although it is more than 60 years old, video art is understood as an artistic expression, presently it is still a discipline, not too very well-known and important in the most frequent cultural circuits. However, we are facing an expanding, growing moment of these forms of creation, in fact, video creation is one of the increasingly recurrent languages among contemporary authors. The program welcomes new projects that belong to this discipline as well as its knowledge and value, qualities that over time are reflected in the ephemeral character of this type of works and the circumstances surrounding its collection.

"Sweet dreams are made of this" (2016) frame by Carlos Aires.

The activities are presented under the curatorship of Mario Gutiérrez Cru, director of the ground-breaking PROYECTOR festival, a must-see event that takes place in Madrid consisting of audio-visual creation and its multiple elements that have worked hand to hand with hundreds of artists, gallerists, collectors and cultural institutions for more than ten years. The Program is planned into two large segments, each one organized in one of the two locations: CaixaForum Madrid and the Sala Alcalá 31 Auditorium.

On the one hand, the "58 formas de mirar el cuerpo" workshop will take place at CaixaForum throughout Monday 11 and Thursday 14 of February, a unique opportunity of understanding not only new media arts but also their relationship with performing arts by the hand of the renowned creators Elena Córdoba and David Benito. Reflecting specifically on the different ways of understanding and performing dance practices, is a workshop aimed at investigating the experimental, expressive and semiotic possibilities of body language and its relationship with space.

"EverdayMasks" (2017) frame by Paula Lafuente.

On the other hand, the Sala Alcalá 31 Auditorium will host, from Thursday, February 21 to Saturday, February 23, conversations surrounding video art and media art screening sessions. The first conversation will bring together specialists such as Teresa Sapey, Eva Ruiz, Marta Pérez Ibáñez, Idoia Hormaza de Prada and Enrich Abogados in a talk aimed at creating discussion and a thinking forum. Open to all, in this activity the participation of the architect and designer Teresa Sapey is worth reminding, who will not only explain what factors may motivate buying video art but will also accompany us in an exclusive screening session about her media collection; an avant-garde collection that will provide the following artworks:

Candice Breitz with Becoming Cameron (2003), edición 2/3

Hussein Chalayan with Afterwords (2000), edición 3/5

Julian Opie with Sara Undressing (2004), edición 2/4

Marina Abramovic with Nude with Skeleton (2002-2005), edición 4/5

Eugenio Ampudia with Fuego Frío 2 (2004), edición 5/6

"Heteronímia" (2017) frame by Márcia Beatriz Granero.

The other appointments, on Friday the 22nd and Saturday the 23rd, include a conversation with the artists Eugenio Ampudia, Mateo Maté, Carlos Aires, Democracia, Cristina Garrido and Rubén Martín de Lucas who will present their media artworks in a dialogue with the public moderated by the artist and researcher Daniel Villegas, offering a unique opportunity to get to know directly their creative processes. Other highlight is the master class by Rogelio López Cuenca, one of the most outstanding national creators in the media art field. Also, the program includes two screening sessions curated by PROYECTOR: under the titles "Del cuerpo presente al cuerpo performativo" and "Ciudades" will present suggestive media works by about thirty international artists.

With this broad Parallel Program, Arte Madrid is fully committed to the most recent video art forms and narratives, which are as varied as they are complex and enriching. Thus, the fair contributes to the promotion and knowledge of the growth video art creation that, without doubt, connected especially with our current form of communication.

All the activities in detail in the Activities section

ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. PERFORMANCE CYCLE X ART MADRID'26

Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.

PERFORMANCE: ALTA FACTURA. BY COLECTIVO LA BURRA NEGRA

March 4 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.

"Discipline for Power.” Performance by La Burra Negra for Displacement of the Congress of Deputies by Roger Bernat. 2025.

Alta Factura subverts the conventional structure of the fashion runway to foreground the often-invisible processes that underpin artistic production. Through a series of conceptual textile works, the performance draws attention to the discipline of craft and the artist’s vulnerability, ultimately revealing those seams typically consigned to the margins, behind the scenes.

Colectivo La Burra Negra.

ABOUT EL COLECTIVO LA BURRA NEGRA

La Burra Negra is a nomadic performance art collective based in Málaga, founded in 2024 following its first residency in Totalán. The group is self-managed by Ascensión Soto Fernández, Gabriela Feldman de la Rocha, Sasha Camila Falcke, Sara Gema Domínguez Castillo, Sofía Barco Sánchez, and Regina Lagos González—six artists from diverse backgrounds and trajectories who met at the Hospital de Artistas at La Juan Gallery.

The collective brings together practitioners working across jewelry, painting, the performing arts, music, dance, cultural mediation, and arts management. Its activities include an annual residency in Totalán, the production of performative works, cultural mediation initiatives, and site-responsive interventions.

Since its inception, the collective has participated in the Periscopio series at La Térmica; presented A granel at the MVA in Málaga; carried out a number of actions in Totalán—the most recent during its second annual residency—and contributed its own proposals to the performance Displacement of the Congress of Deputies by Roger Bernat in Madrid.

At the core of La Burra Negra lies a commitment to collective creation and the exchange of knowledge. United in their effort to experiment with and disseminate performance art, the group explores the invisible dimensions of artistic labor—its temporalities, efforts, and relational dynamics, which so often remain unseen—as a form of critical affirmation.

Their practice emerges from dialogue and shared reflection, in the pursuit of decentralized spaces where art can be experienced and its processes made visible. Each residency and each action becomes an attempt to inhabit creation collectively, challenging conditions of precarity while fostering networks of care and collaboration that sustain both their own practice and that of those around them.