With the winter around the corner, we make a brief review of how the artists got inspired by this season for their works. These dates are usually associated inevitably with the end of the year and the abundant parties, but the beginning of winter has traditionally been a time celebrated by many cultures as it gives way to a period of growth of days and a stage of preparation for the upcoming cycle. Even Greek mythology has a story for this phenomenon. Demeter, goddess of life and earth, separated from her daughter Persephone, who had been abducted by Hades and condemned to remain in the underworld, agreed to spend half of the year in her company and the other half on Olympus. Demeter was sad in the months when she was not with Persephone, which correspond to autumn and winter, leaving the earth neglected and withered, as opposed to spring and summer, time spent with her daughter.

Camille Pissarro, “Avenue de l’Opera. Efecto Nieve 1”

From the classicism, winter was approached with naturalistic perspective. This approach goes through the different artistic branches and has also served to feed the nineteenth-century narrative that represents this season in a raw way to underline the social differences that many characters of the literature of the time should pass through. As for the visual arts, authors opted for more realistic expressions, an exercise that often served as pictorial analysis on the depiction of the natural state, the changes of light, the reproduction of textures, volumes... in scenes dominated by snow in the rural environment.

Stepan Kolesnikoff, “On the way to market”, 1942

The winter, present with its hardest, implacable and almighty face, composes a mental image fueled to a great extent by the literature of the late nineteenth century as well as by the recurrent representation of realistic painting that began to pay less attention to elitist themes. The flight of pictorial productions of religious content or portraits by order gave way to a real concern for society, for the situation of the individual in their daily lives and the expression of an authentic and not always docile life that required, among other things, facing the winter in unfavourable circumstances. In this naturalistic trend, one sees the will to change the focus of attention of the aristocracy to the ordinary people, and to elaborate an egalitarian discourse that does not highlight the powerful over the weak but treats all individuals equally.

Jason Paul freerunning in Harbin, China © David Robinson

Our perception of this season has changed in recent decades. The linking of these dates with the grand celebrations make up an inseparable whole in which consumerism has absorbed the beginning of the season and almost goes unnoticed. The current representation of winter connects with snowy prints, red lights and smiles on the face. There is, in all this, a search for the ideal beauty, a compositional artifice that floods all our behaviours in society and reaches, even in a false way, the very strength of nature. Today the winter, after having surpassed in the arts the traditional pictorialism, is represented mainly through photography, a discipline that dares to recreate nature in a more wild and challenging. In fact, documentary photography is a very exploited line in our days, and the result is images of high visual impact.

Liquitex at Art Madrid’26: Creativity, Innovation and a Commitment to the Future of Art

Since 1955, Liquitex has built a distinguished legacy rooted in continuous innovation, technical excellence, and unwavering support for the artistic community. Its history is closely intertwined with the evolution of contemporary art, accompanying generations of creators with materials that expand expressive possibilities and encourage fearless experimentation.

At the 21st edition of Art Madrid, Liquitex renews its commitment to contemporary creation, reaffirming its position as a leading brand in professional acrylics and a strategic partner to both emerging and established artists.

Liquitex has transformed the world of acrylics since inventing the first water-based acrylic paint. Today, its portfolio continues to set industry standards through advanced formulations, exceptional color vibrancy, and remarkable versatility across artistic disciplines. Each product is designed to provide total control over color, texture, and finish, empowering artists to explore new techniques and develop work with a distinct voice. For Liquitex, innovation is not an end in itself, but a catalyst for creative freedom.

Under the tagline Just Imagine, Liquitex invites artists to challenge boundaries and embrace art as a space of limitless possibility. This philosophy not only defines its creative approach but also translates into a tangible commitment to artistic growth, offering materials conceived to support experimental processes and contemporary narratives.

Every brushstroke, every blend, and every surface transformed with Liquitex becomes an opportunity to imagine without constraint and create bold visual narratives.

Liquitex and the Support of Emerging Talent: Espacio Nebrija

At Art Madrid’26, Liquitex strengthens its dedication to nurturing and professionalizing emerging talent through its sponsorship of Espacio Nebrija, a curatorial initiative developed by Universidad Nebrija. For the second consecutive time, the project offers Fine Arts students the opportunity to make their professional debut within the contemporary art circuit.

Curated by Luis Gárciga, the project proposes a critical reflection on artistic pedagogy, the art market, and technology through the concept NotanIA SipedagogIE—an aesthetic, empathetic, and anti-algorithmic pedagogy that champions Aesthetic Intelligence in response to creative automation.

The stand is conceived as a space of transition, resistance, and experimentation, bringing visibility to the processes, aspirations, and perspectives of a new generation of artists in formation. Thanks to Liquitex’s support, participants have access to professional-grade materials that enable them to develop their projects with complete technical and conceptual freedom, fostering an environment grounded in research, experimentation, and critical inquiry.

Liquitex’s presence at Art Madrid’26 underscores its commitment to a responsible brand model actively engaged with the future of art. Recently awarded B Corp Certification, Liquitex joins a global community of companies dedicated to sustainability, transparency, and social responsibility.

This recognition affirms a long-term vision centered on artistic excellence, environmental stewardship, and support for creative communities—values reflected both in the development of new products and in the brand’s active involvement in cultural initiatives.

At Art Madrid’26, Liquitex continues to champion contemporary creativity, accompanying artists in their exploration of new visual languages and reaffirming that art, when equipped with the right tools, knows no boundaries. Because imagining is always the first step toward transforming reality.

ABOUT LIQUITEX

The world-leading professional acrylic brand Liquitex joins Art Madrid’26 as a sponsor, reinforcing its mission to empower artists and support contemporary creation through Espacio Nebrija.

At the 21st edition of the fair, the brand reaffirms its purpose of helping individuals connect with their creative energy, encouraging them to imagine and tell stories through art. Liquitex, the American brand recently awarded B Corp Certification, celebrates an achievement that not only welcomes it into a global community of purpose-driven companies but also reinforces its long-standing commitments.

These commitments encompass artistic excellence, sustainability, social responsibility through engagement with artists, employees, and local communities, and transparency within its business model. Liquitex remains dedicated to continuous innovation and product development, striving to serve as a force for positive change in society and for the environment—leaving a more meaningful and responsible legacy for the future.