Art Madrid'26 – YOUR FIRST ARTWORK: VENTURE YOURSELF IN THE WORLD OF ART COLLECTING

Perhaps, at first glance, getting started in the collection of contemporary art may seem complicated and even more if the potential buyers are not part of the specialized sector. However, from Art Madrid we want to encourage young collecting and accompany all those interested in entering the wonderful world of private collecting.

Perhaps we can highlight some keys that will help the audience to decide on a work: on the one hand, choosing artists whose careers are in an initial or intermediate state; on the other, start with those small format works made on paper. In addition, if possible, seek advice from gallery owners or even being able to meet the creator, will greatly help in making decisions. Of course, we must erase the possible barriers that still would condition the contemplation and acquisition of contemporary art and simply dare to know it from respect, imagination and personal background.

Virginia Rivas

El amor está en la tierra, 2017

Acrylic, graphite and bodybuilder tape on canvas

20 x 20cm

Contemporary creation is much closer than we think; we have to remember that these artists live in our time and therefore may have very similar aspirations or concerns to ours. Although it seems otherwise, especially because of the variety of languages used by the contemporary artist, we can delve much better into his world view, since we have more tools to understand and it is closer to us than the one Titian, Goya or Picasso had. Anyone who has a real interest in entering the world of current art will discover that it is not as complex or encrypted as he may have thought, and if not understood, it must not be rejected either. Many times it is not about understanding or justifying each of the forms, it is more about enjoying, knowing the creative proposals and letting yourself be surprised. Of course, the viewer does not have to like everything that exposed, for the simple legitimizing act granted by the gallery or the museum, but neither has to deny all creation because of certain prejudices. Painting, sculpture, photography, audiovisuals, graphic work, technological art, living arts, action art... Art was never more open than in our days.

Manuela Eichner

Monstrenga, 2018

Objeto en PS

57 x 29cm

Rūta Vadlugaitė

A Cone, 2017

Oil on canvas

51 x 44cm

In a fair like Art Madrid, which has always stood out for being cosy and close, you can find very interesting and affordable works to get introduced into collecting such as the special edition of Guest Artist, Rubén Martín de Lucas. It is a limited series of photographs part of the series "Repúblicas Mínimas" and corresponds to the "Republic No. 12". Likewise, the work on paper by the young Rūta Vadlugaitė (Contour Art Gallery) could interest the starting collector. Her work, characterized by the roundness of the shapes and the large spots of colour, can be found in one of the stands of the One Project of this edition since this artist has been one of those selected by the critic Nerea Ubieto. Other participants of this curating program are Virginia Rivas (DDR Art Gallery) and Manuela Eichner (RV Art and Culture), from which you can also buy some of the pieces from their series at a very good price. It is the same with the work on paper by Cristina Alabau, poetic abstractions of nature.

Cristina Alabau

Espacio interior, 2018

Watercolor

15 x 30cm

In this edition, furthermore, the potential collector can also acquire works of different techniques or supports at fairly affordable prices. In this sense, it is possible that many would be interested in the work by Silvio Alino (3 punts), a young artist who creates a fun, fresh and colourful work within pop culture, through mixed techniques on canvas. Equally, surely the small format painting by Pepa Salas (Robert Drees) will captivate more than one: from a beautiful game of black and white and colour touches, her work usually hides mysterious stories. They are other worlds in which to introduce ourselves, such as the most naturalist by María Ortega Estepa (Galería Luisa Pita); the urban ones by José Juan Gimeno (Alba Cabrera Gallery); or the most imaginative and enigmatic by Carolina Bazo, Jacques Custer o Jessica Schneider (O-Art Project).

Silvio Alino

Pop Icon, nº 392, 2018

Mixed media on canvas

40 x 40cm

María Ortega Estepa

Soñe contigo la noche que comenzaba la primavera, 2018

Oil on canvas

60 x 40cm

Another work that could seduce the young collector is that by Carlos Tárdez (Bea Villamarín): wonderful sculptural pieces that stand out both for their aesthetics and for their critical messages. Between sculpture and silkscreen lies the work by Iván Baizán (Arancha Osoro), an artist that investigates the technical possibilities of printing to the point of arriving at a three-dimensionality very coherent with its maximum preoccupation: the architectonic and urbanistic tracings and our ways of inhabiting them. And if what interests you is sculptural abstraction you can get to know, in the same stand, the fine work in glass by Luis Parades (Arancha Osoro).

Carolina Bazo

Patrones, 2017

Photography

20 x 70cm

Carlos Tárdez

Atlas, 2018

Polychrome resin

14 x 7cm

Finally, we highlight the special editions of interesting artists that can be found in many of the galleries participating in Art Madrid, such as BAT Alberto Cornejo, Moret Art, Fucking Art or Rodrigo Juarranz, among many others. You just have to dare to get acquainted with contemporary art and chat to gallerists and artists.

It is true that there can be many reasons that explain the purchase of art, a wide range that goes from the pure passionate impulse that can be felt before a piece to the coldest, but also very necessary, purchase as an investment. In the first event, there are such famous cases in Spain such as Pilar Citoler, a great collector who always remembers with affection her first acquisition: the work "El Andaluz Perdido" by José Caballero in the Juana Mordó gallery in 1970. From that date, Citoler has continued to expand a rich and very heterogeneous collection, the result of the passion of a "pure", pioneering and avant-garde collector, concluding with the transmission of more than 1,200 works to the Government of Aragon. Almost a disease that continues to feed today: "there cannot be art without obsession" read one of the great exhibitions on her collection curated by the critic, and specialist in the collection, Alfonso de la Torre. In the second case, there are numerous outstanding national corporate collections, especially those that seek the art of new technologies such as the BEEP Collection, Inelcom or BBVA. It only remains to us to decide how and why we want to collect, with all options being as interesting as they are legitimate.

 

ART MADRID '26: 21 YEARS OF CONTEMPORARY ART



In 2026, Art Madrid will celebrate its 21st edition, further consolidating its position as a leading contemporary art fair in Spain. From 4 to 8 March, the fair will bring together thirty-five national and international galleries at the Galería de Cristal of the Palacio de Cibeles. Returning to its date during Madrid Art Week, Art Madrid reaffirms its pioneering role by expanding the fair calendar and offering an open and enriching dialogue in which diverse artistic proposals coexist.


Throughout its history, Art Madrid has established itself as a leading presence in the contemporary art scene. It is renowned for its commitment to promoting both emerging and established galleries, and for its dedication to making contemporary art accessible to a diverse range of audiences.

Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity in its offering, respecting the identity of each exhibitor and promoting a plural creative ecosystem that reflects the richness and differences of the current art scene.


Art Madrid '25. Photo by Lucas Amillano


GALLERY PROGRAM: AN ACTIVE MAP OF CONTEMPORARY CREATION


The Gallery Program is at the heart of Art Madrid’26. For this edition, thirty-five national and international galleries will participate in a space that celebrates experimentation, hybrid languages, and the latest artistic production. The selection of proposals constitutes a representative mosaic of the aesthetics, discourses, and contemporary practices that are shaping the present of art in Europe.

The Galería de Cristal of the Palacio de Cibeles will once again be transformed into a dynamic space where the exhibitions interact with each other, inviting the public to explore visual narratives that show the evolution of contemporary languages. Works that experiment with new media, formal investigations that reformulate traditional techniques, pieces that reflect on the links between technology and humanity, and poetic approaches that explore territory, identity, or memory make up a plural, stimulating journey open to multiple interpretations.

Art Madrid also continues to strive to become a platform for discovery, allowing both professionals and visitors to identify new voices and consolidate relationships with artists who are already emerging as leaders within the contemporary cultural landscape.


Art Madrid '25. Photo by Lucas Amillano


NATIONAL AND INTERNATIONAL EXHIBITORS

Thirty-five galleries are participating in this edition, twenty-seven of which are returning after finding the fair to be a favourable environment in which to strengthen connections, increase visibility and promote their artists' work on an international scene.

Twenty-six of these are Spanish galleries from various regions of the country: 3 Punts Gallery (Barcelona), Alba Cabrera Gallery (Valencia), Aurora Vigil-Escalera (Gijón), CLC ARTE (Valencia), DDR Art Gallery (Madrid), Est_ArtSpace (Madrid), g • gallery (Barcelona), Galería Arancha Osoro (Oviedo), Galería BAT alberto cornejo (Madrid), Galería Beatriz Pereira (Plasencia), Galería Carmen Terreros (Zaragoza), Galería Espiral (Noja), Galería La Mercería (Valencia), Galería Luisa Pita (Santiago de Compostela), Galería María Aguilar (Cadiz), Metro Gallery (Santiago de Compostela), Rodrigo Juarranz Gallery (Aranda de Duero), Sigüenza Gallery (Sigüenza), Gerhardt Braun Gallery (Palma de Mallorca | Madrid), Inéditad Gallery (Barcelona), Kur Art Gallery (San Sebastián), LAVIO (Murcia | Shanghai), Moret Art (A Coruña), Pigment Gallery (Barcelona), Shiras Galería (Valencia) and Uxval Gochez Gallery (Barcelona). This selection of galleries highlights the importance of the Spanish scene and its contribution to the development of the contemporary cultural ecosystem.


Art Madrid '25. Photo by Lucas Amillano


The nine international galleries participating in this edition are: Banditrazos Gallery (Seoul, South Korea), Collage Habana (Havana, Cuba), Galeria São Mamede (Lisbon, Portugal), Galerie ONE (Paris, France), KANT Gallery (Copenhagen, Denmark | Palma de Mallorca, Spain), Loo & Lou Gallery (Paris, France), Nuno Sacramento Arte Contemporânea (Ílhavo, Portugal), Trema Arte Contemporânea (Lisbon, Portugal) and Yiri Arts (Taipei, Taiwan). Their participation broadens the fair's international reach, promoting creative and conceptual exchange between diverse artistic perspectives.

In addition, eight new galleries have been added to the list of exhibitors:

Banditrazos Gallery (Seoul, South Korea), Est_ArtSpace (Madrid, Spain), g • gallery (Barcelona, Spain), Galería Beatriz Pereira (Plasencia, Spain), Galerie ONE (Paris, France), Galería Sigüenza (Sigüenza, Spain), Gerhardt Braun Gallery (Palma de Mallorca | Madrid, Spain) and KANT Gallery (Copenhagen, Denmark | Palma de Mallorca). These additions reinforce Art Madrid's commitment to continuous renewal and openness to spaces that are exploring new approaches to contemporary art.


Art Madrid '25. Photo by Lucas Amillano


PARALLEL PROGRAM: A REFLECTION ON THE ‘SPECIES’ OF SPACES


One of the great attractions of Art Madrid is its Parallel Program, which this time delves into the notions of: ‘Fragments, relationships, and imaginary distances.’ This approach turns the fair into an expanded space, where art, audience, architecture, and memory converge. Thus, the Parallel Program proposes a critical approach to the container of the event itself. Taking as a reference the reading of Species of Spaces by Georges Perec (Perec, Georges. Species of Spaces. Montesinos, 2004), it adopts a marked interest in the everyday, that which usually goes unnoticed, the infra-ordinary, giving each corner of the venue its own narrative value.

Another of the conceptual references of this edition is based on an analysis of Édouard Glissant's Poetics of Relation (Glissant, Édouard. Poetics of Relation; Prologue by Manuel Rebón. - 1st ed. - Bernal: Universidad Nacional de Quilmes, 2017.), which advocates the coexistence of differences and the importance of non-totalizing links, which are extrapolated to the art system, proposing an understanding of it as a network of exchanges and connections that respect the uniqueness of each cultural practice and actor.

‘Imaginary distances,’ understood as subjective journeys and affective cartographies traced by visitors, thus become the conceptual axis that articulates this program. This perspective transforms the Fair into an experience that goes beyond visual contemplation, turning it into a territory that can be collectively reconstructed, without losing sight of the paths travelled by the individuality of each voice.

In this edition, the Parallel Program encourages visitors to engage with the space and its projects, turning contemplation into an opportunity to question and interact with things that might otherwise go unnoticed in everyday life.


Art Madrid '25. Photo by Lucas Amillano


In the preview and during Art Week, Art Madrid'26 offers a range of experiences that allow the public to get closer to the creative process and practices of the participating artists. Among the returning initiatives are the Interview Program, Curated Walkthroughs, the third edition of Open Booth, dedicated to emerging creation, the presentation of Espacio Nebrija, a university project in collaboration with Nebrija University, alongside the fair’s established Performance Cycle.

In addition, the One Shot Collectors Program and the second edition of the Patronage Program are back. These initiatives seek to strengthen the bond between collectors, artists, and the public, promoting ethical, informed, and responsible practices in collecting and patronage.


Art Madrid '25. Photo by Lucas Amillano


Art Madrid'26 has established itself as a dynamic meeting place, where diverse experiences, discourses, and practices converge. Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity as a structuring principle, respecting the identity of each exhibitor and fostering a plural creative ecosystem. This plurality is not merely formal, but translates into a network of practices, languages, and perspectives that reflects the complexity, richness, and tensions of the contemporary art scene, consolidating the fair as a catalyst for cultural relations, an observatory of emerging trends, and an international reference point for the Spanish art scene.

WELCOME TO ART MADRID'26