Art Madrid'25 – YOUR FIRST ARTWORK: VENTURE YOURSELF IN THE WORLD OF ART COLLECTING

Perhaps, at first glance, getting started in the collection of contemporary art may seem complicated and even more if the potential buyers are not part of the specialized sector. However, from Art Madrid we want to encourage young collecting and accompany all those interested in entering the wonderful world of private collecting.

Perhaps we can highlight some keys that will help the audience to decide on a work: on the one hand, choosing artists whose careers are in an initial or intermediate state; on the other, start with those small format works made on paper. In addition, if possible, seek advice from gallery owners or even being able to meet the creator, will greatly help in making decisions. Of course, we must erase the possible barriers that still would condition the contemplation and acquisition of contemporary art and simply dare to know it from respect, imagination and personal background.

Virginia Rivas

El amor está en la tierra, 2017

Acrylic, graphite and bodybuilder tape on canvas

20 x 20cm

Contemporary creation is much closer than we think; we have to remember that these artists live in our time and therefore may have very similar aspirations or concerns to ours. Although it seems otherwise, especially because of the variety of languages used by the contemporary artist, we can delve much better into his world view, since we have more tools to understand and it is closer to us than the one Titian, Goya or Picasso had. Anyone who has a real interest in entering the world of current art will discover that it is not as complex or encrypted as he may have thought, and if not understood, it must not be rejected either. Many times it is not about understanding or justifying each of the forms, it is more about enjoying, knowing the creative proposals and letting yourself be surprised. Of course, the viewer does not have to like everything that exposed, for the simple legitimizing act granted by the gallery or the museum, but neither has to deny all creation because of certain prejudices. Painting, sculpture, photography, audiovisuals, graphic work, technological art, living arts, action art... Art was never more open than in our days.

Manuela Eichner

Monstrenga, 2018

Objeto en PS

57 x 29cm

Rūta Vadlugaitė

A Cone, 2017

Oil on canvas

51 x 44cm

In a fair like Art Madrid, which has always stood out for being cosy and close, you can find very interesting and affordable works to get introduced into collecting such as the special edition of Guest Artist, Rubén Martín de Lucas. It is a limited series of photographs part of the series "Repúblicas Mínimas" and corresponds to the "Republic No. 12". Likewise, the work on paper by the young Rūta Vadlugaitė (Contour Art Gallery) could interest the starting collector. Her work, characterized by the roundness of the shapes and the large spots of colour, can be found in one of the stands of the One Project of this edition since this artist has been one of those selected by the critic Nerea Ubieto. Other participants of this curating program are Virginia Rivas (DDR Art Gallery) and Manuela Eichner (RV Art and Culture), from which you can also buy some of the pieces from their series at a very good price. It is the same with the work on paper by Cristina Alabau, poetic abstractions of nature.

Cristina Alabau

Espacio interior, 2018

Watercolor

15 x 30cm

In this edition, furthermore, the potential collector can also acquire works of different techniques or supports at fairly affordable prices. In this sense, it is possible that many would be interested in the work by Silvio Alino (3 punts), a young artist who creates a fun, fresh and colourful work within pop culture, through mixed techniques on canvas. Equally, surely the small format painting by Pepa Salas (Robert Drees) will captivate more than one: from a beautiful game of black and white and colour touches, her work usually hides mysterious stories. They are other worlds in which to introduce ourselves, such as the most naturalist by María Ortega Estepa (Galería Luisa Pita); the urban ones by José Juan Gimeno (Alba Cabrera Gallery); or the most imaginative and enigmatic by Carolina Bazo, Jacques Custer o Jessica Schneider (O-Art Project).

Silvio Alino

Pop Icon, nº 392, 2018

Mixed media on canvas

40 x 40cm

María Ortega Estepa

Soñe contigo la noche que comenzaba la primavera, 2018

Oil on canvas

60 x 40cm

Another work that could seduce the young collector is that by Carlos Tárdez (Bea Villamarín): wonderful sculptural pieces that stand out both for their aesthetics and for their critical messages. Between sculpture and silkscreen lies the work by Iván Baizán (Arancha Osoro), an artist that investigates the technical possibilities of printing to the point of arriving at a three-dimensionality very coherent with its maximum preoccupation: the architectonic and urbanistic tracings and our ways of inhabiting them. And if what interests you is sculptural abstraction you can get to know, in the same stand, the fine work in glass by Luis Parades (Arancha Osoro).

Carolina Bazo

Patrones, 2017

Photography

20 x 70cm

Carlos Tárdez

Atlas, 2018

Polychrome resin

14 x 7cm

Finally, we highlight the special editions of interesting artists that can be found in many of the galleries participating in Art Madrid, such as BAT Alberto Cornejo, Moret Art, Fucking Art or Rodrigo Juarranz, among many others. You just have to dare to get acquainted with contemporary art and chat to gallerists and artists.

It is true that there can be many reasons that explain the purchase of art, a wide range that goes from the pure passionate impulse that can be felt before a piece to the coldest, but also very necessary, purchase as an investment. In the first event, there are such famous cases in Spain such as Pilar Citoler, a great collector who always remembers with affection her first acquisition: the work "El Andaluz Perdido" by José Caballero in the Juana Mordó gallery in 1970. From that date, Citoler has continued to expand a rich and very heterogeneous collection, the result of the passion of a "pure", pioneering and avant-garde collector, concluding with the transmission of more than 1,200 works to the Government of Aragon. Almost a disease that continues to feed today: "there cannot be art without obsession" read one of the great exhibitions on her collection curated by the critic, and specialist in the collection, Alfonso de la Torre. In the second case, there are numerous outstanding national corporate collections, especially those that seek the art of new technologies such as the BEEP Collection, Inelcom or BBVA. It only remains to us to decide how and why we want to collect, with all options being as interesting as they are legitimate.

 

At the most recent edition of Art Madrid, artist Luis Olaso (Bilbao, 1986), represented by Kur Art Gallery (San Sebastián), received the Residency Prize of the Art Madrid Patronage Program. This award, the result of a collaboration between Art Madrid, DOM Art Residence, and the Italian association ExtrArtis, enabled him to undertake an artistic residency in Sorrento (Italy) in August 2025.

Through initiatives like this, the fair reaffirms its support for contemporary creation—a commitment aimed at increasing artists’ visibility and strengthening art collecting through concrete actions such as acquisition prizes, recognition of emerging talents, and international residencies.


Artists in Residence. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


The DOM & ExtrArtis 2025 Residency Program took place in Sorrento from August 1 to 31, 2025. The artists lived together at Relais La Rupe, a 16th-century villa surrounded by cliffs and centuries-old gardens, which became an ideal setting for experimentation and exchange.

In this edition, residents worked around the theme “Reimagining Genius Loci”, an invitation to reflect on how the movement of people and traditions transforms the “spirit of place.” During the residency, DOM organized two public group exhibitions: the first to present the artists’ previous work, and the second to showcase the projects developed in Sorrento.


Work by Luis Olaso. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.


Luis Olaso’s work moves between expressionist figuration and abstraction, always employing a pictorial language charged with strength and emotion. Initially self-taught, he later graduated in Fine Arts and has developed a solid international career, with exhibitions at venues including JD Malat (London) and Makasiini Contemporary (Turku, Finland), and participation in fairs such as Untitled Miami, Estampa, and Art Madrid itself.

His work is part of prestigious collections, including the Tokyo Contemporary Art Foundation, Fundación SIMCO, and the Provincial Council of Bizkaia, and has been recognized in competitions such as the Reina Sofía Prize for Painting and Sculpture and the Ibercaja Young Painting Prize.

In Sorrento, Olaso found a unique context to expand his pictorial research, engaging in dialogue with the Mediterranean landscape and the region’s historical heritage. The residency provided him with time, resources, and a framework for exchange with other international artists, fostering the production of new works that were later presented in the group exhibitions organized by DOM.


Luis Olaso working on his project. DOM & ExtrArtis. Image courtesy of DOM.

Luis Olaso’s experience at DOM Art Residence concluded with a public showcase of the works produced, reinforcing his presence on the international circuit and consolidating his position as one of the most prominent Basque artists on the contemporary scene.


Through initiatives such as this, Art Madrid demonstrates its active role as a platform for direct support of contemporary creation, creating opportunities for research, production, and intercultural dialogue that extend beyond the fair itself and accompany artists in their professional development.