Albert’s production focuses around work with iron and corten steel, modeling them in such a way that his pieces almost come alive, in a continuous search for movement, explorations of space and geometry, and reflections between the object and its absence. Although his practice is firmly rooted within the Abstraction movement, he considers himself a very traditional artist who is guided by classical canons and places great importance on drawing and composition. During his most recent stage, the incorporation of color stands out as an additional tool that reinforces the contrast between volumes and as one of the his signs of identity.