Art Madrid'26 – David Rodríguez Caballero – 15 de septiembre de 2014 (2014)

David Rodríguez Caballero | 15 de septiembre de 2014

David Rodríguez Caballero

15 de septiembre de 2014, 2014

Steel and brass

200 x 34 x 19 cm

Aurora Vigil-Escalera

Gijón, España

Programa General A5

about David Rodríguez Caballero

Palencia, 1970

David Rodríguez Caballero based in New York since 2011. Studies in Fine Arts at the University of the Basque Country. Sculptor of refined lines that habitually uses materials such as aluminium, brass, and bronze, playing with light refractions on surfaces. He also experiments in other plastic fields with the work on vinyl. Rodríguez Caballero's work has been shown in galleries, museums and public institutions around the world, including the Museum of Modern Art in Moscow, the Würth Museum in La Rioja, the Oteiza Foundation Museum and other institutions in Europe and the United States.

He has participated in several art fairs, including the International Contemporary Art Fair in Miami, TEFAF Maastricht, Contemporary Istanbul, Art Basel Hong Kong, MACO in Mexico, Art Rio, ARCO and Estampa. He has won many awards, including the Premio Internacional de Grabado Bodegas Dinastía Vivanco (Museo de Arte Contemporáneo Unión Fenosa, 2006), Volksbank Paderborn Painting (Paderborn, Germany, 1996), among others.

about the artist's works

Rodríguez Caballero is a sculptor of refined lines for which light is one of the protagonists of his work. The light refractions on the different forms and materials that it uses, among which aluminium, brass and bronze stand out, form the conceptual and aesthetic basis of its production. His sculptural creations initially start from the folds, until the incorporation of the curve, which brings with it the novelty of the movement and the expansion of the wall to the round bulge, generating new relationships with the space in which it is located. The game of the concave and the convex, of the curves that expand or contract generate sculptures that gain in organicity. He also experiments in other plastic fields with the work on vinyl and inroads in the field of jewellery, where the curved line appears for the first time and then moves to the large format.

Featured works

Carmen Mansilla | Riverside

Carmen Mansilla

Riverside, 2025

Óleo y lápiz sobre lino

50 x 50 cm

Dave Cooper | Creamsicle 2

Dave Cooper

Creamsicle 2, 2023

Óleo sobre lienzo

71 x 71 cm

Fabian Treiber | You Wouldn’t Believe, What I’ve Been Through

Fabian Treiber

You Wouldn’t Believe, What I’ve Been Through, 2025

Acrílico, tinta, pastel al óleo, pastel y papel sobre lienzo

170 x 180 cm

Joost Vandebrug | 25-29

Joost Vandebrug

25-29, 2025

Transferencias de emulsión fotográfica sobre papel morera

135 x 100 cm

Lorenzo Fernández | Justicia

Lorenzo Fernández

Justicia, 2023

Óleo y acrílico sobre aluminio

120 x 120 cm

Maxim Wakultschik | Life doesn’t frighten me

Maxim Wakultschik

Life doesn’t frighten me, 2025

Colored wooden sticks

35 x 26 x 8.6 cm

Sergio de la Flora | Nihonzaru

Sergio de la Flora

Nihonzaru, 2023

Óleo sobre resina y madera

50 x 50 cm

Steen Ipsen | Ellipse 19

Steen Ipsen

Ellipse 19, 2022

Cerámica esmaltada en negro y PVC amarillo

43 x 42 x 45 cm

Tadanori Yamaguchi | Ramas en blanco

Tadanori Yamaguchi

Ramas en blanco, 2017

Mármol blanco

70 x 70 x 20 cm

Xavi Noble | What lies beneath

Xavi Noble

What lies beneath, 2025

Acrílico y spray sobre tela

120 x 100 cm

Ana Monsó | Después del silencio 7

Ana Monsó

Después del silencio 7, 2025

Acrílico y tinta sobre lienzo

187 x 157 cm

CHIU Huai-Hsuan | Read After Cutting 30

CHIU Huai-Hsuan

Read After Cutting 30, 2025

Various types of wood, metal, gear, motor

43.1 x 30.6 x 9.5 cm

Crystal Lupa | One Hundred Years of Solitude

Crystal Lupa

One Hundred Years of Solitude, 2023

Oil on linen folding screen

168 x 189 x 3.2 cm

DIMASLA (Diana + Álvaro) | Sobre los márgenes del cielo

DIMASLA (Diana + Álvaro)

Sobre los márgenes del cielo, 2024

Polvo de cemento en suspensión, lluvia, sol, viento, polen de tomillo y romero sobre acrílico en tela de algodón natural cosida, expuesta sobre suelo de arcilla calcáreo durante cuatro meses

130 x 162 cm