Delivery term:
Certificate of authenticate: Signed by the gallery seller
Purchasing process: 100% security

Tinta china sobre papel Hahnemühle
63 x 41 cm
Delivery term:
Certificate of authenticate: Signed by the gallery seller
Purchasing process: 100% security
This artwork is available and will be delivered after the confirmation of your order. The transport includes the insurance for the value of the piece with full coverage of any incident.
You can pay by credit card, debit card or bank transference. The payment is completely secure and confidential, all the purchasing processes in Art Madrid MARKET are protected by a security protocol under an encrypted SSL certificate and 3DSecure by Visa and MasterCard.
You have 14 days to find the perfect place for your artwork. If you change your mind, you can return it and we will reimburse the price you paid. You will only have to bear the shipping costs of the return.

Isla, (Cantabria), 1956
Bachelor of Bb. Arts at the Faculty of San Fernando in Madrid. Titular Professor at the Faculty of Education of the University of Cantabria. He teaches classes in the area of. Knowledge, of Didactics of Plastic Expression, at the University of Cantabria, Department of Education. He directs the Serigraph Workshop at the Faculty of Education of the U.C. Member of the Didactic Gallery Team of the U.C. “Under the title Archeology of a landscape, Joaquina Cano addresses his artistic reflection on the landscape from two personal perspectives: landscape in situ, what is seen, and landscape in view, what has happened. An approach to the landscape with a predominance of the mental image over the visual. For this, he starts from landscapes of memory (his childhood and adolescence in a rural and sailor nucleus of the town of Noja) that now revisits and fixes on those aspects of it that appear uninhabited but in which the intervention of man has been mimicked with the natural environment In different formats (vertical to underline the grandeur, horizontal to emphasize the panoramic vision), with different lights (fulfilling a symbolic value referring to the past and the present, day and night, reality and dreams) and Relying on the classic elements of painting: the point, the line and the stain, Joaquín Cano reinterprets the landscape of memory, giving it an emotional charge. ”. (L. A. Salcines). The landscape is built - landscape architecture - by superimposing the artificial and the natural, the result of a human intervention - forced, unconscious or artistic - to adapt the resulting image to our aesthetic conventions."