Art Madrid'26 – Miguel Villarino – Paisajes compuestos I–III–IV (2025)

Miguel Villarino | Paisajes compuestos I–III–IV

Miguel Villarino

Paisajes compuestos I–III–IV, 2025

Acrylic on canvas

81 x 65 cm

Galería Carmen Terreros

Zaragoza, España

Programa General A8

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about Miguel Villarino

Zamora, 1959

He studied Engineering and Philosophy, which he left in order to dedicate himself to the arts. He began printmaking as a self-taught artist, later joining the workshop of master printmaker Theo Dietrich in Madrid and the National School of Graphic Arts. In 1982 he founded his own printmaking studio, and in 1986 the art magazine CYAN. In 1989 he created the graphic art publishing house M más M Ediciones, and in 1990 the printmaking and poetry magazine Estación Central. He was awarded a grant at the Spanish Academy of Fine Arts in Rome for the 1996–1997 academic year. He founded the Estación Central Gallery and its namesake publishing house. He has collaborated with workshops in Italy, France, Germany and Portugal, and has taught printmaking in various art centers such as the Andalusian Center for Serial Art, Fundación CIEC, Centro de las Artes de Alcorcón, Spanish Center for Graphic Art, the 1st Almería Biennial, Kulturwerkstatt HAUS 10 in Munich, Casa del Artista in Costa Rica and the Cervantes Institute in Tangier, among others. He currently directs the Spanish Center for Graphic Art and the Ars Eria Association, a nonprofit organization dedicated to cultural development in the “España Vaciada” (Empty Spain).

Miguel Villarino 's works

Miguel Villarino | Nocturno L

Miguel Villarino

Nocturno L, 2025

Acrylic on canvas

100 x 81 cm

Miguel Villarino | Dum spiro spero II

Miguel Villarino

Dum spiro spero II, 2025

Acrylic on canvas

120 x 120 cm

Miguel Villarino | Contemplación II

Miguel Villarino

Contemplación II, 2025

Acrylic on canvas

162 x 130 cm

Miguel Villarino | Mirabilia Urbis

Miguel Villarino

Mirabilia Urbis, 2025

Acrylic on canvas

81 x 61 cm

Featured works

Carmen Mansilla | Riverside

Carmen Mansilla

Riverside, 2025

Óleo y lápiz sobre lino

50 x 50 cm

Dave Cooper | Creamsicle 2

Dave Cooper

Creamsicle 2, 2023

Óleo sobre lienzo

71 x 71 cm

Fabian Treiber | You Wouldn’t Believe, What I’ve Been Through

Fabian Treiber

You Wouldn’t Believe, What I’ve Been Through, 2025

Acrílico, tinta, pastel al óleo, pastel y papel sobre lienzo

170 x 180 cm

Joost Vandebrug | 25-29

Joost Vandebrug

25-29, 2025

Transferencias de emulsión fotográfica sobre papel morera

135 x 100 cm

Lorenzo Fernández | Justicia

Lorenzo Fernández

Justicia, 2023

Óleo y acrílico sobre aluminio

120 x 120 cm

Maxim Wakultschik | Life doesn’t frighten me

Maxim Wakultschik

Life doesn’t frighten me, 2025

Colored wooden sticks

35 x 26 x 8.6 cm

Sergio de la Flora | Nihonzaru

Sergio de la Flora

Nihonzaru, 2023

Óleo sobre resina y madera

50 x 50 cm

Steen Ipsen | Ellipse 19

Steen Ipsen

Ellipse 19, 2022

Cerámica esmaltada en negro y PVC amarillo

43 x 42 x 45 cm

Tadanori Yamaguchi | Ramas en blanco

Tadanori Yamaguchi

Ramas en blanco, 2017

Mármol blanco

70 x 70 x 20 cm

Xavi Noble | What lies beneath

Xavi Noble

What lies beneath, 2025

Acrílico y spray sobre tela

120 x 100 cm

Ana Monsó | Después del silencio 7

Ana Monsó

Después del silencio 7, 2025

Acrílico y tinta sobre lienzo

187 x 157 cm

CHIU Huai-Hsuan | Read After Cutting 30

CHIU Huai-Hsuan

Read After Cutting 30, 2025

Various types of wood, metal, gear, motor

43.1 x 30.6 x 9.5 cm

Crystal Lupa | One Hundred Years of Solitude

Crystal Lupa

One Hundred Years of Solitude, 2023

Oil on linen folding screen

168 x 189 x 3.2 cm

DIMASLA (Diana + Álvaro) | Sobre los márgenes del cielo

DIMASLA (Diana + Álvaro)

Sobre los márgenes del cielo, 2024

Polvo de cemento en suspensión, lluvia, sol, viento, polen de tomillo y romero sobre acrílico en tela de algodón natural cosida, expuesta sobre suelo de arcilla calcáreo durante cuatro meses

130 x 162 cm