Pilar Díez conceives the time of creation: "as a continuous-time, of craving and stillness, of going against the tide, of distances and insistence, chasing that impalpable something of beauty, the throbbing of naturalness"; it enhances, in this way, what arises organically and fluidly, and moves away from the far-fetched and contrived that dominates our time. In her work, it is not possible to find limits either at the spatial level, neither beginning nor end, nor orientation, only continuous strokes on surfaces that shape abstract compositions. Her works establish a "dialogue" with oriental art, geometry, Japanese, Cyrillic and Latin calligraphy, architecture, music, literature, etc. And ooze sensitivity. At a technical level, its versatility stands out, since it uses acrylic, watercolour, tempera, ink, pencil, gold leaf and stitches on different supports such as felt, Japanese paper, watercolour and tempera paper, wooden board or canvas.